BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Moore Institute - ECPv6.0.0.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Moore Institute
X-ORIGINAL-URL:https://mooreinstitute.ie
X-WR-CALDESC:Events for Moore Institute
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Dublin
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:IST
DTSTART:20240331T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20241027T010000
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20240110T160000
DTEND;TZID=Europe/Dublin:20240110T173000
DTSTAMP:20260514T163806
CREATED:20240109T141659Z
LAST-MODIFIED:20240109T142338Z
UID:14436-1704902400-1704907800@mooreinstitute.ie
SUMMARY:University of Galway History Research Seminar: Gendered data in early medieval sources: Reflections from the Gendered Networks and GENCHRON projects
DESCRIPTION:Dr Máirín MacCarron (University College Cork)  \nGendered data in early medieval sources:  \nReflections from the Gendered Networks and GENCHRON projects \nAbstract \nThis paper will introduce and explain the development and analysis of gendered data in two of the presenter’s funded research projects: Women\, Conflict and Peace: Gendered Networks in Early Medieval Narratives (funded by the Leverhulme Trust\, 2018–2021) and Time for Women? Gender\, Chronology and Historiography before AD 900\, GENCHRON (Irish Research Council Consolidator Laureate grant\, 2022–2026). It will discuss the representation of gender and gender statistics in a selection of sources from late antiquity and the early middle ages – works of history\, hagiographies and chronicles – and in modern historiography. This paper will argue that data-driven approaches can allow historians to move past a reductive view of gendered roles and the place of women in medieval society. \nBiography \nDr Máirín MacCarron was appointed to the Department of Digital Humanities at UCC in 2019. Prior to this role\, she held posts in the Departments of History at the University of Galway and the University of Sheffield. She was awarded the Irish Historical Research Prize 2021 for her book Bede and Time: computus\, theology and history in the early medieval world (Routledge: London and New York\, 2020). She is Principal Investigator of Time for Women? Gender\, Chronology and Historiography before AD 900 (GENCHRON) which runs from 2022–2026\, funded by an Irish Research Council Consolidator Laureate Grant. She was Co-Investigator on the research project Women\, Conflict and Peace: Gendered Networks in Early Medieval Narratives funded by the Leverhulme Trust and based at the University of Sheffield from 2018–2021; and she was Co-Investigator on the Digital Edgeworth Network funded by the ‘UK-Ireland Collaboration in Digital Humanities Networking Programme’ and jointly based at Cork and Oxford\, from 2020–2021. \nRegistration\nTo attend via Zoom\, please register at: https://forms.office.com/e/FDWKnekvcv \nThis is a hybrid event. The paper will be delivered in-person\, in Room G010\, Hardiman Research Building\, University of Galway (ground floor) and livestreamed simultaneously on Zoom: https://universityofgalway-ie.zoom.us/j/98639590634. \nSeminars are not recorded. \nFull Programme\nA full programme for this semester’s seminars is available at: University_of_Galway_History_Seminar_2023-24_Semester_02. \nThis talk is part of the University of Galway History Seminar series. \nImage: an image of a woman feeding hens from the apse mosaic of San Clemente in Rome.
