BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Moore Institute - ECPv6.0.0.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Moore Institute X-ORIGINAL-URL:https://mooreinstitute.ie X-WR-CALDESC:Events for Moore Institute REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Dublin BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:IST DTSTART:20130331T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20131027T010000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20131009T160000 DTEND;TZID=Europe/Dublin:20131009T160000 DTSTAMP:20260403T190210 CREATED:20160824T134719Z LAST-MODIFIED:20160824T134719Z UID:2341-1381334400-1381334400@mooreinstitute.ie SUMMARY:History Graduate Research Seminar Series -Padraic Kenney (Indiana) - 'The Prison has become a Political Battlefield'. How World War I transformed political imprisonment in Europe DESCRIPTION:Padraic Kenney (Indiana)\n‘The Prison has become a Political Battlefield’. How World War I transformed political imprisonment in Europe URL:https://mooreinstitute.ie/event/history-graduate-research-seminar-series-padraic-kenney-indiana-the-prison-has-become-a-political-battlefield-how-world-war-i-transformed-political-imprisonment-in-europe/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20131009T120000 DTEND;TZID=Europe/Dublin:20131009T120000 DTSTAMP:20260403T190210 CREATED:20160824T134720Z LAST-MODIFIED:20160824T134720Z UID:2356-1381320000-1381320000@mooreinstitute.ie SUMMARY:Digital Humanities and Journalism Seminar DESCRIPTION:Digital Scholarship Seminar and INSIGHT @ NUIGalway present: \nDigital Humanities and Journalism Seminar. \n12-2pm\, Wednesday 9 October\, Moore Institute Seminar Room. \nThe first event of the Autumn/Winter series of DSS is a lunchtime seminar to showcase the work of INSIGHT @ NUIGalway(formerly DERI NUIGalway) INSIGHT in Digital Humanities and Journalism\, and to provide a vision of future collaborations between technology and humanities researchers. \nThe speakers will demonstrate how Humanities faculty and researchers can benefit from collaboration with INSIGHT @ NUIGalway‰۪s semantic web experts and collaboration with INSIGHTDigital Humanities and Journalism group\, citing examples from previous collaborations and potential future projects. There will be an opportunity to meet INSIGHT @ NUIGalway researchers and discuss potential collaborations over lunch (generously provided by the Moore Institute). \nThe following is the list of speakers: \nProfessor Stefan Decker\, Director of INSIGHT @ ‘NUIGalway: ‘From Digital’ Enterprise DirectorNUIGalway: ‘From of INSIGHTto INSIGHT.’ \nDr. Sandra Collins\, Director of the Digital Repository of Ireland: ‘Digital Repository of Ireland.’ \nDr. Bahareh Heravi\, Team leader of Digital Humanities and Journalism at INSIGHT @ ‘NUIGalway: ‘Future Newsrooms’ and JournalismNUIGalway: ‘Future at INSIGHTCivic Journalism.’ \nProfessor Siegfried Handschuh\, Stream leader at INSIGHT @ ‘NUIGalway: ‘Quick and’ Dirty leaderNUIGalway: ‘Quick at INSIGHTExamples of Text Analytics Applications for Digital Humanities.’ \nDr. Paul Buitelaar\, Stream leader at INSIGHT @ ‘NUIGalway: ‘Towards Extracting’ Author leaderNUIGalway: ‘Towards at INSIGHTNetworks from Secondary Literature’ and ‘Using Semantic Similarity on Poetic Corpora.’ \nFor further information these talks\, and on Digital Humanities and Journalism at INSIGHT @ ‘NUIGalway. URL:https://mooreinstitute.ie/event/digital-humanities-and-journalism-seminar/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20131009T110000 DTEND;TZID=Europe/Dublin:20131009T110000 DTSTAMP:20260403T190210 CREATED:20160824T134720Z LAST-MODIFIED:20160824T134720Z UID:2355-1381316400-1381316400@mooreinstitute.ie SUMMARY:Dr Fred Freeman (Fellow\, English\, University of Edinburgh) -Culture and Colonialism: A Tribute to Hamish Hederson DESCRIPTION:CULTURE AND COLONIALISM \nFRED FREEMAN \non Hamish Henderson \nHamish Henderson (1919-2002)\, poet and songwriter\, was one of the outstanding cultural and political figures of the twentieth century. He accepted the surrender of Italy during World War II\, won the Somerset Maugham prize for his war elegies (which bear comparison with Wilfred Owen or Siegfried Sassoon)\, and helped found the University of Edinburgh‰۪s School of Scottish Studies. His songs were sung by British soldiers and Italian partisans to battle in the 1940s\, and by the freedom fighters of South Africa in the 1960s\, and recognised by Nelson Mandela\, E.P. Thomson\, Alan Lomax\, Pete Seeger\, & Bob Dylan. \n11am Wednesday 9th October \nArts Millennium AM 203 \nAll welcome \nCULTURE AND COLONIALISM: \nA TRIBUTE TO HAMISH HENDERSON \nDrawing musical and poetical examples from Dr Fred Freeman‰۪s CD tribute album\, the talk considers in context one of the outstanding figures of the twentieth century: a man who accepted the surrender of Italy during World War II; won the Somerset Maugham Prize for his war elegies (which bear comparison with Siegfried Sassoon or Wilfred Owen); was a prime mover for the founding the School of Scottish Studies; and influenced\, quite directly\, the course of twentieth-century history. His songs (like BALLAD OF THE D-DAY DODGERS\, BANKS OF SICILY\, RIVONIA & THE FREEDOM COME ALL YE) were sung by British soldiers and Italian partisans in the field of battle during WW II and by the freedom fighters of S. Africa throughout the 1960s. His achievement has been fully acknowledged by Nelson Mandela\, Pete Seeger\, Bob Dylan\, E. P. Thomson and others. \nHamish Henderson worked for some years for Workers Education in Northern Ireland\, after WW II\, and his songs like THE FREEDOM COME ALL YE have been recorded by several groups like The Dubliners. \nDr. Fred Freeman (Fellow\, English\, University of Edinburgh) \nDr. Fred Freeman is an internationally acclaimed scholar and researcher on the song traditions of Scotland. He has published over 100 articles\, together with books and comprehensive CD collections\, documenting the rich history of Scotland‰۪s song poets and their work. URL:https://mooreinstitute.ie/event/dr-fred-freeman-fellow-english-university-of-edinburgh-culture-and-colonialism-a-tribute-to-hamish-hederson/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20131008T170000 DTEND;TZID=Europe/Dublin:20131008T170000 DTSTAMP:20260403T190210 CREATED:20160824T134720Z LAST-MODIFIED:20160824T134720Z UID:2358-1381251600-1381251600@mooreinstitute.ie SUMMARY:Dr. Fred Freeman (Fellow\, English\, University of Edinburgh) - The Irish In Scotland : Robert Tannahill DESCRIPTION:In conjunction with the Moore Institute\, the School of Languages\, Literatures\, and Cultures\, and the MA in Culture and Colonialism\, ECHO: the humanities research forum presents two compelling talks:\nTHE IRISH IN SCOTLAND \nFRED FREEMAN \non Robert Tannahill \nRobert Tannahill of Paisley (1774-1810) was a weaver\, poet\, and songwriter of over 100 songs of a quality comparable to Burns\, employing Irish melodies and subject matter to describe the emigrant experience and the colours and sounds of early industrialization. \n5pm Tuesday 8th October \nApplied Optics Seminar Room \nAll welcome. Wine served. \nLECTURE ‰ÛÒ THE IRISH IN SCOTLAND : ROBERT TANNAHILL \nAfter releasing THE COMPLETE SONGS OF ROBERT BURNS (12 vols\, Linn Records 1996-2003) I turned my attention to a sadly neglected artist: Robert Tannahill of Paisley (1774-1810).Tannahill was a weaver\, a song-writer and poet who wrote over 100 songs of a quality comparable to Burns. \nThis illustrated lecture\, drawing musical examples from my COMPLETE SONGS OF ROBERT TANNAHILL\, concentrates on a unique collection of songs ‰ÛÒ with their Irish melodies and subject matter written in defence of the early 19th-century Irish emigrants to Scotland.A total non-sectarian\, Tannahill\, in his own way\, contributed a great deal to changing perceptions of the downtrodden Irish as they settled into their new country; and\, at the same time\, he left us with a lovely body of Irish song. \nMoreover\, as an early Romantic artist\, he was far ahead of his time.His unique\, urban Paisley songs movingly provide a critical insight into both the despair and the dynamism of early industrialisation. And his use of the comic and the grotesque certainly does look forward to Blake with its mixed message in relation to the working classes: figures both corrupted and enervated by urban life and\, simultaneously\, morally and socially liberated from the constraints of their ‰Û÷betters‰۪. \nThe McPeake family of Northern Ireland based their famous folk song\, ‰Û÷The Wild Mountain Thyme‰۪\, directly upon the Paisley poet‰۪s ‰Û÷The Braes o Balquhidder‰۪; and\, over the past 200 years\, his works have been published in various Irish and Northern Irish editions. \nDr. Fred Freeman (Fellow\, English\, University of Edinburgh) \nDr. Fred Freeman is an internationally acclaimed scholar and researcher on the song traditions of Scotland. He has published over 100 articles\, together with books and comprehensive CD collections\, documenting the rich history of Scotland‰۪s song poets and their work. \n* \nSometime Fellow in English at University of Edinburgh\, he is a graduate of Aberdeen and Edinburgh universities. He taught Scottish literature at The School of Scottish Studies and in the English Department of Edinburgh; held postdoctoral posts (several times over) at The Advanced Studies Institute\, The School of Scottish Studies\, the English Department\, University of Edinburgh. He held a postdoctoral appointment at St Antony’s College\, University of Oxford for two years in the late ‰Û÷80s\, concentrating on ethnic minority writers in Scotland. \nFreeman is the author of a book on the 18th-century Edinburgh poet\, Robert Fergusson (Edinburgh UP 1984) and a children’s book on the Paisley poet\, Robert Tannahill (2009); and has published over 100 articles on Scottish literature\, folk music and history. He is on the official Live Literature Scotland authors’ list for grants. \nOver the past decade Freeman has drawn upon his extensive musical background\, producing over 42 (internationally acclaimed) CDs – amongst them: “THE COMPLETE SONGS OF ROBERT BURNS” (13 Cds\, 12 vols\, Linn Records 1996-2003); (for Scottish Borders Region) “BORDERS FIDDLES”\, “BORDERS SANGSTERS”\, “BORDERS BOXES”\, “BORDERS PIPES”; “BORDERS YOUNG PIPERS” (1999-2012); “A’THE BAIRNS O’ ADAM – A TRIBUTE TO HAMISH HENDERSON” (Greentrax 2004); “A’ ADAM’S BAIRNS” National Library of Scotland\, 2008); numerous solo CDs – “YONT THE TAY” (Jim Reid) which won BBC’s ‰Û÷Best Singer of the Year 2005′; “THE COMPLETE SONGS OF ROBERT TANNAHILL” – Vols I\, II & III (with 2 vols still to come). URL:https://mooreinstitute.ie/event/dr-fred-freeman-fellow-english-university-of-edinburgh-the-irish-in-scotland-robert-tannahill/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20131004T120000 DTEND;TZID=Europe/Dublin:20131004T120000 DTSTAMP:20260403T190210 CREATED:20160824T134719Z LAST-MODIFIED:20160824T134719Z UID:2349-1380888000-1380888000@mooreinstitute.ie SUMMARY:CAMPS Lab: Elva Johnston\, School of History and Archives\, UCD - 'Literacy and conversion in early medieval Ireland: a reassessment' DESCRIPTION:Elva Johnston\, School of History and Archives\, UCD \n‰Û÷Literacy and conversion in early medieval Ireland: a reassessment‰۪ URL:https://mooreinstitute.ie/event/camps-lab-elva-johnston-school-of-history-and-archives-ucd-literacy-and-conversion-in-early-medieval-ireland-a-reassessment/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20131002T160000 DTEND;TZID=Europe/Dublin:20131002T160000 DTSTAMP:20260403T190210 CREATED:20160824T134719Z LAST-MODIFIED:20160824T134719Z UID:2340-1380729600-1380729600@mooreinstitute.ie SUMMARY:History Graduate Research Seminar Series -Carla Lessing - 'The Civil English and the Wild Irish'. Tudor and Stewart concepts of civility DESCRIPTION:Carla Lessing\n‘The Civil English and the Wild Irish’. Tudor and Stewart concepts of civility URL:https://mooreinstitute.ie/event/history-graduate-research-seminar-series-carla-lessing-the-civil-english-and-the-wild-irish-tudor-and-stewart-concepts-of-civility/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130927T090000 DTEND;TZID=Europe/Dublin:20130927T090000 DTSTAMP:20260403T190210 CREATED:20160824T134719Z LAST-MODIFIED:20160824T134719Z UID:2347-1380272400-1380272400@mooreinstitute.ie SUMMARY:Early Modern Travel: Theory and Practice\, International Conference 27-28th September DESCRIPTION:Early Modern Travel: Theory and Practice \nIn the early modern period the development of inquiries\, questionnaires\, and directions for travel proliferated in an attempt to