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X-WR-CALDESC:Events for Moore Institute
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TZID:Europe/Dublin
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DTSTART:20240331T010000
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BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20240131T120000
DTEND;TZID=Europe/Dublin:20240131T133000
DTSTAMP:20260413T180247
CREATED:20240123T165619Z
LAST-MODIFIED:20240123T165834Z
UID:14534-1706702400-1706707800@mooreinstitute.ie
SUMMARY:Centre for Creative Technologies masterclass series: Researching and publishing on practice-based work using creative tech
DESCRIPTION:Masterclass with Dr. Máiréad Ní Chróinín\, theatre artist and researcher based at Drama & Theatre Studies\, University of Galway. \nThis talk will be in two parts: the first part will focus on Dr. Ní Chróinín’s current research\, which explores the creation of ‘ecological perception’ through performances that utilise creative technologies. \nThe second part of the talk is aimed at practice-based PhDs\, and will explore writing and publishing on practice-based work\, based on Dr. Ní Chróinín’s experience as an early-career researcher and artistic practitioner. \nSpeaker Bio \nDr. Máiréad Ní Chróinín is a theatre artist and researcher. In her individual practice Máiréad has worked with body-centric technologies (sensors\, mobile technologies and VR & AR technologies)\, to create immersive and interactive works that place the audience member at the centre of the experience.  She has presented work in Dublin Fringe Festival\, Galway Theatre Festival and Galway Early Music Festival\, among others. In 2018 she took part in the SPACE residency at the Tyrone Guthrie Centre\, hosted by Performance Corporation\, which focused on intersections between VR and AR design and theatre practice.  Most recently\, she created a sound-walk commissioned by The Lighthouse Project and Cúirt International Festival of Literature\, and co-created ‘Mona’\, a work-in-progress sound-walk\, with James Riordan\, commissioned by Galway Theatre Festival. \nMáiréad received her PhD from NUI Galway\, focusing on how mobile digital technologies can be used to tap into and transform audience members’ sensory\, embodied experiences in ways that engender empathy and critical reflection. Her current research focuses on ways that creative technologies can intersect with the body of the participant to engender ‘ecological perception’ and engagement with climate and ecological issues. \nMáiréad is Co-Artistic Director of Galway-based theatre company Moonfish Theatre\, which has produced award-winning theatre in partnership with Babroró\, GIAF\, Dublin Fringe and the Town Hall Theatre\, among others. She is Druid Lecturer at the Drama and Theatre Studies Department of University of Galway\, where she lectures on ensemble theatre\, producing\, arts management\, and body and performance. \nRegistration\nPlease register via Eventbrite at: https://www.eventbrite.ie/e/researching-and-publishing-on-practice-based-work-using-creative-tech-tickets-807616301097 \n 
URL:https://mooreinstitute.ie/event/centre-for-creative-technologies-masterclass-series-researching-and-publishing-on-practice-based-work-using-creative-tech/
LOCATION:Studio 3\, O’Donoghue Centre for Drama\, Theatre and Performance\, University of Galway
ATTACH;FMTTYPE=image/jpeg:https://mooreinstitute.ie/wp-content/uploads/2024/01/David-31-Jan-2024.jpg
ORGANIZER;CN="Dr%20Conn%20Holohan":MAILTO:conn.holohan@universityofgalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20240131T160000
DTEND;TZID=Europe/Dublin:20240131T170000
DTSTAMP:20260413T180247
CREATED:20240124T114137Z
LAST-MODIFIED:20240124T115749Z
UID:14539-1706716800-1706720400@mooreinstitute.ie
SUMMARY:Principles and Practice of Intercultural Dramaturgy - ISTR Webinar
DESCRIPTION:Irish Society for Theatre Research Webinar: ‘Principles and Practice of Intercultural Dramaturgy’ \nDr Sarah Hoover in conversation with Dr Karen Jean Martinson \nJoin Dr. Sarah Hoover\, She/Her\, (University of Galway) and Dr. Karen Jean Martinsen\, She/Her\, (University of Arizona) in conversation discussing Principles and Practice of Intercultural Dramaturgy. \nSpeaker Bios: \nDr Sarah Hoover (She/Her) is a dramaturg\, lecturer and researcher focusing on immersive and interactive performance and audience-centred dramaturgy. Her specialisms include artistic research methodologies\, new material feminisms and multimodal digital humanities approaches. Currently\, she is a Postdoctoral Researcher at the University of Galway\, working on the EU Horizon2020 project CLS INFRA\, a four-year partnership to build shared DH resources of high-quality data\, tools and knowledge. Forthcoming publications include Reflective Affective Dramaturgies: larping audiences into theatre\, Palgrave Macmillan 2024\, and “Theatre and Performance Studies and RPGS” in Role-Playing Games: Transmedia Foundations\, Routledge 2024. She is also currently dramaturg to two productions\, Yaqui & Béal: Yoeme and Irish in Conversation by Esther Almazán and OtherWorld Post Office by Jenni Nikinmaa. Hoover sits on the Executive Committee of ISTR. \nKaren Jean Martinson\, PhD\, (she/her\,/hers) is an Assistant Professor of Dramaturgy in the School of Music\, Dance and Theatre in the Herberger Institute for Design and the Arts at Arizona State University. Her scholarly and creative work explores the intersection of contemporary USAmerican performance\, consumer culture\, neoliberalism\, and the processes of identification\, interrogating