URL:https://mooreinstitute.ie/event/university-of-galway-history-research-seminar-gendered-data-in-early-medieval-sources-reflections-from-the-gendered-networks-and-genchron-projects/
LOCATION:THB-G010 Moore Institute Seminar Room\, Hardiman Research Building\, University of Galway & streamed live on Zoom
ATTACH;FMTTYPE=image/jpeg:https://mooreinstitute.ie/wp-content/uploads/2024/01/Kevin-seminar-10-Jan-2024.jpg
ORGANIZER;CN="Dr%20Gear%C3%B3id%20Barry%20gearoid.barry%40universityofgalway.ie":MAILTO:kevin.k.osullivan@universityofgalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20240116T120000
DTEND;TZID=Europe/Dublin:20240116T130000
DTSTAMP:20260514T163806
CREATED:20240111T163901Z
LAST-MODIFIED:20240111T164819Z
UID:14448-1705406400-1705410000@mooreinstitute.ie
SUMMARY:Centre for Creative Technologies masterclass series: Neuroscience of Creativity
DESCRIPTION:Creativity is a key skill with increasing relevance for contemporary and future societies. This seminar presents an overview of how the human brain affords us the ability to think creatively. We will: [1] examine the neural basis of the creative process as revealed through neuroimaging methods; [2] explore why people differ in levels of creative ability; and [3] evaluate creativity-enhancing interventions including brain stimulation\, pharmacological agents\, and behavioural changes. Beyond understanding the production of creative work\, we will also consider the recognition of creativity and how it differs to intelligence from a neuroscientific perspective. Finally\, we will review experimental evidence from the Cultural Evolution literature that suggests limiting factors to innovation due to how information is transferred intergenerationally and ways we might overcome any such psychological constraints on our creativity capacity. \nSpeaker Bio: Dr Jane Conway is an SFI-IRC Pathway Fellow and Honorary Research Lecturer in the School of Psychology\, University of Galway. She is an experimental psychologist who focuses on higher order cognition in humans\, specializing in the role of culture in shaping the mental processes that allow us to represent abstract features of the world. She directs the Scientific Arts Lab\, an interdisciplinary group that studies the development of scientific concept literacy through creative practice. \nRegistration\nPlease register via Eventbrite at: https://www.eventbrite.ie/e/neuroscience-of-creativity-tickets-795300604517 
URL:https://mooreinstitute.ie/event/centre-for-creative-technologies-masterclass-series-neuroscience-of-creativity/
LOCATION:Studio 3\, O’Donoghue Centre for Drama\, Theatre and Performance\, University of Galway
ATTACH;FMTTYPE=image/jpeg:https://mooreinstitute.ie/wp-content/uploads/2024/01/skye-studios-NDLLFxTELrU-unsplash.jpg
ORGANIZER;CN="Dr%20Conn%20Holohan":MAILTO:conn.holohan@universityofgalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20240117T160000
DTEND;TZID=Europe/Dublin:20240117T173000
DTSTAMP:20260514T163806
CREATED:20240115T073753Z
LAST-MODIFIED:20240115T074026Z
UID:14464-1705507200-1705512600@mooreinstitute.ie
SUMMARY:University of Galway History Research Seminar: ‘below and above and beyond all quarrels’: The Irish Free State in the British tabloids\, 1922-1932
DESCRIPTION:University of Galway History Research Seminar: \n‘below and above and beyond all quarrels’: The Irish Free State in the British tabloids\, 1922-1932  \nDr Elspeth Payne (Trinity College Dublin)  \nAbstract \nIn this talk\, I explore how the British popular press engaged with the newly independent Irish Free State. While situating content in its wider political context\, I focus on the continued cultural and social entanglement found across the diverse tabloid news content. I consider how notable events like Saint Patrick’s Day\, the Dublin Horse Show\, and the Eucharistic Congress focused attention and betrayed continued press enthusiasm for all things Irish. I discuss the multifaceted types and tropes appearing daily and the ideas about Anglo-Irish connections underpinning them. Finally\, I reflect on how this non-political content can be used to better understand how the tabloids navigate the political changes of the decade. \nBiography \nDr Elspeth (Ellie) Payne is the Coordinator of The Democracy Forum and Research Fellow at the Trinity Long Room Hub Arts and Humanities Research Institute in Trinity College Dublin. The Democracy Forum brings together Arts and Humanities researchers and media practitioners to interrogate questions relating to democracy\, media\, and technology. She is the co-creator and co-host of History of the Future podcast series and involved in the Critical ChangeLab\, an EU-funded project on democracy education. She is currently writing  working on a monograph on the British tabloids and Ireland after independence. She holds a PhD and MPhil from Trinity College Dublin and a BA from the University of Oxford. \nRegistration\nThis is a hybrid event. The paper will be delivered in-person\, in Room G010\, Hardiman Research Building\, University of Galway (ground floor) and livestreamed simultaneously on Zoom: https://universityofgalway-ie.zoom.us/j/97267209505. \nSeminars are not recorded. \nTo attend via Zoom\, please register at: https://forms.office.com/e/4LfJ8JhVCn \nThis talk is part of the University of Galway History Seminar series. \nImage: selection of pages from the British press\, 1922.