make travel a useful and productive activity. This conference explores the widespread effort to provide instruction\, as well as the travel practices that emerged in response to and in tension with these demands in the domains of natural history and cultural and political observation. Travel developed as a scholarly enterprise and was also incorporated into wider debates among humanists and other authorities evaluating religion\, military conflict\, and commercial expansion. The conference breaks down the separation between European and ‰Û÷exotic‰۪ travel (in the Ottoman Empire\, Persia\, Arabia) and challenges conventional periodization by describing traditions from the Renaissance to Enlightenment. \nParticipants from Ireland\, the UK\, France\, Germany\, the Netherlands\, Italy\, Denmark\, and Brazil\, will discuss figures ranging from Hakluyt to Montaigne\, Knolles\, La Loub̬re and Michaelis. \n‰ÛÏTexts\, Contexts\, Culture‰۝ is funded under the Higher Education Authority\, under PRTLI4 http://www.hea.ie \nFriday 27 September \n \n9.15Registration and Welcome \nSession 1: 16th Century agendas \nChair: Jane Grogan (UCD) \nEdward Collins (UCD/Universidad Pablo de Olavide\, Seville) \n‰Û÷Marriage\, Union\, and the Transfer of Knowledge in the Maritime Enterprises of Spain\, Portugal and England in the Sixteenth Century‰۪ \nLadan Niayesh (Paris 7) \n‰Û÷From Travel Guide to Collection of Exempla: Andrew Borde‰۪s The First Book of the Introduction of Knowledge (1547)‰۪ \n10.45 Coffee and tea break \n11.15Session 2: Networks\, politics\, and instructional strategies \nChair: Daniel Carey (NUI Galway) \nSebastian Sobecki (Groningen) \n‰Û÷Innocent Espionage: Robert Cecil‰۪s Network and John Peyton‰۪s Travels in Central Europe\, 1598-1603‰۪ \nPaola Molino (Austrian National Library) \n‰Û÷The Importance of Being ‰ÛÏInstructed‰۝ in the Late 16th-Century Scholarly World‰۪ \n12.30Lunch \n2.00bus departure for Claregalway \n14.45Session 3: The Arabian Voyage\, 1761-1767 \nChair: Ida Pugliese (NUI Galway/Marie Curie IEF) \nDaniel Carey (NUI Galway)\, \n‰۪J.D. Michaelis‰۪s Instructions for the Arabian Voyage: Contexts and Continuities‰۪ \nAnne Haslund Hansen (National Museum Denmark)\, ‰Û÷Between Image and Text: Carsten Niebuhr‰۪s Publications from the Arabian Voyage\, 1761-1767‰۪ \n16.00Coffee and tea break \n16.30Session 4: Irish itineraries \nChair: John Waddell (NUI Galway) \nPeter Harbison (RIA): ‰Û÷Beranger and Bigari‰۪s Tour of Connacht in 1779‰۪ \n17.30Reception (Claregalway Castle) \n19.30Conference Dinner (Claregalway Castle) \n \nSaturday 28 September \n \n9.15 Session 5: Travel and the art of observation \nChair: Ladan Niayesh (Paris 7) \nLuciana Villas B̫as (Rio de Janeiro/Free University Berlin) \n‰Û÷The Ends of Travel Writing in Michel de Montaigne‰۪s Journal de Voyage (1580-1581)‰۪ \nSven Trakulhun (Zurich) \n‰Û÷The Scientific Traveller: Simon de La Loub̬re‰۪s Du Royaume de Siam (1691)‰۪ \nJulia B̦ttcher (Regensburg) \n‰Û÷The Instructed Naturalist: Travel Instructions and the 18th-Century Norm of Observational Practice‰۪ \n11.15Coffee and tea break \n11.45Session 6: Ottomans\, Persians and early modern scholarship \nChair: Lindsay Reid (NUI Galway) \nJane Grogan (University College Dublin) \n‰Û÷‰ÛÏEngrossed by Experience‰۝ at the King of Persia‰۪s Court: Xenophon‰۪s Travels‰۪ \nAnders Ingram (NUI Galway) \n‰Û÷Sixteenth-Century English Perspectives on the Ottoman Empire: Richard Knolles and Richard Hakluyt‰۪ \n13.15Lunch \n \nFor more information please contact daniel.carey@nuigalway.ie URL:https://mooreinstitute.ie/event/early-modern-travel-theory-and-practice-international-conference-27-28th-september/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130927T090000 DTEND;TZID=Europe/Dublin:20130927T090000 DTSTAMP:20260403T190210 CREATED:20160824T134719Z LAST-MODIFIED:20160824T134719Z UID:2348-1380272400-1380272400@mooreinstitute.ie SUMMARY:Seeing the World: Travel\, Text\, Image - International conference 27-28 September 2013 DESCRIPTION:Seeing the world: Travel\, text\, image \nAuthors of travel narratives attempting to convey in words their discoveries and observations increasingly turned to images to support their text. In this they were encouraged by publishers and the public\, developing in time a dedicated art industry and new book forms. This conference focuses attention on the various uses of graphic art in topographical and ethnographical writing by travellers from the Early Modern period to the present\, and the relationship between text and image. \nThe topics proposed by the participants\, from Italy\, Switzerland\, America\, France\, Greece and Ireland\, range from the iconography of specific areas\, such as Switzerland\, the Eastern Mediterranean\, the Western Mediterranean\, Ireland\, to the work of particular individuals\, notably Jonathan Fisher\, Luttrell Wynne\, Beranger and Bigari in Ireland and W.H.J. Browne in the Arctic. Among the areas covered are the National Library of Ireland‰۪s resources for research on travel\, the implications of evolving media for both text and image\, including their online presence. Present-day topographical writing and the images it engenders are the focus of a session devoted to Tim Robinson‰۪s Connemara trilogy. \n‰Û÷Texts\, Contexts\, Cultures‰۪ is funded by the Higher Education Authority\, under PRTLI4 (http://www.hea.ie). This conference is supported by generous funding from the Andrew W. Mellon Foundation (http://www.mellon.org). \nFriday 27 September \nOptics seminar room (beside Moore Institute) \n9.15Registration and Welcome \n9.30Session 1: Irish Itineraries 1 \nChair: Lillis ÌÒ Laoire (NUI Galway) \nGerard Long (National Library of Ireland) ‰Û÷Travel accounts in the collections of the National Library of Ireland‰۪ \nNessa Cronin (NUI\, Galway) ‰Û÷‰۝New roads\, new seats\, new plantations‰۝: The road as contact zone in late eighteenth-century Ireland‰۪ \n10.45Coffee and tea break \n11.15Session 2: Constructing images: the Levant\, the Alps \nChair: Sylvie Lannegrand (NUI\, Galway) \nIrini Apostolou (University of Athens)‰Û÷Le voyage en images au Levant: ̩changes et rivalit̩s franco-britanniques au XVIIIe si̬cle‰۪ \nClaude Reichler (Universit̩ de Lausanne) ‰Û÷Imaging the Alps: travel books and the history of viewing‰۪ \n12.30Lunch \n14.00 Coach to Claregalway \nClaregalway Castle \n14.45Session 3: Developing the picturesque \nChair: Phil Dine (NUI\, Galway) \nFinola O‰۪Kane (University College Dublin) \n‰Û÷Making Ireland picturesque: Jonathan Fisher’s Tour of Killarney‘ \nGabor Gell̩ri (Aberystwyth University) \n‰Û÷An unknown creator of picturesque Ireland: Luttrell Wynne\, the Gentleman of Oxford‰۪ \n16.00Coffee and tea break \n16.30Session 4: Irish itineraries 2 \nChair: John Waddell (NUI\, Galway) \nPeter Harbison (Royal Irish Academy) \n‰Û÷Beranger and Bigari‰۪s tour of Connacht in 1779‰۪ (Plenary) \n17.30 Reception (Claregalway Castle) \nSaturday 28 September \nMoore Institute seminar room \n9.15Session 5: Changing media \nChair: Jane Conroy \nEavan ÌÒ Dochartaigh(NUI\, Galway) \n‰۪‰۝Faithful Delineations: The Travels and Images of W.H.J. Browne‰۝‰۪ \nTania Manca (UniversitÌÊ di Cagliari) \n‰Û÷The transition from engraving to photograph: the Western Mediterranean and Africa‰۪ \nMarina Ansaldo (University College Dublin) \n‰Û÷The ‰ÛÏIreland Illustrated‰۝ online database‰۪ \n11.15Coffee and tea break \n11.45 Session 6: Beyond the picturesque \nChair: Nessa Cronin (NUI\, Galway) \nJohn Elder (Middlebury College\, Vermont) \n‰Û÷Solas/Dolas and Tim Robinson’s Escape from the Picturesque‰۪ \nNicolas F̬ve (St Patrick‰۪s College\, Dublin) \n‰Û÷Travelling light: a photographic journey through Robinson‰۪s Connemara‰۪ \n13.15Lunch URL:https://mooreinstitute.ie/event/seeing-the-world-travel-text-image-international-conference-27-28-september-2013/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130926T130000 DTEND;TZID=Europe/Dublin:20130926T130000 DTSTAMP:20260403T190210 CREATED:20160824T134719Z LAST-MODIFIED:20160824T134719Z UID:2346-1380200400-1380200400@mooreinstitute.ie SUMMARY:Finnegan's Wake reading group DESCRIPTION:The NUI\, Galway Finnegans Wake reading group is starting up again this September. \nOur first meeting will be 1-2pm in the Moore Institute Seminar Room\, Thursday 26th September. If you like gossiping\, poetry\, languages\, puns\, puzzles\, jokes\, double entendres or even avant-garde tomes\, you might like Finnegans Wake. Despite its scurrilous critical reputation\, James Joyce’s final workis not as difficult as it would first appear and\,when read as part of a group\, can be a hugely rewarding experience. It is our hope to read the text episodically\, playing close attention to the rhythm and musicality of the piece; we aim to stress the looseness of the text without resort to lucidity. \nNo prior experience of Joyce is necessary and the meetings will be very informal so everyone is very welcome. \nJoin us on the 26th or consider joining our Facebook group to keep abreast of news\, dates and any strange Joycean ephemera that we find. ( https://www.facebook.com/groups/359211964211176/ ) URL:https://mooreinstitute.ie/event/finnegans-wake-reading-group/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130925T160000 DTEND;TZID=Europe/Dublin:20130925T160000 DTSTAMP:20260403T190210 CREATED:20160824T134719Z LAST-MODIFIED:20160824T134719Z UID:2339-1380124800-1380124800@mooreinstitute.ie SUMMARY:History Graduate Research Seminar Series - CiarÌÁn Wallace (TCD) Drawing on minor sources: satirical cartoons in 'The Leprecaun Cartoon Monthly'\, 1905-1915 DESCRIPTION:25 Sept.CiarÌÁn Wallace (TCD)\nDrawing on minor sources: satirical cartoons in ‘The Leprecaun Cartoon Monthly’\, 1905-1915 URL:https://mooreinstitute.ie/event/history-graduate-research-seminar-series-ciarian-wallace-tcd-drawing-on-minor-sources-satirical-cartoons-in-the-leprecaun-cartoon-monthly-1905-1915/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130924T180000 DTEND;TZID=Europe/Dublin:20130924T180000 DTSTAMP:20260403T190210 CREATED:20160824T134719Z LAST-MODIFIED:20160824T134719Z UID:2345-1380045600-1380045600@mooreinstitute.ie SUMMARY:Performance Matters - Irish Theatre Discussion Group - David Harrower's Blackbird DESCRIPTION:Performance Matters\nIrish Theatre Discussion Group\nhttps://www.facebook.com/groups/PerformanceMatters/ \nWe will be discussing David Harrower’s Blackbird which coincidentally is being performing by Mephisto theatre company for the Galway theatre festival (4th\,5th Oct.) \nhttp://www.mephistotheatre.com/blackbird-by-david-harrower/ \nFor more information please contact lisa.fitzgerald@nuigalway.ie or m.nichualain5@nuigalway.ie\nAll theatre practitioners\, theorists and students are welcome to attend \nIf you need a copy of the script or directions to the venue please email PerformanceMattersNUIG@gmail.com. URL:https://mooreinstitute.ie/event/performance-matters-irish-theatre-discussion-group-david-harrowers-blackbird/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130919T123000 DTEND;TZID=Europe/Dublin:20130919T123000 DTSTAMP:20260403T190210 CREATED:20160824T134718Z LAST-MODIFIED:20160824T134718Z UID:2333-1379593800-1379593800@mooreinstitute.ie SUMMARY:CKI Seminar - Community Mapping: Creating Common Ground Locally and Globally - Maeve Lydon\, University of Victoria\, Canada DESCRIPTION:CKI Seminar – Community Mapping: Creating Common Ground \nLocally and Globally \nMaeve Lydon\, University of Victoria\, Canada \nDate: Thursday 19th September 2013 \nTime: 12.30 ‰ÛÒ 2.30pm (Tea/Coffee available from 12.15pm) \nVenue: Moore Institute Seminar Room\, NUI Galway \nThe seminar is free but it is necessary to book your place on or before Tuesday 17th September\, with Ann Lyons \nEvent Details \nCommunity‰ÛÒbased mapping is an educational\, planning and research tool for participatory and sustainable community development. It enables people to mobilise assets\, capture the power of place\, visualise engagement and re-present scenarios for change. Maeve Lydon\, the presenter from the University of Victoria\, Canada\, will share the story of the work of the Community Mapping Collaboratory and the Common Ground Community Mapping Network in Canada (www.mapping.uvic.ca). \nThe presentation will include how the Community Mapping Collaboratory (CMC) integrates community mapping into research\, student curriculum/ field work and community projects\, while building strong planning and development partnerships with local governments\, neighbourhoods\, funders\, and the community and voluntary sector. Specific projects include sustainability\, neighbourhood and city planning\, child\, youth and citizen