URL:https://mooreinstitute.ie/event/university-of-galway-history-research-seminar-below-and-above-and-beyond-all-quarrels-the-irish-free-state-in-the-british-tabloids-1922-1932/
LOCATION:In-person\, in Room G010\, Hardiman Research Building\, University of Galway (ground floor) and livestreamed simultaneously on Zoom
ATTACH;FMTTYPE=image/png:https://mooreinstitute.ie/wp-content/uploads/2024/01/Kevin-History-17-Jan-2024.png
ORGANIZER;CN="Dr%20Gear%C3%B3id%20Barry%20gearoid.barry%40universityofgalway.ie":MAILTO:kevin.k.osullivan@universityofgalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20240119T120000
DTEND;TZID=Europe/Dublin:20240119T140000
DTSTAMP:20260514T163806
CREATED:20240114T213211Z
LAST-MODIFIED:20240114T213323Z
UID:14458-1705665600-1705672800@mooreinstitute.ie
SUMMARY:CAMPS LAB: Global and Local Scholarship on Annotated Manuscripts: an introduction to the GLOSSAM project
DESCRIPTION:Pádraic Moran\, Mary Sweeney\, and Chiara Corongiu\nGlobal and Local Scholarship on Annotated Manuscripts: an introduction to the GLOSSAM project \n19 January 2024 \nTHB-G010 \n12-2 pm \nLunch to follow & all welcome!
URL:https://mooreinstitute.ie/event/global-and-local-scholarship-on-annotated-manuscripts-an-introduction-to-the-glossam-project/
LOCATION:THB-G010 Moore Institute Seminar Room\, Hardiman Research Building\, University of Galway
ATTACH;FMTTYPE=image/jpeg:https://mooreinstitute.ie/wp-content/uploads/2024/01/Glossam-19-Jan-2024.jpg
ORGANIZER;CN="Dr%20Christian%20Schweizer":MAILTO:christian.schweizer@universityofgalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20240124T130000
DTEND;TZID=Europe/Dublin:20240124T140000
DTSTAMP:20260514T163806
CREATED:20240122T155355Z
LAST-MODIFIED:20240122T155941Z
UID:14507-1706101200-1706104800@mooreinstitute.ie
SUMMARY:The School of Political Science and Sociology research seminar: “Moral obligation as a conclusive reason: On Bernard Williams’ critique of the morality system”
DESCRIPTION:The School of Political Science and Sociology invite you to a research seminar  \nwith Dr Allyn Fives  \n(Discipline of Politics; Power\, Conflict\, and Ideologies research cluster)  \n“Moral obligation as a conclusive reason: On Bernard Williams’ critique of the morality system”  \nBernard Williams’ critique of the morality system\, as illustrated in his reading of Aeschylus’ Agamemnon\, is intended to show both that real moral conflicts can arise\, and that a moral obligation is merely one reason among others and can be defeated by the thick concepts of a shared ethical life. I want to advance two lines of argument. First\, when Williams argues that a moral obligation can be the locus of moral conflict\, a further step is required to explain why one should feel regret for not acting on a defeated reason. Second\, Williams presupposes that\, when a conflict is resolved\, the conclusive reason will be a thick concept\, but there is no compelling justification for that assumption. \nPlease also find full paper at: Allyn_Fives_Bernard_Williams_Paper_2024. \nAll welcome! \nImage: ‘At the feet of Athena\, Greek warriors draw lots for the armour of Achilles’. Red figure Kylix\, ca. 490 BCE. Kunsthistorisches Museum\, Vienna\, Austria. Photo by Eric Lessing / Art Resource\, NY. 
URL:https://mooreinstitute.ie/event/the-school-of-political-science-and-sociology-research-seminar-moral-obligation-as-a-conclusive-reason-on-bernard-williams-critique-of-the-morality-system/
LOCATION:MY 331\, Aras Moyola\, University of Galway
ATTACH;FMTTYPE=image/png:https://mooreinstitute.ie/wp-content/uploads/2024/01/Soc-Pol-24-Jan-2024.png
ORGANIZER;CN="Dr%20Stacey%20Scriver":MAILTO:stacey.scriver@universityofgalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20240124T160000
DTEND;TZID=Europe/Dublin:20240124T173000
DTSTAMP:20260514T163806
CREATED:20240119T155259Z
LAST-MODIFIED:20240119T155413Z
UID:14502-1706112000-1706117400@mooreinstitute.ie
SUMMARY:University of Galway History Research Seminar: Teaching the nation’s past: Irish history in secondary schools\, 1924-69
DESCRIPTION:University of Galway History Research Seminar:  \nTeaching the nation’s past: Irish history in secondary schools\, 1924-69  \nDr Colm Mac Gearailt (University of Galway)  \nAchoimre/Abstract: \nWhat we teach shows what we value. This talk considers the version(s) of the past set for study\, taught in schools\, and learned by students in the Irish Free State and beyond. It tracks history as a subject\, and specifically Irish history within this\, from 1924\, when the Department of Education was first founded\, until 1969\, and the period of ‘modernisation’. As part of this investigation\, it examines three key research questions: Firstly\, what Irish history was taught\, how it was taught\, and why? Secondly\, what cultural and political ideologies influenced the teaching of Irish history during this period? Finally\, how did policy and official rhetoric relate to practice\, and the reality of history at school-level.  It contends that a narrative of Irish history was promoted in secondary schools which tended to focus on a traditional ‘Great Man’ approach to history with a strong emphasis on high politics\, and on religion. This narrative was not as simplistic however as previously assumed. By taking the differing emphases in the major textbooks into account\, and appreciating how the Certificate examinations were not solely focussed on promoting a militant version of Irish Catholic history\, it challenges the received understanding of Irish history as taught in secondary schools during the period under investigation. \n Biography \nDr Colm Mac Gearailt completed his IRC-funded PhD\, entitled ‘Teaching the Nation’s Past: Irish History in Secondary Schools\, 1924-69’ at Trinity College Dublin in 2019. He has lectured on the History of Education with Marino Institute of Education\, Hibernia College\, and with TCD. In 2022 he completed a post-doctoral research position with SEALBHÚ\, DCU\, where he conducted an Early Enactment Review of the Junior Cycle Irish Curriculum Specifications (L1 and L2)\, on behalf of the NCCA. During his PhD\, Mac Gearailt also translated the autobiographies of Earnáin de Blaghad from Irish to English\, which were subsequently used towards the late Prof. David Fitzpatrick’s Ernest Blythe: A Double Life (Cork 2018). He is currently a postdoctoral researcher at University of Galway\, on the ‘CARTLANN: Gníomhaíochas\, teanga agus na meáin’ project; a study of the Conradh na Gaeilge archives\, specifically considering language activism\, the Irish language\, and the media in the twentieth century. The research is funded by The HEA North-South Research Programme 2021\, under the Shared Island Initiative. He is a published poet\, and has also worked in television. \nRegistration\nThis is a hybrid event. The paper will be delivered in-person\, in Room G010\, Hardiman Research Building\, University of Galway (ground floor) and livestreamed simultaneously on Zoom: https://universityofgalway-ie.zoom.us/j/98107440319. \nSeminars are not recorded. \nTo attend via Zoom\, please register at: https://forms.office.com/e/d7Bg2N2gCg  \nThis talk is part of the University of Galway History Seminar series. \nImage: detail from the cover of Mark Tierney and Margaret MacCurtain\, The birth of modern Ireland (1969).