engagement\, arts and culture strategies\, food security inventories\, and the development of sustainable local economy. How the CMC uses high tech- high touch applications and open-source\, GIS and CIS (geographic and community information systems) will also be included\, with discussion of tools and techniques which community and campus groups can easily use. Finally\, Maeve will share global connections in her role as advisor and Canadian hub/resource for the Green Map System (www.greenmap.org)\, based in New York\, who have supported more than 750 print and on-line green mapping initiatives around the world\, with many in Ireland\, the UK and other parts of Europe. \nMaeve Lydon (whose parents were born and raised in Galway and father graduated from UCG!) is the Associate Director of the Institute for Studies and Innovation in Community-University Engagement (CUE) and staff with Community Based Research Canada (CBRC)\, based at the University of Victoria on the west coast of Canada. She has a background in community and international development\, education and social change. Maeve is the Project and Partnership Coordinator with the Community Mapping Collaboratory\, which was recently awarded a Social Science and Humanities Research Council of Canada (SSHRCC) Partnerships Development Grant to deepen research and networking related to community mapping locally\, nationally and globally. Her MA Thesis was entitled (Re)Presenting the Living Landscape: Community Mapping as a Tool for Transformative Learning and Planning – Abstract and access to full document available here. \nThe Community Knowledge Initiative (CKI) fosters community university partnerships that aim to promote the principles and practices of civic engagement and democracy. URL:https://mooreinstitute.ie/event/cki-seminar-community-mapping-creating-common-ground-locally-and-globally-maeve-lydon-university-of-victoria-canada/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130918T160000 DTEND;TZID=Europe/Dublin:20130918T160000 DTSTAMP:20260403T190210 CREATED:20160824T134719Z LAST-MODIFIED:20160824T134719Z UID:2338-1379520000-1379520000@mooreinstitute.ie SUMMARY:History Graduate Research Seminar Series - MÌÁirÌ_n Mac Carron - The Venerable Bede and the origins of AD-Dating DESCRIPTION:MÌÁirÌ_n Mac Carron\nThe Venerable Bede and the origins of AD-Dating URL:https://mooreinstitute.ie/event/history-graduate-research-seminar-series-miairi_n-mac-carron-the-venerable-bede-and-the-origins-of-ad-dating/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130913T090000 DTEND;TZID=Europe/Dublin:20130913T090000 DTSTAMP:20260403T190210 CREATED:20160824T134718Z LAST-MODIFIED:20160824T134718Z UID:2325-1379062800-1379062800@mooreinstitute.ie SUMMARY:Landlords\, tenants and their estates in Ireland: 1600-2013 - September 13th and 14th 2013 DESCRIPTION:Friday 13 September 2013 \n9.00-9.30 Registration and Welcome (Moore Seminar Room) \n9.30-11.00 Panel 1 \nPanel 1 (a) Transnational estate histories? \nChair: Dr. Enrico Dal Lago(Moore Seminar Room) \nWhat can Irish plantations in the French\, British and Danish Caribbean tell us about landed \nestates in Ireland? (Dr. Orla Power\, TCD) \nSecond Slavery\, Second Landlordism\, and Modernity: Nineteenth-Century Irish Landed \nEstates in Comparative Perspective (Cathal Smith\, NUI Galway) \nScottish and Irish estate histories\, c. 1800-c.1922: trans-regional\, trans-national\, trans- \nimperial?(Dr. Annie Tindley\, University of Dundee) \nPanel 1 (b) Social networks and the changing face of the gentry in Ireland \nChair: Dr. Jackie UÌ_Chionna(Optics Room) \nAn Ordered Society\, Social networking of the Power Elites 1850-1880: Case Study Thomas \nConolly and Castletown\, Co Kildare (Suzanne Pegley\, NUI Maynooth) \n‰Û÷Aggressive busybody’: Arthur Hugh Smith Barry (1843-1925) and the purpose of the Irish \ngentry(Dr. Ian d’Alton\, Independent scholar) \nFrom Soldiers To Scholars: The social metamorphosis of an Irish landed family (Michael \nMurphy\, NUI Maynooth) \n11.00-11.30 Tea and Coffee \n11.30-12.30 Plenary \nChair: (TBC) \nNorthern perspectives: challenges\, opportunities and the Ulster landed \nEstate(Dr. Olwen Purdue\, QUB) (venue: TBC) \n12.30-1.30 Lunch \n1.30-3.00 Panel 2 \nPanel 2 (a) Agrarian and labour disturbances mid nineteenth century rural Ireland \nChair: Dr. John Cunningham (Moore Seminar Room) \n‰Û÷The law of Captain Rock is more powerful’ (Terry Dunne\, NUI Maynooth) \nDistress and agitation in the west: labour unrest on the Mahon estate in 1831 (Dr. Adrian \nGrant\, NUI Galway) \nThe agrarian disturbances of 1849-1852; landlord/tenant conflict on the South Ulster \nborderlands (KerronO’Luain\, QUB) \nPanel 2 (b) Landed estate questions: management\, finance\, and legacy \nChair: DrTomÌÁs Finn(Optics Room) \nPacifying the estate: the challenge of managing the Landed Estate (Laura Vickers\, NUI Galway) \nCapitalising on the Irish ‰Û÷Land Question’: Irish Land Bonds\, 1891-1938 \n(Nathan Foley-Fisher\, US Federal Reserve and Dr. Eoin McLaughlin\, University of Edinburgh) \nThe Big House: From private home to public space (Emer Crooke\, NUI Maynooth) \n3.00-3.30 Tea and Coffee \n3.30-5.00 Panel 3 \nPanel 3 (a) Archives and estates \nChair: Kieran Hoare (venue: TBC) \nAnalysing the big house network in Ulster: a brief enquiry (Bethany Sinclair\, PRONI) \nThe Quit Office Crown Estate papers as a source for the study of Nineteenth Century Irish \nhistory (Dr. Kevin Forkan\, NAI) \nTownlands.csv\, the core data of the Down Survey of Ireland project (David Brown\, TCD) \n5.15-6.15 Plenary \nChair: (TBC) \nFrom Bonfire to Sperm Whale: Interpreting Historic Houses Through \ntheir Archives (Professor Christopher Ridgway) (venue: TBC) \n6.30-7.30 Wine reception \nLaunch of ‰Û÷Irish Landed Estates Special Interest Group’ \n(Moore Seminar Room) \n8.30 Conference dinner for speakers \nSaturday 14 September 2013 \n9.30-11.00 Panel 4 \nPanel 4 (a) Religious divides and estate life during the 1700s and 1800s \nChair: (TBC) (Moore Seminar Room) \nEstates and their tenants: A case study of the Morristown Lattin and Castle Leslie estates in \nthe eighteenth century (Dr. Emma Lyons\, UCD) \n‰Û÷I should have no objections to your having guns’ – The influence of Orange landlords over \ntheir tenant Orangemen in 1830s Ulster (Dr. Daragh Curran\, NUIM) \n‰Û÷Unless he be a Catholic and his name begin with O’\, he is to be denounced as an alien’: The \nO’Conor Don and Catholic Landlordism in Victorian Ireland (Dr. Aidan Enright\, Independent scholar) \nPanel 4 (b) Women and the landed estate \nChair: Dr. Sarah Anne Buckley (Optics Room) \nThe Marchioness of Ormond’s return from exile and the Butler Estate (Dr. John Jeremiah \nCronin\, Independent scholar) \n‰Û÷The Landlord Class is Slowly Bleeding to Death': Gender\, Philanthropy and Social \nConservatism in Victorian Ireland (Dr. Andrew G. Newby\, University of Helsinki)\nLady Godfrey's Mill' Ch̢telaines of a Kerry Estate(Dr. John Knightly\, Independent scholar)\n11.00-11.30 Tea and Coffee \n11.30-12.30 Plenary \nChair: Dr. Mary Harris \nThe Landed (E)state in the Nineteenth Century \n(Professor Ewen A. Cameron\, University of Edinburgh) (venue: TBC) \n12.30-1.30 Lunch \n1.30-3.00 Panel 5 \nPanel 5 (a) Disorder and a reordering of Ireland during the 1600s and 1700s \nChair: Dr. Padraig Lenihan (Moore Seminar Room) \nLandlords\, tenants and Cromwellians (Dr. John Cunningham\, TCD) \nTenant/ landlord relations during the 1641 Rebellion in King’s and Queen’s Counties \n(PÌÁdraigLawlor\, TCD) \nA New Order? Landowners\, middlemen and the fight for land in East Clare\, 1690-1740 \n(Teresa Shoosmith\, NUIGalway) \nPanel 5 (b) Paternalism\, power\, and pedagogy: landlords\, servants\, and tenants\, \nChair: Dr. Andrew Newby (Optics Room) \nServants on Landed Estates in Eighteenth Century Ireland (Teri Brandon\, UCC) \nEducation\, paternalism and power on an Irish landed estate\, 1820-1870 (Dr. Kevin McKenna\, \nindependent scholar) \nLandlords and Libraries (Pamela Emerson\, University of Ulster) \n3.00-3.30 Tea and Coffee \n3.30-4.00 \nChair: (TBC) \nWilliam Sharman Crawford: the landlord as land reformer \n(Professor Peter Gray\, QUB) (venue: TBC) \nConference close \nFor more information on this conference please contact j.mcentee@live.ie \nConference fee \nThe conference registration fee is 20 euro for two days and 10 euro for one. \nIrish Landed Estates Special Interest Group \nAs part of the conference proceedings\, we are delighted to announce that an Irish landed Estates Special Interest Group will be launched. The group will act as a branch of the Society for the Study of Nineteenth Century Ireland (SSNCI). The SSNCI committee has agreed to this decision. \nPublication of Conference proceedings \nAs part of our output for the Irish Landed Estates Special Interest Group we intend to publish conference proceedings. This will provide a wonderful opportunity to young scholars to have their work published. At present we are considering either a special journal edition or an edited book. \nLunch and snacks at break times will be provided for all guests on both days. \nTwitter users may use the following: #landlordmoore URL:https://mooreinstitute.ie/event/landlords-tenants-and-their-estates-in-ireland-1600-2013-september-13th-and-14th-2013/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130911T160000 DTEND;TZID=Europe/Dublin:20130911T160000 DTSTAMP:20260403T190210 CREATED:20160824T134719Z LAST-MODIFIED:20160824T134719Z UID:2337-1378915200-1378915200@mooreinstitute.ie SUMMARY:History Graduate Research Seminar Series - Ciaran McDonough\, 'Antiquarianism as a Gentleman's Hobby\, 1800-1867' DESCRIPTION:Ciaran McDonough\, \n‘Antiquarianism as a Gentleman’s Hobby\, 1800-1867’ URL:https://mooreinstitute.ie/event/history-graduate-research-seminar-series-ciaran-mcdonough-antiquarianism-as-a-gentlemans-hobby-1800-1867/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130904T160000 DTEND;TZID=Europe/Dublin:20130904T160000 DTSTAMP:20260403T190210 CREATED:20160824T134718Z LAST-MODIFIED:20160824T134718Z UID:2334-1378310400-1378310400@mooreinstitute.ie SUMMARY:MA Medieval Studies & CAMPS: Reception to launch the new academic year DESCRIPTION:MA Medieval Studies & CAMPS: Reception to launch the new academic year.\nAll ‰Û÷medievalists‰۪– newly-arrived\, established\, self-identified — are invited to get to know each other and learn about activities of interest to the wider community of scholars concerned with the Antique\, Medieval and Pre-Modern worlds at NUIG. \nFor more information contact kim.loprete@nuigalway.ie URL:https://mooreinstitute.ie/event/ma-medieval-studies-camps-reception-to-launch-the-new-academic-year/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130904T130000 DTEND;TZID=Europe/Dublin:20130904T130000 DTSTAMP:20260403T190210 CREATED:20160824T134719Z LAST-MODIFIED:20160824T134719Z UID:2336-1378299600-1378299600@mooreinstitute.ie SUMMARY:IRC Information Session DESCRIPTION:The Moore Institute will host an information session on the IRC Research Project Grants Scheme on Wednesday\, September 4 at 1pm in the Moore Institute seminar room (Room 203). The expectation will be that those interested in applying to the scheme will have read\, in advance\, the Terms & Conditions that apply (available here http://www.research.ie/funding/research-project-grants-scheme-2013); this will allow us to spend the majority of the time answering the more focused questions that applicants will have at this stage of the process. Prof. Patrick Lonergan\, who currently holds a project grant award\, will also be available for advice on the application process. URL:https://mooreinstitute.ie/event/irc-information-session/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130831T000000 DTEND;TZID=Europe/Dublin:20130831T000000 DTSTAMP:20260403T190210 CREATED:20160824T134718Z LAST-MODIFIED:20160824T134718Z UID:2335-1377907200-1377907200@mooreinstitute.ie SUMMARY:Workshop - Teaching Transnational History: Transnational Ireland International Research Network DESCRIPTION:Workshop – Teaching Transnational History: Transnational Ireland International Research Network\, Moore Institute\, NUI Galway\, 31 August 2013 \nThis workshop is the latest in the ‰Û÷Transnational Ireland’ international research network (http://transnationalireland.com)\, whose aim is to re-articulate the political\, social and cultural history of Ireland within its broader international and global contexts. This workshop will focus on the complex issue of ‘teaching transnational history’. A series of discussion-based sessions in the morning – based on pre-circulated papers – will explore pedagogical approaches to history beyond the traditional framework of the nation-state. The afternoon will focus on the presentation of new research on the ‘transnational Ireland’ theme. \nSpaces for this event are limited. Should you wish to attend\, please contact Kevin O’Sullivan (kevin.k.osullivan@nuigalway.ie) for further details. URL:https://mooreinstitute.ie/event/workshop-teaching-transnational-history-transnational-ireland-international-research-network/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130823T120000 DTEND;TZID=Europe/Dublin:20130823T120000 DTSTAMP:20260403T190210 CREATED:20160824T134718Z LAST-MODIFIED:20160824T134718Z UID:2332-1377259200-1377259200@mooreinstitute.ie SUMMARY:CAMPS lab: 'Did Old Irish have a middle voice?' DESCRIPTION:‰Û÷Did Old Irish have a middle voice?