URL:https://mooreinstitute.ie/event/university-of-galway-history-research-seminar-teaching-the-nations-past-irish-history-in-secondary-schools-1924-69/
LOCATION:In-person\, in Room G010\, Hardiman Research Building\, University of Galway (ground floor) and livestreamed simultaneously on Zoom
ATTACH;FMTTYPE=image/png:https://mooreinstitute.ie/wp-content/uploads/2024/01/Kevin-History-24-Jan-2024.png
ORGANIZER;CN="Dr%20Gear%C3%B3id%20Barry%20gearoid.barry%40universityofgalway.ie":MAILTO:kevin.k.osullivan@universityofgalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20240125T150000
DTEND;TZID=Europe/Dublin:20240125T170000
DTSTAMP:20260514T163806
CREATED:20240103T150433Z
LAST-MODIFIED:20240103T150433Z
UID:14425-1706194800-1706202000@mooreinstitute.ie
SUMMARY:Fráma Eile roundtable series
DESCRIPTION:The Fráma Eile roundtable series\, organised by PhD students in the Centre for Irish Studies and Roinn na Gaeilge\, explores new approaches to framing established texts (in both English and Irish)\, material objects\, and artwork in the Irish Studies canon. \nFor our first seminar of 2024\, speakers will discuss Pádraic Ó Conaire’s novel Deoraíocht.  This event will be bilingual. \nAll are welcome\, and after presentations\, the floor will be open to contributions and comments from all in attendance. \nTo attend virtually via Zoom: https://universityofgalway-ie.zoom.us/j/92896159327?pwd=WkU5ODNhR09EckdIMVJTVmxwYTFvdz09 \n 
URL:https://mooreinstitute.ie/event/frama-eile-roundtable-series/
LOCATION:Seminar Room\, Centre for Irish Studies and Zoom
ATTACH;FMTTYPE=image/jpeg:https://mooreinstitute.ie/wp-content/uploads/2024/01/Frama-series-25-Jan-2024.jpg
ORGANIZER;CN="Gabrielle%20Machnik-Kekesi":MAILTO:G.Machnik-Kekesi2@universityofgalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20240131T120000
DTEND;TZID=Europe/Dublin:20240131T133000
DTSTAMP:20260514T163806
CREATED:20240123T165619Z
LAST-MODIFIED:20240123T165834Z
UID:14534-1706702400-1706707800@mooreinstitute.ie
SUMMARY:Centre for Creative Technologies masterclass series: Researching and publishing on practice-based work using creative tech
DESCRIPTION:Masterclass with Dr. Máiréad Ní Chróinín\, theatre artist and researcher based at Drama & Theatre Studies\, University of Galway. \nThis talk will be in two parts: the first part will focus on Dr. Ní Chróinín’s current research\, which explores the creation of ‘ecological perception’ through performances that utilise creative technologies. \nThe second part of the talk is aimed at practice-based PhDs\, and will explore writing and publishing on practice-based work\, based on Dr. Ní Chróinín’s experience as an early-career researcher and artistic practitioner. \nSpeaker Bio \nDr. Máiréad Ní Chróinín is a theatre artist and researcher. In her individual practice Máiréad has worked with body-centric technologies (sensors\, mobile technologies and VR & AR technologies)\, to create immersive and interactive works that place the audience member at the centre of the experience.  She has presented work in Dublin Fringe Festival\, Galway Theatre Festival and Galway Early Music Festival\, among others. In 2018 she took part in the SPACE residency at the Tyrone Guthrie Centre\, hosted by Performance Corporation\, which focused on intersections between VR and AR design and theatre practice.  Most recently\, she created a sound-walk commissioned by The Lighthouse Project and Cúirt International Festival of Literature\, and co-created ‘Mona’\, a work-in-progress sound-walk\, with James Riordan\, commissioned by Galway Theatre Festival. \nMáiréad received her PhD from NUI Galway\, focusing on how mobile digital technologies can be used to tap into and transform audience members’ sensory\, embodied experiences in ways that engender empathy and critical reflection. Her current research focuses on ways that creative technologies can intersect with the body of the participant to engender ‘ecological perception’ and engagement with climate and ecological issues. \nMáiréad is Co-Artistic Director of Galway-based theatre company Moonfish Theatre\, which has produced award-winning theatre in partnership with Babroró\, GIAF\, Dublin Fringe and the Town Hall Theatre\, among others. She is Druid Lecturer at the Drama and Theatre Studies Department of University of Galway\, where she lectures on ensemble theatre\, producing\, arts management\, and body and performance. \nRegistration\nPlease register via Eventbrite at: https://www.eventbrite.ie/e/researching-and-publishing-on-practice-based-work-using-creative-tech-tickets-807616301097 \n 