‰۪\nA presentation and discussionmoderated by Esther Le Mair\nFriday 23 August\, 12.00 ‰ÛÒ 1.00(followed by lunch\, 1.00 ‰ÛÒ 2.00)\nMOORE INSTITUTE SEMINAR ROOM\nFÌÁilte roimh chÌÁch ‰ÛÒ Everyone is welcome\nFor more information contact jacopo.bisagni@nuigalway.ie URL:https://mooreinstitute.ie/event/camps-lab-did-old-irish-have-a-middle-voice/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130819T000000 DTEND;TZID=Europe/Dublin:20130819T000000 DTSTAMP:20260403T190210 CREATED:20160824T134718Z LAST-MODIFIED:20160824T134718Z UID:2331-1376870400-1376870400@mooreinstitute.ie SUMMARY:Ireland and Masculinities conference\, August 19th and 20th DESCRIPTION:Symposium Schedule \nMonday\, 19 August 2013 \n9.00 – 9.30am – Registration and coffee \n9.30-11.00am – Panel 1: Legal Musculature. \n\n Kevin McKenna (Independent Scholar) “Primogeniture\, strict settlement and the rituals of masculinity on an Irish landed estate\, 1855-1890”\nJames Ward (Ulster)“Caught in a contract: Congreve\, Farquhar and Contractarian Masculinities”\nDara Purvis (Penn State)“Masculinity\, Marriage\, and Fatherhood in the Twentieth Century”\n\n11.15-12.45 – Panel 2: Irishmen Abroad and the Irish as “Other”. \n\nNorma Clarke (Kingston) “Oliver Goldsmith and his ‘brothers of the quill’ in London\, 1757-1763”\nPeter Buckingham (Linfield College) “Thomas A. Hickey: Irish Masculinity on Two Continents”\nCiaran McDonough (NUI Galway) “Antiquarianism as a ‰Û÷Gentleman’s Hobby'”\n\n12.45-2pm – Lunch \n2.00-3.30pm – Panel 3: Protestants on Parade \n\nJim MacPherson (Highlands and the Islands)“Irish Protestant Masculinities and Orangewomen in Scotland and Canada\, 1890 – 1930”\nJames Golden (Cambridge)“Irish Anglican Political Masculinities: Disestablishment and Protestant Democracy\, 1860-70”\nPamela McKane (York\, Ontario)“‰Û÷No idle sightseers’: The Ulster Women’s Unionist Council and the masculine world of politics during the Ulster Crisis”\n\n3.30-3.45 – Coffee \n3.45-5.45pm – Round Table \nChair: Sean Brady (Birkbeck\, London) \nFidelma Ashe (Ulster) \nJane McGaughey (Concordia) \nSonya Rose (Michigan) \n5.30-7pm – Wine reception sponsored by NUIG Centre for Irish Studies \n7.30 CONFERENCE DINNER – Harbour Hotel \n*** \nTuesday\, 20 August 2013 \n9.45- 10.15am – Coffee \n10.15 – 11.45am – Panel 1: Patriotism and the Pastoral \n\nLee Morrissey (Clemson)“Masculinity\, modernity\, and\, yes\, shepherds: Spenser and Milton”\nCliona O’Gallchoir (University College Cork)“Patriotism\, Masculinity and Irish Economic Discourse in the eighteenth century”\nAidan Beatty (Chicago)“Fianna FÌÁil\, Masculinity\, and the Irish Agrarian Man”\n\n12:00-1:30pm -Panel 2: Performing Irishness \n\nCharlotte McIvor (NUI Galway)“Staging Intercultural Masculinities: Yeats\, Tagore\, Pearse and Modern(ist) Theatre Aesthetics at the Abbey Theatre”\nEd Madden (South Carolina)“Bachelor Trouble\, Troubled Bachelors”\nDeclan William Kavanagh (Kent)“Bog Men: Performing Irishness in Seven Years’ War Political Literature”\n\n1.30-2.30pm – Lunch \n2.30-4.00pm – Panel 3: Masculinities and Material Constraints: Incarceration\, Childhood and Clothing \n\nConseulo Concepcion (Glasgow) “Clothing\, Gender and Colonial Policy in Early Modern Ireland”\nMary Hatfield (Trinity College\, Dublin)“Games for boys: childhood\, masculinity and play in Ireland”\nRosa Gilbert (Birkbeck\, London)“Special Category Imprisonment and Masculinity in Northern Ireland in the 1970s”\n\n4.00pm – Closing remarks \nFor more informatin please see \nhttp://irelandandmasculinitiesinthelongueduree.wordpress.com. URL:https://mooreinstitute.ie/event/ireland-and-masculinities-conference-august-19th-and-20th/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130717T000000 DTEND;TZID=Europe/Dublin:20130717T000000 DTSTAMP:20260403T190210 CREATED:20160824T134718Z LAST-MODIFIED:20160824T134718Z UID:2330-1374019200-1374019200@mooreinstitute.ie SUMMARY:Performance\, Nation and Globalization Summer School Funded by the Irish Research Council National University of Ireland\, Galway 17-18 July 2013 DESCRIPTION:Performance\, Nation and Globalization Summer School \nFunded by the Irish Research Council \nNational University of Ireland\, Galway \n17-18 July 2013 \nThis two-day Summer School explores the interrelationships between performance and nation in an era of increasing globalization. We will consider major international dramatists such as J.M Synge and David Greig\, but the discussion will also take in other forms of performance\, including the Eurovision Song Contests\, recent American TV drama including Mad Men and Breaking Bad\, and new devised work from Ireland by such companies as Brokentalkers and Anu Productions. \nThe event takes place at National University of Ireland\, Galway\, and coincides with the Galway Arts Festival (www.galwayartsfestival.com). Participation in the event is free. While the event is open to all\, we particularly welcome applications from the following people: \nåáAny Ireland-based PhD students and post-doctoral fellows working on Drama\, Theatre and/or Performance Studies. \nåáAny international PhD students and post-doctoral fellows working on Irish theatre and/or performance \nåáAny Ireland-based MA students with definite plans to undertake a PhD in an area relevant to the theme of summer school \nåáAny Ireland-based academics who may wish to develop new courses or research on areas relevant to the theme of the summer school. \nTo apply for a place on the programme\, please send an email\, outlining your reasons for applying\, to david.clare@nuigalway.ie andPatrick.lonergan@nuigalway.ie. Deadline for applications is 15 June 2013. \nPROVISIONAL TIMETABLE \nWednesday 17 July \n14.00: Introduction and Welcome \n14.15 ‰ÛÒ 15.45 ‰ÛÒ Session 1 \n\nShaun Richards\, ‰Û÷Were You Off East\, Young Fellow ‰Û_?‰۪: The InternationalPlayboy of the Western World\nDavid Clare ‰ÛÏIrish Writers\, Ally Croker\, Bridget and the Countess of Sligo: Hibernian Presences in Goldsmith‰۪s She Stoops to Conquer‰۝\n\n16.00 ‰ÛÒ 17.30: Session 2 \n\nKaren Fricker ‰ÛÏTerry Wogan\, Melancholy Britain\, and the Eurovision Song Contest‰۝\nErin Hurley\, ‰ÛÏSubjects and Objects: The Personal is Political‰۝\n\nThursday 18 July \n9.30 ‰ÛÒ 11.00: Session 3 \n\nShannon Steen\, ‰ÛÏPacific Neoliberalism: Foxconn\, Mike Daisey\, and the Performative Imperative‰۝\nVicky Angelaki\, ‰ÛÏGlobal Products and Local Targets: Reception\, Perception and the Internationalized Audience‰۝\n\n11.00 ‰ÛÒ 11.30:Coffee \n11.30 ‰ÛÒ 13.00: Session 4 \n\nClare Wallace\, ‰ÛÏPerforming\, processing and resisting‰ÛÓthe nation and globalization in the work of David Greig‰۝\nCharlotte McIvor ‰ÛÏIreland\, China\, Belgium\, Finland: Brokentalkers and the Transnational Connectivities of Post-Celtic Tiger Performance.‰۝\n\n13.00 ‰ÛÒ 14.00 ‰ÛÒ Break. \n14.00 ‰ÛÒ 16.15: Session 5 \n\nPatrick Lonergan\, ‰ÛÏFaust and the Credit Crunch‰۝\nAoife Monks\, ‰ÛÏVirtuosity\, Mobility and Homesickness in Performance‰۝\nBrian Singleton\, ‰ÛÏThe Routes to Memory: Site-Specific Performance in Ireland and Global/Social Capital‰۝\n\n16.15‰ÛÒ conclusion of workshop \nABSTRACTS \nVicky Angelaki\, ‰ÛÏGlobal Products and Local Targets: Reception\, Perception and the Internationalized Audience‰۝ \nThe talk will explore the factors determining our identities and sensibilities as spectators (on an individual basis) and audiences (at the collective level). Much has been said about globalization and its effect on aspects of quotidian life as well as artistic production and consumption. My paper will probe to what extent there has genuinely been an impact on our viewing and responding habits. It will also explore the question of whether we have moved beyond cultural stereotypes and into an era of rigorousness and agility\, reaping the benefits of mobility\, the wealth of information and educational possibilities available\, but also of the artistic border-crossing that characterizes our time. The paper will interrogate to what extent the internationalized art product has served to liberate us in a certain way\, or whether we are essentially reproducing the old familiar national and classed perspectives. Can it be argued that we are experiencing a new\, hyper-aware state\, or are we forever bound to local frames of reference and what are their respective benefits and pitfalls? Ultimately\, the talk will seek to problematize exchange and reception\, addressing the question of how issues of perception are especially urgent today. \nSuggested Reading: \nBourdieu\, Pierre. ‰Û÷The Sense of Distinction‰۪. Distinction: A Social Critique of the Judgement of Taste. Trans. Richard Nice. London and New York: Routledge\, 1986. 260-317. Merleau-Ponty\, Maurice. ‰Û÷The Crisis of Understanding‰۪. Adventures of the Dialectic. Trans. Joseph Bien. Evanston: Northwestern UP\, 1973. 9-29. Wickstrom\, Maurya. ‰Û÷Introduction‰۪. Performing Consumers: Global Capital and Its Theatrical Seductions. Abingdon and New York: Routledge\, 2006. 1-12. \nDavid Clare\, ‰ÛÏIrish Writers\, Ally Croker\, Bridget and the Countess of Sligo: Hibernian Presences in Goldsmith‰۪s She Stoops to Conquer‰۝ \nWhen critics discuss the ways in which Oliver Goldsmith‰۪s Irish background influenced the writing of She Stoops to Conquer\, they usually focus on two aspects of the play. First\, the plot is built around an incident (mistaking a country gentleman‰۪s home for an inn) that allegedly happened to Goldsmith himself while he was still living in Ireland. Second\, in the play\, Goldsmith (like later\, London-based\, Irish writers) attempts to portray hypocrisy as a peculiarly English vice. While these ‰Û÷Irish‰۪ aspects of the work are certainly important\, there are other\, more explicit\, references to Goldsmith‰۪s native country in the play. I will carefully analyse them in this paper\, since they are routinely ignored by critics. \nAmong these Irish references are the moment when Goldsmith has a character allude directly to Farquhar‰۪s The Beaux Stratagem and when his depiction of the character of Hardcastle betrays the influence of Sterne‰۪s Tristram Shandy. The Irish song\, ‰ÛÏAlly Croker‰۝\, is used in a way that links Ireland to the Orient\, a connection that Goldsmith and other Irish writers have frequently made over the past two and a half centuries. The Hardcastles have a cook maid named after the Irish St. Bridget\, thereby placing a (possibly) Irish servant in an English home. Finally\, the Countess of Sligo is one of the ladies name-checked by Marlow during his courtship of Kate\, one of a series of reflections on the Anglo-Irish in the work. \nIn this paper\, I will also consider the ‰Û÷Irish‰۪ elements that have been either accentuated or imposed upon the play in recent Dublin productions (The Gate Theatre‰۪s in 1995\, The Abbey‰۪s in 2003\, and Smock Alley‰۪s in 2012). \nKaren Fricker\, ‰ÛÏTerry Wogan\, Melancholy Britain\, and the Eurovision Song Contest‰۝ \n‰Û÷Europe’s favourite TV show‰۪ (as its producers brand the Eurovision Song Contest [ESC]) has much to tell us about the relationship between nation\, identity\, feelings\, and politics in the expanded\, 21st century Europe. Founded in 1956 to test the newly-created capacity to share live television signals between countries\, the ESC has become a significant symbolic contact zone between European cultures: an arena for European identification in which both national solidarity and participation in a European identity are confirmed\, and a site where cultural struggles over the meanings\, frontiers\, and limits of Europe are enacted. This presentation focuses specifically on the United Kingdom‰۪s fraught relationship to the ESC\, arguing that this relationship reflects deep-seated British anxieties about the place of the UK in the context of the evolving Europe\, but is also symptomatic of a particular strand of postcolonial melancholia (after Paul Gilroy) and a nostalgic mode of engagement with the British colonial past and imperial supremacy. I focus in particular on Sir Terry Wogan‰۪s increasingly conservative ESC commentary for the BBC over several decades\, showing how it mediated and constructed a particular vision of Europe and the UK‰۪s place in relation to it. If we shift our perspective from the UK‰۪s nostalgia and look at its participation in the ESC in its own right\, however\, we can see that its recent Eurovision entries offer a portrait of a lively and diverse society attempting to adapt to a cultural showcase whose codes and conventions are rapidly changing. \nErin Hurley\, ‰ÛÏSubjects and Objects: The Personal is Political‰۝ \nIt is a commonplace\, and a truism\, to say that ‰ÛÏQuebecois theatre‰۝ began in the late 1960s with the politically engaged\, nationalist dramaturgy of Michel Tremblay. Contemporary Quebecois theatre\, however\, seems to be marked by a turn away from the political or collective\, an orientation that marked its birth and efflorescence. Of late\, critics and scholars have remarked a clear turn toward the personal or individual. Louis Patrick Leroux and Herv̩ Guay itemize the ‰ÛÏsubjective affirmations‰۝ of contemporary Quebecois theatre both within the dramatic universes presented by playwrights and in institutional discourses of theatre culture. They suggest that such subjective affirmations ‰ÛÒ that is\, critical affirmations of the theatre‰۪s own success\, performative affirmations of the particularized subject (especially in solo performance)\, and institutional and dramatic affirmations of playwrights‰۪ personal aesthetics and singular imaginaries ‰ÛÒ have multiplied in recent years. \nAnd yet\, we might remark another\, seemingly contrary turn in contemporary performance: a turn toward the object\, the subject‰۪s presumed ‰ÛÏother‰۝. Consider\, for instance\, the following protagonists from productions in recent Montreal theatre seasons as featured in venues ranging from a children‰۪s theatre to an experimental house to a puppet festival to a fine arts museum: A child‰۪s white dress. A drawing of a birthmark on a stick. Three life-sized automata. Animated mannequins. Dancing kitchen utensils. A wax figure. Two school-desks. [1] \nThe shows from which these characters are drawn\, and others like them that put the object in the position of the dramatic and theatrical subject\, interest me for two reasons. First\, by putting an object in the position of the ‰ÛÏspeaking subject‰۝ of a ‰ÛÏcharacter‰۝\, they evince a complex relation to the subjective affirmations and affirmations of subjectivity that are trending contemporary Quebecois theatre. Second\, they allow us to read an occulted history of Quebecois theatre in which women‰۪s performance is featured and assumptions around the political value of autonomy versus heteronomy are undone. How might we reconcile the incursion of objects ‰ÛÒ these things without speech\, without voice\, without subjectivity proper ‰ÛÓ into a theatre culture where ‰ÛÏdramaturgies of subjectivity‰۝ seem in favour? What might these objets d̩sincarn̩s tell us about artistic engagement\, the shifting Quebecois collective\, and it theatre history? \nThree recent solo performances by women featuring performing objects will feed my analysis: Joseph-la-tache [Joseph-the-Birthmark] by Catherine Vidal (2010)\, La robe blanche [The White Dress] by Pol Pelletier (2012)\, and Le Salon Automate[The Salon Automaton] by Nathalie Claude (2008). Through these pieces\, I explore the discourse of the object on the subject of the Subject. How are on-stage subject-object (that is\, self-other) relations figured in contemporary Quebec theatre? What might these relations intimate about stage-audience and art-society relations? And what are their engagements with the world around the subject\, beyond the theatre? \nPatrick Lonergan\, ‰ÛÏFaust and the Credit Crunch‰۝ \nA vareity of cultural responses to the global credit crunch (2008-) are already evident\, from novels about banking (such as John Lanchester‰۪s Capital) to revivals of plays that explore issues of wealth (such as a recent NT production of Timon of Athens). This paper explores how one of the defining charateristics of cultural responses to the credit crunch has been a significant increase in new performances that draw on the Faust motif\, which is often directly taken from work by Goethe\, Marlowe\, Mann\, Bulgakov and others. This paper explores the significance of this motif for contemporary performance. I briefly explore new work by dramatists such as Conor McPherson\, Marina Carr\, Mark O‰۪Rowe David Mamet and David Greig\, before analyzing in some detail the impact of the Faust motif on contemporary American television\, particularly in Mad Men\, Damagesand Breaking Bad. The aim of the paper is to consider those works as responses to our changing understanding of issues such as indebtedness\, austerity\, personal value and ‰ÛÒ in particular ‰ÛÒ the nation. \nSuggested Reading/Viewing: \nConor McPherson\, The Seafarer\, David Greig\, The Strange Undoing of Prudencia Hart. \nDamages Season 1\, episodes 1-3; Mad Men season 1; Breaking Bad (all seasons). \nCharlotte McIvor \,‰ÛÏIreland\, China\, Belgium\, Finland: Brokentalkers and the Transnational Connectivities of Post-Celtic Tiger Performance‰۝ \nThis talk queries Dublin-based theatre company Brokentalkers‰۪ focus on the role of transnational networks as the future of innovation in the Irish arts through an analysis of their works\, In Real Time (2008) and Track (2006). In Real Time and Track present two overlapping stories of the role of the transnational in post-Celtic Tiger Ireland. In Real Time animates European networks via an act of artistic collaboration\, while Track stages an encounter with Dublin that brings participants on an exploration of the City Centre through the perspective of the Chinese community\, both long-term residents and recent arrivals\, living in Ireland. In Real Time literally enacts an inter-EU network physically manifested through actors‰۪ live and virtual bodies in theatrical time and space. Conversely\, Track challenges discourses of Irish nationalism and forces recognition of transnational networks of migrants in Ireland that reach outside the space of the nation and the EU. \nAoife Monks\, ‰ÛÏVirtuosity\, Mobility and Homesickness in Performance‰۝ \nIt was in the 18th Century that the virtuoso emerged as a category of performance (rather than a connoisseur and collector of fine art as in previous centuries). This was the moment in which virtuosity came to embody superhuman performance\, emerging in a performer capable of apparently magical (if not demonic) transcendence of the material conditions of the stage. This paper investigates the relationship between the birth of the virtuoso and the emergence of the emotional category of nostalgia ‰ÛÒ homesickness ‰ÛÒ and suggests that they might both be viewed as symptoms of the disorienting affects of industrial modernity. Furthermore\, I will ask whether virtuosity (as a category of performance\, and later a quality ascribed to particular forms of work) and nostalgia might grow out of\, and enable\, global mobility. It may be no coincidence then\, that the virtuosic performers that I will draw on in this paper ‰ÛÒ Dion Boucicault and Dan Bryant in the 19th Century and Michael Flatley and Jean Butler in the 20th Century ‰ÛÒ have all traded in nostalgia\, wedding performances that inspire terror and awe with the longing for ‰Û÷home‰۪. I will examine how the material conditions of labour in these two periods produce forms of virtuosity and nostalgia in performance. \nSuggested reading: \nGabriele Brandstetter\, ‰Û÷The Virtuoso’s Stage: A Theatrical Topos‰۪\, Theatre Research International\, Volume 32: Issue 02 (July 2007)\, pp 178-195. \nPaulo Virno\, A Grammar of the Multitude: For an Analysis of Contemporary Forms of Life\, Trans. by Isabella Bertoletti\, James Cascaito\, Andrea Casson (New York: SEMIOTEXT(E)\, 2004)\, particularly Chapter Four: ‰ÛÏLabor\, Action\, Intellect : Day Two‰۝ [accessible at: http://www.generation-online.org/c/fcmultitude3.htm]. \nSvetlana Boym\, The Future of Nostalgia (New York: Basic Books\, 2001). \nShaun Richards\, ‰ÛωÛ÷Were You Off East\, Young Fellow ‰Û_?‰۪: The International Playboy of the Western World‰۝ \nGeorge Ritzer‰۪s concepts of ‰Û÷something‰۪ (indigenously conceived) and ‰Û÷nothing‰۪ (centrally conceived) appears to duplicate simple ‰Û÷positive/negative‰۪ binaries of the local and the global. However\, he adds the significant qualification that even the most local product is touched by the global\, so making it ‰Û÷glocal‰۪. This paper will address the ‰Û÷glocal‰۪ aspect of theatre through productions of Playboy of the Western World from the Abbey production in 1907 and its US tour in 1911\, to the work of Druid Theatre\, Galway\, Pan Pan Theatre‰۪s production in Beijing\, the Roddy Doyle and Bisi Adigun adaptation\, and Desperate Optimists‰۪ play-boy. \nShannon Steen\, ‰ÛÏPacific Neoliberalism: Foxconn\, Mike Daisey\, and the Performative Imperative‰۝ \nThis presentation examines how the inter-embeddedness of Foxconn‰۪s labor structures\, Mike Daisey‰۪s theatrical monologue The Agony and the Ecstasy of Steve Jobs\, and Apple Corporation‰۪s attempt to shape advanced capitalism with a human face instantiates what we might term Pacific Neoliberalism ‰ÛÒ a set of political imperatives predicated on unique forms of economic and cultural flows within and across the Pacific Basin. I use this trio of objects to explore how neoliberalism in general is itself a performative project\, and how its Pacific Basin variant instantiates particular ideologies of creativity and labor distinctive from those of its Atlantic counterpart. \nSuggested Readings: \nWendy Brown\, ‰ÛÏNeoliberalism and the End of Liberal Democracy.‰۝ Theory & Event\, 7:1. \nMike Daisey\, The Agony and the Ecstasy of Steve Jobs. Downloaded from http://mikedaisey.blogspot.com/p/monologues.html. \nDavid Harvey\, A Brief History of Neoliberalism. Oxford: Oxford University Press\, 2005. \nCatherine Kingfisher and Jeff Maskovsky\, ‰ÛÏThe Limits of Neoliberalism.‰۝ In Critique of Anthropology\, Vol. 28 (2): 115-126. \nLara D. Nielsen and Patricia Ybarra (eds). Neoliberalism and Global Theatres: Performance Permutations. London: Palgrave Macmillan\, 2012 (see especially essays by Margaret Werry\, Eng-Beng Lim\, and Patricia Ybarra). \nBrian Singleton\, ‰ÛÏThe Routes to Memory: Site-Specific Performance in Ireland and Global/Social Capital‰۝ \nCelebrated contemporary site-specific performance\, most notably in the work of the UK‰۪s Punchdrunk\, has been branded by Michael McKinnie as ‰Û÷monopolistic‰۪ as it trades on the theatrical efficacy of spatial disuse. Touring their work most recently to New York that monopolism has further begun to trade their theatrical efficacy/spatial disuse paradigm as global capital. Contextualising their work historically we place Punchdrunk among celebrated European companies such as Brith Gof of Wales\, Dogtroep of The Netherlands and La Fura dels Baus of Catalunya\, all of whom engaged similar global performance routes. But what of Irish site-specific performance? Certainly festivalised productions such as Playgroup‰۪s Berlin Love Tour (2010)\, Junk Ensemble‰۪s Bird with Boy (2011) and Wilfredd‰۪s Farm (2012) operate within similar paradigms though arguably with less global potential. Anu Productions Monto trilogy (2010-12)\, however\, resists the efficacy/disuse paradigm. The company‰۪s site-specificity lies in their social capital of having emerged from and engaged with the lives and histories of an inner-city Dublin community‰۪s spaces and places in very material ways. Rooted in the materiality of their social history\, Anu Productions‰۪ performances also address the issue of site-specific performance as speaking to but also resistant to the globalization of Irish theatre. \nClare Wallace\, ‰ÛÏPerforming\, processing and resisting‰ÛÓthe nation and globalization in the work of David Greig‰۝ \nMy proposed presentation derives from research I have been doing on the work of Scottish playwright David Greig. Since the 1990s Greig has produced an extensive body of work both as a writer and in collaboration with the Suspect Culture theatre company which he co-founded. As part of a new generation of Scottish writers whose work emerged at the end of the twentieth century\, Greig has actively participated in the ongoing re-imagining of Scotland in the wake of devolution. However\, critics at times have seemed slightly disgruntled at the apparent lack of familiar Scottish co-ordinates in some of his work. Greig is not alone in his ambivalence about signposting national specificity in his writing and theatre making. Nadine Holdsworth (2008) for instance has noted how relationships between place and identity are prominent features of Scottish playwriting more generally and contends that ‰Û÷there is a marked trend amongst many contemporary Scottish playwrights and theatre-makers to theatricalize multifarious sites\, geological formations and landscapes as a way of articulating the diversity of Scotland‰۪ (126). Yet\, what makes Greig‰۪s work a fascinating field of investigation is the way this ambivalence about national specificity is coupled with an ongoing attempt to address a wider set of economic and cultural conditions catalysed by globalization and broach forms of transnational identity within the amorphous context of the contemporary. ‰Û÷Theatre doesn‰۪t change the world‰۪ Greig has claimed\, but ‰Û÷if the battlefield is the imagination\, then the theatre is a very appropriate weapon in the armoury of resistance‰۪ because it cannot be ‰Û÷globally commodified\,‰۪ since it is founded on possibility\, contingency\, changeability and is ‰Û÷accessible to everybody.