URL:https://mooreinstitute.ie/event/centre-for-creative-technologies-masterclass-series-researching-and-publishing-on-practice-based-work-using-creative-tech/
LOCATION:Studio 3\, O’Donoghue Centre for Drama\, Theatre and Performance\, University of Galway
ATTACH;FMTTYPE=image/jpeg:https://mooreinstitute.ie/wp-content/uploads/2024/01/David-31-Jan-2024.jpg
ORGANIZER;CN="Dr%20Conn%20Holohan":MAILTO:conn.holohan@universityofgalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20240131T160000
DTEND;TZID=Europe/Dublin:20240131T170000
DTSTAMP:20260514T163806
CREATED:20240124T114137Z
LAST-MODIFIED:20240124T115749Z
UID:14539-1706716800-1706720400@mooreinstitute.ie
SUMMARY:Principles and Practice of Intercultural Dramaturgy - ISTR Webinar
DESCRIPTION:Irish Society for Theatre Research Webinar: ‘Principles and Practice of Intercultural Dramaturgy’ \nDr Sarah Hoover in conversation with Dr Karen Jean Martinson \nJoin Dr. Sarah Hoover\, She/Her\, (University of Galway) and Dr. Karen Jean Martinsen\, She/Her\, (University of Arizona) in conversation discussing Principles and Practice of Intercultural Dramaturgy. \nSpeaker Bios: \nDr Sarah Hoover (She/Her) is a dramaturg\, lecturer and researcher focusing on immersive and interactive performance and audience-centred dramaturgy. Her specialisms include artistic research methodologies\, new material feminisms and multimodal digital humanities approaches. Currently\, she is a Postdoctoral Researcher at the University of Galway\, working on the EU Horizon2020 project CLS INFRA\, a four-year partnership to build shared DH resources of high-quality data\, tools and knowledge. Forthcoming publications include Reflective Affective Dramaturgies: larping audiences into theatre\, Palgrave Macmillan 2024\, and “Theatre and Performance Studies and RPGS” in Role-Playing Games: Transmedia Foundations\, Routledge 2024. She is also currently dramaturg to two productions\, Yaqui & Béal: Yoeme and Irish in Conversation by Esther Almazán and OtherWorld Post Office by Jenni Nikinmaa. Hoover sits on the Executive Committee of ISTR. \nKaren Jean Martinson\, PhD\, (she/her\,/hers) is an Assistant Professor of Dramaturgy in the School of Music\, Dance and Theatre in the Herberger Institute for Design and the Arts at Arizona State University. Her scholarly and creative work explores the intersection of contemporary USAmerican performance\, consumer culture\, neoliberalism\, and the processes of identification\, interrogating issues of race\, class\, gender\, and sexuality. She also writes and talks (constantly) about dramaturgy and dramaturgical thinking. Her manuscript\, Make the Dream Real: World-Building Through Performance by El Vez\, The Mexican Elvis\, is forthcoming with Intellect Press. Martinson has developed her robust dramaturgical approach over the past two decades\, and has worked on socially-engaged theatre that considers issues of race and racial oppression\, the impacts of gun violence\, intergenerational trauma\, the Indian Industrial Boarding School System\, issues of mobility in underprivileged communities\, and now the impending climate crisis. Her scholarship has been featured in such journals as The LMDA Review\, Theatre Annual\, Theatre Topics\, Theatre Journal\, Cultural Studies ó Critical Methodologies\, and Popular Entertainment Studies. Martinson currently serves as the VP Advocacy for the Literary Managers and Dramaturgs of the Americas (LMDA)\, was Secretary of the Association for Theatre in Higher Education (ATHE)\, and is active in the American Society for Theatre Research (ASTR)\, the American Theatre and Drama Society (ATDS)\, and the Mid-America Theatre Conference (MATC). She was awarded the Leon Katz Award for Teaching and Mentoring by LMDA in 2023. \nRegistration at: https://www.tickettailor.com/events/irishsocietyfortheatreresearch/1129310
URL:https://mooreinstitute.ie/event/principles-and-practice-of-intercultural-dramaturgy-istr-webinar/
LOCATION:Online\, Zoom
ATTACH;FMTTYPE=image/png:https://mooreinstitute.ie/wp-content/uploads/2024/01/ISTR-Jan-2024_1.png
ORGANIZER;CN="Dr%20Miriam%20Haughton%20miriam.haughton%40universityofgalway.ie":MAILTO:miriam.haughton@universityofgalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20240131T160000
DTEND;TZID=Europe/Dublin:20240131T170000