‰۪ With reference to selected plays and interviews\, this presentation would chart how Greig‰۪s ideas about how theatre can or should engage with questions of nation and globalization have evolved since he began writing and would attempt to position this work in relation to wider debates about theatre and globalization. \n************************************************************ \nDr Patrick Lonergan \nProgramme Director\, MA in Drama and Theatre Studies; BA in Drama\, Theatre and Performance; BA Connect with Performing Arts Studies \nEnglish\, School of Humanities \nNational University of Ireland\, Galway \nIreland \npatrick.lonergan@nuigalway.ie \nhttp://www.nuigalway.ie/english/patrick_lonergan.html \n@NUIGDrama \nPhone +353 91 49 2631 URL:https://mooreinstitute.ie/event/performance-nation-and-globalization-summer-school-funded-by-the-irish-research-council-national-university-of-ireland-galway-17-18-july-2013/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130628T000000 DTEND;TZID=Europe/Dublin:20130628T000000 DTSTAMP:20260403T190210 CREATED:20160824T134718Z LAST-MODIFIED:20160824T134718Z UID:2329-1372377600-1372377600@mooreinstitute.ie SUMMARY:Postgraduate Hispanic Studies Conference 2013\, June 28th and 29th DESCRIPTION:The Postgraduate Hispanic Studies Conference of Ireland and the UK 2013 will take place in the Moore Institute on the 28th and 29th of June. The plenary speakers are Professor Bill Richardson\, Head of the Spanish Department at NUI Galway\, who will give a lecture entitled: “The Path Not Taken: Borges\, Labyrinths\, and the Location of Translation”; Dr. Chris Harris from the University of Liverpool who will deliver a talk on “Latin American Literature and Feminist Theory: Do Men and Masculinities Matter?”; and Clare Murphy who will speak on ‘Storytelling in South America’. \nDr. Mel Boland of the Spanish Department in NUI\, Galway will also be launching his recent publication\, Displacement in Isabel Allende’s Fiction\, 1982-2000 (Hispanic Studies: Culture and Ideas) during the conference on Friday\, 28 June 2013 in The Moore Institute. \nFor further information about the conference you may refer to the following Facebook page: http://www.facebook.com/events/202983149775588/\, or alternatively: http://hispanic-conference.com \nPostgraduate Hispanic Studies Conference of Ireland and the UK\, 2013 Programme \nDay 1: Friday\, 28 June\, 2013 \n\n\n\n\nTime \n\n\nEvent \n\n\nLocation \n\n\n\n\n08.30-09.15 \n\n\nRegistration \n\n\nMoore Institute Seminar Room \n\n\n\n\n9.15-9.30 \n\n\nConference Opening by Dr. Lillis O Laoire and Dr. Lorna Shaughnessy \n\n\nMoore Institute Seminar Room \n\n\n\n\n9.30-10.30 \n\n\nPlenary: Prof. Bill Richardson (NUI Galway) \nTitle: ‰Û÷The Path Not Taken: Borges\, Labyrinths\, and the Location of Translation‰۪ \n\n\nMoore institute Seminar Room \nIntroduced by Dr. Lorna Shaughnessy \n\n\n\n\n10.30-10.45 \n\n\nTea/Coffee break \n\n\nMoore Institute Seminar Room \n\n\n\n\n10.45-11.45 \n\n\nPanel 1: Translations \nOwen Harrington FernÌÁndez (NUI Galway) \nTitle: ‰Û÷Indexing Identity in Translation: Character Idiolect and Sociolect in the Spanish Translation of John Updike’s ‘Rabbit Redux’‰۪ \nDr. Patricia Holmes (NUI Galway) \nTitle: ‰Û÷C̩sar Aira: innovation and experimentation in process and narrative‰۪ \n\n\nMoore Institute Seminar Room \nChair: Bego̱a Sangrador-Vegas \n\n\n\n\n11.45-12.00 \n\n\nTea/Coffee break \n\n\nMoore Institute Seminar Room \n\n\n\n\n12.00.13.30 \n\n\nPanel 2: Spanish Historiography \nMark McKinty (Queens‰۪ University Belfast) \nTitle: ‰Û÷Origen y progresos: NicolÌÁs FernÌÁndez de MoratÌ_n‰۪s Carta histÌ_rica as the start of the modern bullfighting debate‰۪ \nFrancis Kelly (University College Cork) \nTitle: ‰Û÷Tales of a Knight Errant or Universal Soldier of Golden Age Spain?‰۪ \nAntonio Rojas (Universitat Pompeu Fabra) \nTitle: ‰Û÷The Spanish Golden Age\, Baroque and GÌ_ngora‰۪ \n\n\nMoore Institute Seminar Room \nChair: Ivan Kenny \n\n\n\n\n13.30-15.00 \n\n\nLunch \n\n\nAn Bhialann \n\n\n\n\n15.00-16.00 \n\n\nPlenary: Clare Muireann Murphy \nTitle: ‰Û÷Storytelling y cuentos; the power of words‰۪ \n\n\nMoore Institute Seminar Room \nChair: Dr. Kate Quinn \n\n\n\n\n16.15-16.30 \n\n\nTea/ Coffee break \n\n\nMoore Institute Seminar Room \n\n\n\n\n16.30-17.30 \n\n\nPanel 3:The Arts of Storytelling \nKate Dunn (University of Edinburgh) \nTitle: ‰Û÷How can the Poem Testify? Speaking and the Unspeaking in Alicia Partnoy‰۪s Venganza de la manzana‰۪ \nDiletta Panero (NUI Galway) \nTitle: ‰Û÷Generational Storytelling in Chilean Narrative: Isabel Allende and Marta Blanco‰۪ \n\n\nMoore Institute Seminar Room \nChair: Dr. Niamh McNamara \n\n\n\n\n18.00-19.00 \n\n\nBook Launch\nDr Mel Boland of NUI Galway will launch Displacement in Isabel Allende’s Fiction\, 1982-2000 (Hispanic Studies: Culture and Ideas) (2013)\n\n\nMoore Institute Seminar Room \nIntroduced by Dr. Chris Harris \n\n\n\n\nThe conference dinner will take place at 20.00 in Vi̱a Mara\, 19 Middle St\, Galway. \nDay 2: Saturday\, 29 June\, 2013 \n\n\n\n\nTime \n\n\nEvent \n\n\nLocation \n\n\n\n\n9.30-10.30 \n\n\nPanel 1: Southern Cone Narratives \nDr. David Conlon (NUI Galway) \nTitle: ‰Û÷The Trauma of Nature in Zama by Antonio Di Benedetto‰۪ \nC̩ire Broderick(NUI Galway) \n‰Û÷Negotiating the Fragments in Gustavo FrÌ_as‰۪ Tres nombres para Catalina: la do̱a de CampofrÌ_o‰۪ \n\n\nMoore Institute Seminar Room \nChair: Jennie Galvin \n\n\n\n\n10.30-10.45 \n\n\nTea/Coffee break \n\n\nMoore Institute Seminar Room \n\n\n\n\n10.45-12.15 \n\n\nPanel 2: Analysing Spanish Visual Media \nMirna Vohnsen (University College Dublin) \nTitle: ‰Û÷The Metamorphis of the Jewish Character in Argentine Cinema‰۪ \nIvan Kenny (NUI Galway) \nTitle: ‰Û÷Images of Entropy in The Exterminating Angel by Luis Bu̱uel‰۪ \nRuth Miriam Cereceda Gaton (BISC Queen‰۪s University) \nTitle: ‰Û÷Marinero en tierra: anÌÁlisis de la cultura marinera del norte de Espa̱a en la obra y la persona del pintor Eduardo Sanz fraile‰۪ \n\n\nMoore Institute Seminar Room \nChair: Diletta Panero \n\n\n\n\n12.15-12.30 \n\n\nTea/Coffee break \n\n\nMoore Institute Seminar Room \n\n\n\n\n12.30-13.30 \n\n\nPanel 3: Historical Memory and Contemporary Spain \nImogen Bloomfield \n(University of Hull) \nTitle: ‰Û÷Spain‰۪s (Un)Dead Children: A Haunting Presence in Historical Memory‰۪ \nAisling O‰۪Connor (University of Limerick) \nTitle: ‰Û÷A postgenerational perspective on Republican women and Spain‰۪s stolen babies: BenjamÌ_n Prado‰۪s Mala gente que camina (2006)‰۪ \n\n\nMoore Institute Seminar Room \nChair: Owen Harrington-FernÌÁndez \n\n\n\n\n13.30-15.00 \n\n\nLunch \n\n\n37 West \n\n\n\n\n15.00-16.00 \n\n\nPlenary: Dr. Chris Harris \n(University of Liverpool) \nTitle: ‰Û÷Latin American Literature and Feminist Theory: Do Men and Masculinities Matter?‰۪ \n\n\nMoore Institute Seminar Room \nChair: Prof. Bill Richardson \n\n\n\n\n16.00-16.15 \n\n\nTea/Coffee break \n\n\nMoore Institute Seminar Room \n\n\n\n\n16.15-17.45 \n\n\nPanel 4: Representations of Violence\, Gender Roles and Drug trafficking in Popular Culture in Mexico and the Borderlands \nDr. Niamh McNamara (University College Cork) \nTitle: ‰Û÷Drugs\, Violence and Ambiguity: Breaking Bad on the U.S. ‰ÛÒ Mexico border‰۪ \nJennie Galvin (NUI Galway) \nTitle: ‰Û÷El Movimiento Alterado: narrating a world of gender hierarchies\, drugs and violence‰۪ \nDr. Yolanda Reyes \n(University College Dublin) \nTitle: ‰Û÷Hypermasculinity\, Violence and the re-enacted ‰ÛÏMacho‰۝ in XXI Century Mexican Cinema‰۪ \n\n\nMoore Institute Seminar Room \nChair: C̩ire Broderick \n\n\n\n\n17.45-18.30 \n\n\nRound table discussion and conference close \n\n\nMoore Institute Seminar Room URL:https://mooreinstitute.ie/event/postgraduate-hispanic-studies-conference-2013-june-28th-and-29th/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130622T090000 DTEND;TZID=Europe/Dublin:20130622T090000 DTSTAMP:20260403T190210 CREATED:20160824T134734Z LAST-MODIFIED:20160824T134734Z UID:2552-1371891600-1371891600@mooreinstitute.ie SUMMARY:Conference on 'Gender and Sexuality in the Crime Genre' DESCRIPTION:June 22nd and 23rd\nConference on\n‘Gender and Sexuality in the Crime Genre’.\nOrganisers Dr Kate Quinn\, NUIG\nand Dr Marieke Krajenbrink\, UL.\nFor more information contact kate.quinn@nuigalway.ie \nFriday 21st June \nRegistration: 9:00-9:30 \n 9:30-11:00 Parallel Session 1 \nScandinavian Crime I: Women Crime Writers \n\n\n\n\nChair: \n\n\nNoir Men and Women I \nChair: \n\n\n\n\nPaula Arvas (Helsinki) \nIs there a glass ceiling for Finnish women crime writers? \n\n\nDeborah Walker (Auckland) \nFatal men in classic French film noir \n\n\n\n\nJacky Collins (Northumbria) \nThe ‰Û÷Irene Huss’ novels by Helene Tursten \n\n\nMartin Rosenstock (Kuwait) \nSterile Erotics in the Interwar Period: Marek Krajewski’s Death in Breslau (1999) \n\n\n\n\nJane Rosenbaum (Rider) \nNina Borg The Boy in the Suitcase and the gendering of heroes and victims \n\n\nMaysaa Jaber (Baghdad) \nOpening the “Forbidden Box”: female criminality and agency in the works of James M. Cain \n\n\n\n\n11:00-11:30 Coffee \n 11:30-13:00 – Parallel Session 2 \n\n\n\n\nScandinavian Crime II: The Millennium Trilogy. \nChair: \n\n\nNoir Men and Women II \nChair: \n\n\n\n\nV̩ronique Kwak (Taiwan National Cheng-chi University) \nFrom victim to victimizer: Corporeal suffering as spatial transcendence of genders in the case of Stieg Larsson’s The Girl who Played with Fire \n\n\nLinda Crawford (Salve Regina) \nMen writing women in noir: Paco Ignacio Taibo II and Luis Sep̼lveda \n\n\n\n\nDeepthi Sebastian (QUB) \nThe dissonant body of Lisbeth Salander \n\n\nVeronika PitukovÌÁ (Masaryk University) \nHard-boiled Mike Hammer and seductive babes \n\n\n\n\nKerstin Bergman (Lund) \nThe women who are hated by men: Women victims and Heroes in the Millennium Trilogy \n\n\nRichard Williams (Independent Scholar) \nInterrogating the alleged misogyny of Gardner’s portrayal of Bertha Cool \n\n\n\n\n13:00-14:30 Lunch \n14:30-16:00 – Parallel Session 3 \n\n\n\n\nFrench Crime \nChair: \n\n\nNew incarnations and the ongoing influence of Sherlock Holmes \nChair: \n\n\n\n\nMeryem BelkaÌød \nWomen written and women writers in modern French crime fiction \n\n\nPalle Schantz Lauridsen (Copenhagen) \nHolmes & Watson: Friendship\, bromance\, and sexuality\, 1887-2014 \n\n\n\n\nEva Robustillo-BayÌ_n (Seville) \nFrench women detectives in contemporary French crime fiction: Louise Morvan and Gloria Parker-Simmons \n\n\nMalcah Effron (Case Western Reserve\, Ohio) \nHolmes’s female companions: Re-figuring Watson as a woman \n\n\n\n\nAndrea Hynynen (Abo Akademi University\, Finland and Universit̩ Paris 13) \nSize matters: challenging gender and sexual norms through the detective’s body – a comparison of Fred Vargas’s and Pierre Lemaitre’s crime novels \n\n\nAntoine Dech̻ne (Li̬ge/CIPA/Belspo) \nGender and sexuality in the metaphysical thriller: the case of Paul Auster \n\n\n\n\n16:00-16:30 Coffee \n16:30-18:00 – Parallel Session 4 \n\n\n\n\nMasculinities \nChair: \n\n\n18th and 19th-century constructions of the female criminal \nChair: \n\n\n\n\nDominique Jeannerod (QUB) \nPutting the killer to rest: Gender and generic exhaustion in Manchette’s The Prone Gunman \n\n\nAnna C. Jenkin (Sheffield) \n‰Û÷Sensation\, seduction and submission: representations of murderous wives in eighteenth-century London and Paris’ \n\n\n\n\nJeffrey Halpern (Rider) \n‰Û÷When worlds collide: images of masculinity in the novels of Tony Hillerman’ \n\n\nShampa Roy (Delhi) \nErrant Wives and Wanton Widows: Gender and Crime in the Crime Narratives of one of the first crime writers in Bengal \n\n\n\n\nLouise Vincent (Rhodes) \nGender and Sexuality in South African Twenty-first Century Crime Fiction \n\n\nJoanne Simpson (University of Ulster) \n‰Û÷Mad\, bad and pathetic: engendering evil in the Victorian novel’ \n\n\n\n\n18:15-19:15 Keynote by Dr Andrew Pepper of QUB (Academic and Crime Writer) \n‘Appropriating the Nineteenth Century: The New Economy of Work and Sex in Crime Fiction’ \n19:15 Wine Reception and Formal Welcome \nSaturday 22nd June \n09:30-11:00 Parallel Session 5 \n\n\n\n\nWomen in Contemporary International Crime Fiction \nChair: \n\n\nPartners in crime. \nChair: \n\n\n\n\nLiala Khronopoulo (St Petersburg) \n‰Û÷”Weak” and “strong” women characters in contemporary Japanese crime stories \n\n\nEva Erdmann (Freiburg) \nMasculine/feminine – detecting couples in crime fiction: from Miss Marple/Hercule Poirot to Sarah Lund/Jens=Peter Raben \n\n\n\n\nMadhumita Chakraborty (Delhi) \nWomen in Bangla detective fiction \n\n\nArco van Ieperen (PWSZ) \nThe equilibrium of the sexes: gender equality in Robert B. Parker’s Spenser series \n\n\n\n\nPatricia Plummer (Duisburg-Essen) \nFemale sleuths: a survey of contemporary trends \n\n\nLinda Ledford-Miller (Scranton) \nJust hot enough: gender roles and sexuality in J. D. Robb’s detective series \n\n\n\n\n11:00-11:30 Coffee \n 11:30-13:00 Parallel Session 6 \n\n\n\n\nDeadly Affairs \nChair: \n\n\nScreening Gender I \nChair: \n\n\n\n\nSilvia Ammary (John Cabot University\, Rome) \nPoe’s beautiful dead women: males’ fictional ideals \n\n\nEduardo ObradÌ_ (Cantabria) \nThis is a man’s world: the women of the game in The Wire \n\n\n\n\nTina Pusse (NUIG) \nH. H. Jahnn’s The Wooden Ship trilogy \n\n\nNoel O’Shea (UL) \nPerforming masculinity in the films of Michael Mann \n\n\n\n\nJoel Phillips (Rider) \nLove Triangle as Mise en Abyme in Wesley Stace’s Charles Jessold\, Considered as a Murderer \n\n\nNatascha Haarstick (Ruprecht-Karls-UniversitÌ_t Heidelberg) \nFemale investigators in the German TV series Tatort \n\n\n\n\n13:00-14:30 Lunch \n 14:30-16:00 Parallel Session 7 \n\n\n\n\nItalian Crime Writers and Gender \nChair: \n\n\nScreening Gender II \nChair: \n\n\n\n\nCarol Nicholson (Rider) \nOckham’s Razor\, Women\, and God: Philosophical Themes in The Name of the Rose \n\n\nHenrietta Phillips (Birmingham) \nCompetition\, narcissism and the spectacle of British “Northern” masculinity in pop-cultural accounts of Ian Brady and Peter Sutcliffe \n\n\n\n\nElizabeth Scheiber (Rider) \nBending Gender and Genre: Changing Gender Roles in Italian Crime Fiction \n\n\nSamantha Lindop (Queensland) \nDeadly Lesbians and the Contemporary Cinematic Crime Thriller \n\n\n\n\nBarbara Pezzotti (Independent Scholar) \nBlame it on the Tranny: Transvestism and Transgender in Andrea G. Pinketts’s Crime Fiction \n\n\nKylo-Patrick Hart (Texas Christian University) \nQueering the Crime ‰Û÷Splatter Film’: The Case of William Friedkin’s Cruising \n\n\n\n\n16:00-16:30 Coffee \n16:30-18:00 Parallel Session 8 \n\n\n\n\nTrue Crimes and Criminals Revisited \nChair: \n\n\nScreening Gender III: Psychology \nChair: \n\n\n\n\nDunlaith Bird (Oxford/ENS Paris) \nBodies in the Bosphorus: true crime and travel writing \n\n\nRachel MagShamhrÌÁin (University College Cork) \nThe Female Thief in Marnie: Poor or Poorly? \n\n\n\n\nMarian Lara-Ja̩n and Jean-Philippe Imbert (DCU) \nBleeding Borders\, Bleeding Bodies: Violence and Sexuality in Desert Blood (Alicia Gaspar De Alba\, 2005) \n\n\nJacqui Miller (Liverpool Hope) \n‰Û÷He certainly wasn’t a pervert‘: (A)sexuality\, Abnormal Psychology\, and Criminality in the novels of Patricia Highsmith and their filmed adaptations \n\n\n\n\nKatarina Gregersdotter (Ume̴ University\, Sweden) \nGender\, sexuality and the power of storytelling in Margaret Atwood’s Alias Grace \n\n\nSujata Moorti (Middlebury\, Vermont) \nCrime on your mind: Scientific identities \n\n\n\n\n18:00-19:00 Keynote: Professor Lisa Downing (Birmingham) \n‰Û÷Romancing the Cannibal: Genre and Gender Trouble in Thomas Harris’s Hannibal (1999)’ \n 20:00 or 20:30: Conference Dinner in the Radisson Blu Hotel (Time to be confirmed) URL:https://mooreinstitute.ie/event/conference-on-gender-and-sexuality-in-the-crime-genre/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130613T140000 DTEND;TZID=Europe/Dublin:20130613T140000 DTSTAMP:20260403T190210 CREATED:20160824T134718Z LAST-MODIFIED:20160824T134718Z UID:2327-1371132000-1371132000@mooreinstitute.ie SUMMARY:Landed estates & Irish society DESCRIPTION:Landed estates & Irish society\nMoore Institute\, NUI Galway\n13 – 14 June 2013\n(Revised Programme) \nThursday 13 June \n2.15 William Smyth (Professor Emeritus\, UCC)\, ‰Û÷Landlordism\, Evictions and the Great Famine’ \nChair: James Harrold (Arts Officer\, Galway City) \n3.45. Singular figures of landed background \nPauline Scott (NUI Galway)\, ‘Agent\, tenant\, advocate & agitator: Michael Kelly & the Burke & Pollok estates’ \nLeo Keohane (NUI Galway)\, ‰Û÷”Quare folk”: the Whites of Whitehall’ \nMadeline O’Neill (NUI Galway)\, ‰Û÷Senator Colonel Maurice Moore of Moore Hall’ \nChair: Gerard Moran (NUI Maynooth) \n7.00. Reception marking Patrick Melvin’s Estates and landed society in Galway (Dublin: de B̼rca\, 2012). Speaker: Tadhg Foley. \nIntroduced by Marie Mannion (Heritage Officer\, Co. Galway) \n8 pm. Philip Bull (Visiting Fellow\, An Foras Feasa\, NUI Maynooth & La Trobe University\, Melbourne) \n‘A nineteenth-century Irish estate: New records for the history of Irish landed estates’ \nChair: Noel Wilkins (President Galway Arch. & Hist. Society) \nFriday 14 June \n10.00. Texts\, cultures and contexts: new scholarship. \nJoanne McEntee (NUI Galway) ‰Û÷Squires and Solicitors: an important relationship in 19th century Ireland’ \nConor Montague (NUI Galway)\, ‘The Light of Evening\, Lissadell’ \nLaura Vickers (NUI Galway) ‘”A well abused set of men”: The land agent in nineteenth century Ireland’ \nChair: John Cunningham (NUI Galway) \n2.00. Accessing the estate record. \nMarie Boran (NUI Galway)\, ‰Û÷”Can you help me to find out?” The Landed Estates database\, five years on’ \nBrigid Clesham (NUI Galway)\, ‘Solicitors’ Collections – an unrecognised source?’ \nChair: Adrian Frazier (NUI Galway) \n3.00. Class\, gender and landed society \nAdrian Grant (NUI Galway) ‰Û÷Using landed estate records to better understand the rural Irish worker: some findings from the estates of Connacht and Ulster.’ \nMaeve O’Riordan (UCC) ‘The social and cultural world of women of the Munster landed class\, 1860-1914’ \nChair: Laurence Marley (NUI Galway) \n4.30. Olwen Purdue (Queen’s\, Belfast)\, ‘”The price of our loyalty”: the Northern Ireland Land Act of 1925’ \n5.15 Closing remarks from GearÌ_id ÌÒ Tuathaigh (NUI Galway) \nConference organisers: Marie Boran; John Cunningham; Joanne McEntee \nRegistration free; inquiries to john.cunningham@nuigalway.ie \n* Event supported by HEA under PRTLI Cycle 4 * URL:https://mooreinstitute.ie/event/landed-estates-irish-society/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130607T110000 DTEND;TZID=Europe/Dublin:20130607T110000 DTSTAMP:20260403T190210 CREATED:20160824T134718Z LAST-MODIFIED:20160824T134718Z UID:2328-1370602800-1370602800@mooreinstitute.ie SUMMARY:Dr Fred Freeman\, Hon. Fellow in English at the University of Edinburgh - 'A fiddler and a poet' : Songs of Robert Burns DESCRIPTION:‰Û÷I am a fiddler and a poet’ : Robert Burns as a song-writer \nThis illustrated talk is designed to introduce a wholly unknown Robert Burns to the general public. For over 200 years Burns has been misrepresented as Scotland’s national ‰Û÷poet’\, yet he was primarily a song-writer\, composing upwards of 400 songs. \nMost of the songs have been lying in abeyance since 1796 though they are of a quality which should easily have established Burns as one of the greatest song-writers of the 18th-century. The presentation considers why this did not happen as it explores the activities of George Thomson\, Burns’s second editor\, in commissioning Viennese/German composers – Pleyel\, Kozeluch\, van Weber\, Hummel\, Haydn\, Beethoven\, etc. – to recast Burns’s folk composition into an alien classical mould which put paid to it\, almost irrevocably. Much of the approach considers Burns’s background as a fiddler and folk musician\, quite generally; his innovative use of folk dance/instrumental forms (strathspeys\, reels\, jigs\, slip jigs\, hornpipes); his curious method of composition – always from the tune to the words; his seminal theory of ‰Û÷ballad simplicity’ which relates to language\, form\, rhythm\, tonality and more. \nThe lecture is both informative and entertaining\, with numerous musical examples played throughout the presentation – drawn from Freeman’s THE COMPLETE SONGS OF ROBERT BURNS (12 vols\, Linn Records 1996-2003). \nBiography of Dr Fred Freeman \nSometime Fellow in English at University of Edinburgh\, I am a graduate of Aberdeen and Edinburgh universities (Ph.D. Edinburgh). I have taught Scottish literature at The School of Scottish Studies and in the English Department of Edinburgh; held postdoctoral posts (several times over) at The Advanced Studies Institute\, The School of Scottish Studies\, the English Department\, University of Edinburgh. I had a postdoctoral appointment at St Antony’s College\, University of Oxford for two years in the late ‰Û÷80s\, concentrating on ethnic minority writers in Scotland. \nI am author of a book on the 18th-century Edinburgh poet\, Robert Fergusson (EUP 1984) and a children’s book on the Paisley poet\, Robert Tannahill (2009); have published over 100 articles on Scottish literature\, folk music and history. I am on the official Live Literature Scotland authors’ list for grants. \n Over the past decade I have drawn upon my extensive musical background\, producing over 42 (internationally acclaimed) CDs – amongst them: “THE COMPLETE SONGS OF ROBERT BURNS” (13 Cds\, 12 vols\, Linn Records 1996-2003); (for Scottish Borders Region) “BORDERS FIDDLES”\, “BORDERS SANGSTERS”\, “BORDERS BOXES”\, “BORDERS PIPES”; “BORDERS YOUNG PIPERS” (1999-2012); “A’THE BAIRNS O’ ADAM – A TRIBUTE TO HAMISH HENDERSON” (Greentrax 2004); “A’ ADAM’S BAIRNS” National Library of Scotland\, 2008); numerous solo CDs – “YONT THE TAY” (Jim Reid) which won BBC’s ‰Û÷Best Singer of the Year 2005′; “THE COMPLETE SONGS OF ROBERT TANNAHILL” – Vols I\, II & III (with 2 vols still to come). \nfwfreeman@talk21.com URL:https://mooreinstitute.ie/event/dr-fred-freeman-hon-fellow-in-english-at-the-university-of-edinburgh-a-fiddler-and-a-poet-songs-of-robert-burns/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130606T160000 DTEND;TZID=Europe/Dublin:20130606T160000 DTSTAMP:20260403T190210 CREATED:20160824T134734Z LAST-MODIFIED:20160824T134734Z UID:2553-1370534400-1370534400@mooreinstitute.ie SUMMARY:Dr. Fred Freeman\, Hon. Fellow in English at the University of Edinburgh- The Irish In Scotland : Robert Tannahill DESCRIPTION:LECTURE – THE IRISH IN SCOTLAND : ROBERT TANNAHILL\nAfter releasing THE COMPLETE SONGS OF ROBERT BURNS (12 vols\, Linn Records 1996-2003) I turned my attention to a sadly neglected artist: Robert Tannahill of Paisley (1774-1810). Tannahill was a weaver\, a song-writer and poet who wrote over 100 songs of a quality comparable to Burns. \nThis illustrated lecture\, drawing musical examples from my COMPLETE SONGS OF ROBERT TANNAHILL\, concentrates on a unique collection of songs – with their Irish melodies and subject matter written in defence of the early 19th-century Irish emigrants to Scotland. A total non-sectarian\, Tannahill\, in his own way\, contributed a great deal to changing perceptions of the downtrodden Irish as they settled into their new country; and\, at the same time\, he left us with a lovely body of Irish song. \nMoreover\, as an early Romantic artist\, he was far ahead of his time. His unique\, urban Paisley songs movingly provide a critical insight into both the despair and the dynamism of early industrialisation. And his use of the comic and the grotesque certainly does look forward to Blake with its mixed message in relation to the working classes: figures both corrupted and enervated by urban life and\, simultaneously\, morally and socially liberated from the constraints of their ‰Û÷betters’. \nThe McPeake family of Northern Ireland based their famous folk song\, ‰Û÷The Wild Mountain Thyme’\, directly upon the Paisley poet’s ‰Û÷The Braes o Balquhidder’; and\, over