DTSTAMP:20260514T163806
CREATED:20240125T115837Z
LAST-MODIFIED:20240125T115924Z
UID:14550-1706716800-1706720400@mooreinstitute.ie
SUMMARY:University of Galway History Research Seminar: Defection and disclosure: The German Jesuits and the problem of apostasy in the sixteenth century 
DESCRIPTION:University of Galway History Research Seminar \nDefection and disclosure:  \nThe German Jesuits and the problem of apostasy in the sixteenth century \nDr Richard Kirwan (University of Limerick)  \n  \nBiography\nDr Richard Kirwan is a Senior Lecturer in History and an Irish Research Council Laureate. He is the P.I. of ‘Malcontents: Order and Disorder in the Early Modern World of Learning\,’ a four-year project funded by an Irish Research Council Consolidator Laureate award. His research interests include the social and cultural history of early modern universities and the world of learning\, early modern print culture\, and the culture and politics of religious conversion. Dr Kirwan’s publications include the monograph Empowerment and Representation at the University in Early Modern Germany: Helmstedt and Würzburg\, 1576-1634 (Wiesbaden: Harrassowitz\, 2009)\, and the edited volumes Scholarly Self-Fashioning and Community in the Early Modern University (Farnham: Ashgate\, 2013)\, and Specialist Markets in the Early Modern Book World (Leiden: Brill\, 2015). Prior to taking up his position at the University of Limerick\, Dr Kirwan held posts at the University of St Andrews\, the European University Institute\, Florence\, Maynooth University\, and Trinity College Dublin. \nRegistration\nThis is a hybrid event. The paper will be delivered in-person\, in Room G010\, Hardiman Research Building\, University of Galway (ground floor) and livestreamed simultaneously on Zoom: https://universityofgalway-ie.zoom.us/j/96743869754. \nTo attend via Zoom\, please register at: https://forms.office.com/e/8CMfHatXep \nSeminars are not recorded. \nThis talk is part of the University of Galway History Seminar series. \nImage: detail from Antichristus (woodcut) by Lucas Cranach the Elder (1472-1553). \n 
URL:https://mooreinstitute.ie/event/university-of-galway-history-research-seminar-defection-and-disclosure-the-german-jesuits-and-the-problem-of-apostasy-in-the-sixteenth-century/
LOCATION:In-person\, in Room G010\, Hardiman Research Building\, University of Galway (ground floor) and livestreamed simultaneously on Zoom
ATTACH;FMTTYPE=image/png:https://mooreinstitute.ie/wp-content/uploads/2024/01/Kevin-History-31-Jan-2024.png
ORGANIZER;CN="Dr%20Gear%C3%B3id%20Barry%20gearoid.barry%40universityofgalway.ie":MAILTO:kevin.k.osullivan@universityofgalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20240131T171500
DTEND;TZID=Europe/Dublin:20240131T180000
DTSTAMP:20260514T163806
CREATED:20240125T115154Z
LAST-MODIFIED:20240125T124350Z
UID:14546-1706721300-1706724000@mooreinstitute.ie
SUMMARY:“…don’t forget the photos\, it’s very important…” A photo exhibition about the Nazi Persecution of Sinti and Roma
DESCRIPTION:“…don’t forget the photos\, it’s very important…” A photo exhibition about the Nazi Persecution of Sinti and Roma \nThe launch of a photo exhibition about the Nazi persecution of Sinti and Roma\, organised by Dr Gearóid Barry and Dr Niall Ó Ciosáin. The launch will take place on Wednesday\, 31 January 2024\, at 5.15pm\, at the O’Donoghue Centre for Drama\, Theatre & Performance\, University of Galway\, and will feature contributions from Prof. Eve Rosenhaft (University of Liverpool) and Anne-Marie Stokes (University of Galway). \nBetween the mid-1930s and 1945\, hundreds of thousands of Sinti and Roma (‘Gypsies’) fell victim to the genocidal policies of the Nazi regime. The exhibition presents the experiences of nine German Sinti and Roma families under National Socialism and the post-war experiences of the survivors. \nThe exhibition runs until 14 February 2024. \nAll are welcome!
URL:https://mooreinstitute.ie/event/dont-forget-the-photos-its-very-important-a-photo-exhibition-about-the-nazi-persecution-of-sinti-and-roma/
LOCATION:O’Donoghue Centre for Drama\, Theatre & Performance\, Univeristy of Galway
ATTACH;FMTTYPE=image/png:https://mooreinstitute.ie/wp-content/uploads/2024/01/Kevin-History-31-Jan-2024-exhibition.png
ORGANIZER;CN="Dr%20Gear%C3%B3id%20Barry%20gearoid.barry%40universityofgalway.ie":MAILTO:kevin.k.osullivan@universityofgalway.ie
END:VEVENT
END:VCALENDAR