the past 200 years\, his works have been published in various Irish and Northern Irish editions. \nDr. Fred Freeman\, a short biography \nSometime Fellow in English at University of Edinburgh\, I am a graduate of Aberdeen and Edinburgh universities (Ph.D. Edinburgh). I have taught Scottish literature at The School of Scottish Studies and in the English Department of Edinburgh; held postdoctoral posts (several times over) at The Advanced Studies Institute\, The School of Scottish Studies\, the English Department\, University of Edinburgh. I had a postdoctoral appointment at St Antony’s College\, University of Oxford for two years in the late ‰Û÷80s\, concentrating on ethnic minority writers in Scotland. \nI am author of a book on the 18th-century Edinburgh poet\, Robert Fergusson (EUP 1984) and a children’s book on the Paisley poet\, Robert Tannahill (2009); have published over 100 articles on Scottish literature\, folk music and history. I am on the official Live Literature Scotland authors’ list for grants. \nOver the past decade I have drawn upon my extensive musical background\, producing over 42 (internationally acclaimed) CDs – amongst them: “THE COMPLETE SONGS OF ROBERT BURNS” (13 Cds\, 12 vols\, Linn Records 1996-2003); (for Scottish Borders Region) “BORDERS FIDDLES”\, “BORDERS SANGSTERS”\, “BORDERS BOXES”\, “BORDERS PIPES”; “BORDERS YOUNG PIPERS” (1999-2012); “A’THE BAIRNS O’ ADAM – A TRIBUTE TO HAMISH HENDERSON” (Greentrax 2004); “A’ ADAM’S BAIRNS” National Library of Scotland\, 2008); numerous solo CDs – “YONT THE TAY” (Jim Reid) which won BBC’s ‰Û÷Best Singer of the Year 2005′; “THE COMPLETE SONGS OF ROBERT TANNAHILL” – Vols I\, II & III (with 2 vols still to come). URL:https://mooreinstitute.ie/event/dr-fred-freeman-hon-fellow-in-english-at-the-university-of-edinburgh-the-irish-in-scotland-robert-tannahill/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130604T000000 DTEND;TZID=Europe/Dublin:20130604T000000 DTSTAMP:20260403T190210 CREATED:20160824T134732Z LAST-MODIFIED:20160824T134732Z UID:2525-1370304000-1370304000@mooreinstitute.ie SUMMARY:Mission and Frontiers: Perspectives on Early Modern Missionary Catholicism DESCRIPTION:Mission and Frontiers: Perspectives on Early Modern Missionary Catholicism \nNational University of Ireland\, Galway\, 4th and 5th June\, 2013 \nWhen\, in 1893\, Frederick Turner spoke of a phenomenon that ‰Û÷broke the bonds of custom\, offered new experiences\, [and] called out new institutions and activities‰۪\, he was referring to the American frontier\, but his description can be aptly applied to the missionary challenges the Catholic church encountered at the ‰Û÷frontiers‰۪ of mission in the early modern era.These were places and spaces with amorphous cultural and/or politico-geographical boundaries\, unsettled or changing ‰Û÷certainties‰۪\, and innovations stemming from the shifting realities of contact and diffusion which those involved in mission experienced within and without Europe.This symposium will seek to examine afresh the contours of mission in frontier zones\, exploring the character and impact of missionary activity at the boundaries of Catholic culture and geography. \nPossible topics for consideration include but arenot limited to: \nåáDefining the meaning and applicability of frontier in relation to early modern Catholicism \nåáExploring the meanings of ‰Û÷mission church‰۪ and ‰Û÷missionary Catholicism‰۪ \nåáCompetition and co-operation in the competition for souls \nåáCohesion and difference\, relating to gender\, native ‰Û÷church‰۪\, and inter-religion contacts \nåáColonial religion and the ‰Û÷process‰۪ of imperial empire-making \nåáCentre and periphery ‰ÛÒ authority and autonomy in missionary enterprises \nRegistration is FREE.If interested in attending the symposium and/or in offering a paper\, please contact the event organisers: \nDr Alison Forrestal \n Dr Sean Smith \nalison.forrestal@nuigalway.ie \n s.smith12@nuigalway.ie \n\n\n\n\nSymposium Programme\n\n\n\n\nTuesday\, 4 June 2013 \n11.00 Welcome and Opening Remarks\, Alison Forrestal (NUIG) \n11.15-13.00 Session 1 \nLuke Clossey (Simon Fraser University) \n“Comparative Perspectives on Frontier and Mission in Early Modern Islam and Catholicism.” \nSean Smith (NUIG) \n“Mortification in a frontier zone: survival versus salvation in Madagascar\, 1648-1674.” \n13.00-14.00 Lunch \n14.00-15.30 – Session 2: \nKarin Velez (Macalester College) \n“With wonderful lamentation”: Soliciting Tears on Jesuit Frontiers in the Italian Marche\, Huron and Moxos Missions\, 1560-1760.” \nThierry Issartel (Lyc̩e Louis-Barthou\, Pau) \n“At a corner of the Kingdom…” The Pyr̩n̩es: missions across a religious border in tension (16th and 17th centuries).” \n15.30-15.45 Coffee \n15.45- 17.15- Session 3 \nAndrew Redden (University of Liverpool) \n“Not So Good Shepherds?: Reluctant Jesuit Martyrs on the c.17th Chilean Frontier.” \nGauvin Bailey (Queen’s University) \n“Missionaries and Global Artistic Exchange in Catholic America 1520-1650: Spanish America\, Brazil\, and Nouvelle-France.” \n19.00 Conference Dinner \n Wednesday\, 5 June 2013 \n10.00-11.30 – Session 4: \nMegan Armstrong (McMaster University) \n“Catholic Frontier or Homeland? The Custody of the Holy land as a Site of Missionary Competition\, 1600-1700.” \nAndrew McCormick (l’Institut national des langues et civilisation orientale) “Pierre-Fran̤ois Viguier\, the Congregation of the Mission and the Gallican conquest of the Levant.” \nCoffee 11.30-11.45 \n 11.45 – 13.00 – Session 5 \nJohn McCafferty (UCD) \n“Apostolical Missioner: Nicholas Archbold\, Capuchin (d. 1645).” \nMargaret Brennan (University of Illinois) \n“Seducers come from Hell”? Paul Harris’s Polemic against Regular Missionary Privilege in Post-Tridentine Ireland.” \n13.00-14.00 Lunch \n14.00-15.15- Session 6 \nFelicia Rosu (Leiden University) \n“Helping Transylvania: Jesuit missions in late 16th-century Eastern Europe.” \nTadhg O’Hannrachain (UCD) \n“Nullum aliud emolumentum quaerere quam salutem animarum”? Catholic Missionary activity in the Turkish Balkans in the early seventeenth century.” \n15.15-15.30 Coffee \n15.30- 16.30 Session 7 \nRonnie Po-chia Hsia (Penn State University) \n“Missionary Frontiers: A Comparison of Colonial Latin America and Portuguese Asia in the early modern era.” URL:https://mooreinstitute.ie/event/mission-and-frontiers-perspectives-on-early-modern-missionary-catholicism/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130524T140000 DTEND;TZID=Europe/Dublin:20130524T140000 DTSTAMP:20260403T190210 CREATED:20160824T134734Z LAST-MODIFIED:20160824T134734Z UID:2563-1369404000-1369404000@mooreinstitute.ie SUMMARY:Global Women's Studies Summer Seminar with Caroline Bettinger Lopez\, Human Rights Clinic\, University of Miami\, School of Law DESCRIPTION:Global Women‰۪s Studies Summer Seminar \nWith \nCaroline Bettinger Lopez\, \nHuman Rights Clinic\, University of Miami\, School of Law \n“Bringing human rights home: Strategies to fight domestic violence and other gender-based violations” \nFriday May 24 – 2.00-3.30 pm \nMoore Institute Seminar Room \nFree event – all welcome! \nTo reserve a place\, email: Gillian.browne@nuigalway.ie \nCaroline Bettinger-LÌ_pez is an Associate Professor of Clinical Legal Education and Director of the Human Rights Clinic at the University of Miami School of Law. Her scholarship\, advocacy\, and teaching focus on international human rights law and advocacy including the implementation of human rights norms at the domestic level. Her main regional focus is the US and Latin America\, and her principal areas of interest include violence against women\, gender and race discrimination\, immigrants’ rights\, and clinical legal education. Bettinger-LÌ_pez regularly litigates and engages in other forms of advocacy in the Inter-American Human Rights system\, federal and state courts and legislative bodies\, and the United Nations. Most notably\, along with colleagues at the Human Rights Clinic of Columbia Law School and the American Civil Liberties Union\, Bettinger-LÌ_pez was a leading member of the legal team that represented Jessica Lenahan (formerly Gonzales) in the landmark case Jessica Gonzales v. United States of America. Gonzales\, whose daughters were abducted by her estranged husband in 1999 and killed after the police repeatedly refused to enforce her domestic violence restraining order against him\, went before the Inter-American Commission on Human Rights in March 2007 and again in October 2008\, after all domestic avenues of justice were closed to her. URL:https://mooreinstitute.ie/event/global-womens-studies-summer-seminar-with-caroline-bettinger-lopez-human-rights-clinic-university-of-miami-school-of-law/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130524T120000 DTEND;TZID=Europe/Dublin:20130524T120000 DTSTAMP:20260403T190210 CREATED:20160824T134734Z LAST-MODIFIED:20160824T134734Z UID:2560-1369396800-1369396800@mooreinstitute.ie SUMMARY:Workshop - Media\, Culture and Empire DESCRIPTION:Workshop – Media\, Culture and Empire \n24 May 2013 – 12pm-5.30pm \nVenue – Room STC.S78\, St Clements Building\, Clare Market\, London School of Economics \n12-1pm Simon J. Potter\, University of Bristol ‰ÛÒ ‰Û÷Jingoism and the British Press at the fin de si̬cle‰۪ \nR. S. Coffey\, LSE ‰ÛÒ ‰Û÷‰ÛÏThe Paladins of Fleet Street‰۝: The British press\, the Colonial Office and the ‰ÛÏBlantyre riot‰۝\, 1960‰۪ \n1pm-2pm Lunch \n2pm-3pm Benedict Greening\, LSE ‰ÛÒ ‰Û÷The Royal Gazette newspaper and the last hangings on British soil‰۪ \nJames O‰۪Donnell\, NUI\, Galway ‰ÛÒ ‰Û÷News\, Networks and the Nation-State: the decolonisation of Irish news supply?’ \n3-3.30pm Coffee \n3.30-4.30pmFiona Bateman\, NUI\, Galway ‰ÛÒ ‰Û÷‰ÛÏThis Unfortunate Affair‰۝: Ireland and Biafra 1967-70‰۪ \nCharlotte Riley\, UCL ‰ÛÒ ‰Û÷‰ÛÏNo Longer Isolated‰۝: Broadcasting in the post-war British African Empire‰۪ \n4.30-5.30pmJoanna Lewis\, LSE ‰ÛÒ ‰Û÷Empires of Sentiment\, Africa and the ‰ÛÏHeart of the Nation‰۝: Newspaper coverage of the death and funeral of David Livingstone‰۪ \nLionel Pilkington\, NUI\, Galway – ‰Û÷Performing Ireland and the Postcolonial Body‰۪ \nThis is a joint workshop organised by the National University of Ireland\, Galway and the London School of Economics. There is no charge to register but if you would like to attend please email Dave Finn (dave.finn@nuigalway.ie)\, ideally before 20 May. \nDirections: \nhttp://www2.lse.ac.uk/mapsAndDirections/campusMap.pdf \nhttp://www2.lse.ac.uk/mapsAndDirections/travellingToLSE.aspx \nhttp://www2.lse.ac.uk/mapsAndDirections/LSElocationMap.pdf URL:https://mooreinstitute.ie/event/workshop-media-culture-and-empire/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Dublin:20130523T092000 DTEND;TZID=Europe/Dublin:20130523T092000 DTSTAMP:20260403T190210 CREATED:20160824T134718Z LAST-MODIFIED:20160824T134718Z UID:2326-1369300800-1369300800@mooreinstitute.ie SUMMARY:English Graduate Research Day DESCRIPTION:English Graduate Research Day 2013 – \nall welcome – \ncome along and enjoy coffee and accumulated fruits of research!\n9.20-10.45 \nMeaghan Connell \n‰Û÷The Language of Irish Theatre: Corpus Findings and Analysis‰۪ \nMikyung Park \n‰Û÷Gregory’s Disavowal: the Making of a Public Persona in Spreading the News (1904)‰۪ \nMairead Ni Chroinin \n‰Û÷Mobile Computing as Postdramatic Theatre‰۪ \n10.45 COFFEE BREAK \n11.00-12.00 \nCiara O Dowd \n‰Û÷Subverting the Script: Ria Mooney & Elizabeth Connor on the Abbey Stage‰۪ \nDes Lally \n‰Û÷Actors and Architects: The Relationship of the Gate Theatre with the Architectural Firm of Scott Tallon Walker‰۪ \n12.00 COFFEE BREAK \n12.20-1.20 \nSiobhan Purcell \n‰Û÷Beckett Deformed‰۪ \nRosemary Gallagher \n‰Û÷Puns\, Hijinks\, and Slapstick in Catch-22: Not Another Black Humour Reading‰۪ \n1.20-2.20 LUNCH \n2.20-3.45 \nAnna Gasperini \n‰Û÷The Foreign Roots of Local Myths – the Global and the Local in Victorian Sensation Fiction‰۪ \nPaul Rooney \n‰Û÷Deciphering the Codes to The Notting Hill Mystery (1862-63): Hybridity\, Periodical Coding\, and Readership in Once a Week‰۪ \nEavan O Dochartaigh \n‰Û÷Image and Text of the Arctic Search Expeditions 1848-59: Methodology\, Theory and Questions‰۪ \n3.45 COFFEE BREAK \n4.15-5.35 \nKathleen Pacious \n‰Û÷And How Does That Make You Feel?” Empathetic Engagement and Ethical Receptivity in George Eliot‰۪s Daniel Deronda‰۪ \nCiaran Dowd \n‰Û÷‰ÛÏBarren\, silent\, godless‰۝: the Paratactic World of Cormac McCarthy‰۪ \nRebecca Downes \n‰Û÷Putrefaction\, Purgation\, Purification: Death and Denial in Andrew Miller’s Pure‰۪ URL:https://mooreinstitute.ie/event/english-graduate-research-day/ END:VEVENT END:VCALENDAR