issues of race\, class\, gender\, and sexuality. She also writes and talks (constantly) about dramaturgy and dramaturgical thinking. Her manuscript\, Make the Dream Real: World-Building Through Performance by El Vez\, The Mexican Elvis\, is forthcoming with Intellect Press. Martinson has developed her robust dramaturgical approach over the past two decades\, and has worked on socially-engaged theatre that considers issues of race and racial oppression\, the impacts of gun violence\, intergenerational trauma\, the Indian Industrial Boarding School System\, issues of mobility in underprivileged communities\, and now the impending climate crisis. Her scholarship has been featured in such journals as The LMDA Review\, Theatre Annual\, Theatre Topics\, Theatre Journal\, Cultural Studies ó Critical Methodologies\, and Popular Entertainment Studies. Martinson currently serves as the VP Advocacy for the Literary Managers and Dramaturgs of the Americas (LMDA)\, was Secretary of the Association for Theatre in Higher Education (ATHE)\, and is active in the American Society for Theatre Research (ASTR)\, the American Theatre and Drama Society (ATDS)\, and the Mid-America Theatre Conference (MATC). She was awarded the Leon Katz Award for Teaching and Mentoring by LMDA in 2023. \nRegistration at: https://www.tickettailor.com/events/irishsocietyfortheatreresearch/1129310
URL:https://mooreinstitute.ie/event/principles-and-practice-of-intercultural-dramaturgy-istr-webinar/
LOCATION:Online\, Zoom
ATTACH;FMTTYPE=image/png:https://mooreinstitute.ie/wp-content/uploads/2024/01/ISTR-Jan-2024_1.png
ORGANIZER;CN="Dr%20Miriam%20Haughton%20miriam.haughton%40universityofgalway.ie":MAILTO:miriam.haughton@universityofgalway.ie
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DTSTART;TZID=Europe/Dublin:20240131T160000
DTEND;TZID=Europe/Dublin:20240131T170000
DTSTAMP:20260413T180247
CREATED:20240125T115837Z
LAST-MODIFIED:20240125T115924Z
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SUMMARY:University of Galway History Research Seminar: Defection and disclosure: The German Jesuits and the problem of apostasy in the sixteenth century 
DESCRIPTION:University of Galway History Research Seminar \nDefection and disclosure:  \nThe German Jesuits and the problem of apostasy in the sixteenth century \nDr Richard Kirwan (University of Limerick)  \n  \nBiography\nDr Richard Kirwan is a Senior Lecturer in History and an Irish Research Council Laureate. He is the P.I. of ‘Malcontents: Order and Disorder in the Early Modern World of Learning\,’ a four-year project funded by an Irish Research Council Consolidator Laureate award. His research interests include the social and cultural history of early modern universities and the world of learning\, early modern print culture\, and the culture and politics of religious conversion. Dr Kirwan’s publications include the monograph Empowerment and Representation at the University in Early Modern Germany: Helmstedt and Würzburg\, 1576-1634 (Wiesbaden: Harrassowitz\, 2009)\, and the edited volumes Scholarly Self-Fashioning and Community in the Early Modern University (Farnham: Ashgate\, 2013)\, and Specialist Markets in the Early Modern Book World (Leiden: Brill\, 2015). Prior to taking up his position at the University of Limerick\, Dr Kirwan held posts at the University of St Andrews\, the European University Institute\, Florence\, Maynooth University\, and Trinity College Dublin. \nRegistration\nThis is a hybrid event. The paper will be delivered in-person\, in Room G010\, Hardiman Research Building\, University of Galway (ground floor) and livestreamed simultaneously on Zoom: https://universityofgalway-ie.zoom.us/j/96743869754. \nTo attend via Zoom\, please register at: https://forms.office.com/e/8CMfHatXep \nSeminars are not recorded. \nThis talk is part of the University of Galway History Seminar series. \nImage: detail from Antichristus (woodcut) by Lucas Cranach the Elder (1472-1553). \n 
URL:https://mooreinstitute.ie/event/university-of-galway-history-research-seminar-defection-and-disclosure-the-german-jesuits-and-the-problem-of-apostasy-in-the-sixteenth-century/
LOCATION:In-person\, in Room G010\, Hardiman Research Building\, University of Galway (ground floor) and livestreamed simultaneously on Zoom
ATTACH;FMTTYPE=image/png:https://mooreinstitute.ie/wp-content/uploads/2024/01/Kevin-History-31-Jan-2024.png
ORGANIZER;CN="Dr%20Gear%C3%B3id%20Barry%20gearoid.barry%40universityofgalway.ie":MAILTO:kevin.k.osullivan@universityofgalway.ie
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DTSTART;TZID=Europe/Dublin:20240131T171500
DTEND;TZID=Europe/Dublin:20240131T180000
DTSTAMP:20260413T180247
CREATED:20240125T115154Z
LAST-MODIFIED:20240125T124350Z
UID:14546-1706721300-1706724000@mooreinstitute.ie
SUMMARY:“…don’t forget the photos\, it’s very important…” A photo exhibition about the Nazi Persecution of Sinti and Roma
DESCRIPTION:“…don’t forget the photos\, it’s very important…” A photo exhibition about the Nazi Persecution of Sinti and Roma \nThe launch of a photo exhibition about the Nazi persecution of Sinti and Roma\, organised by Dr Gearóid Barry and Dr Niall Ó Ciosáin. The launch will take place on Wednesday\, 31 January 2024\, at 5.15pm\, at the O’Donoghue Centre for Drama\, Theatre & Performance\, University of Galway\, and will feature contributions from Prof. Eve Rosenhaft (University of Liverpool) and Anne-Marie Stokes (University of Galway). \nBetween the mid-1930s and 1945\, hundreds of thousands of Sinti and Roma (‘Gypsies’) fell victim to the genocidal policies of the Nazi regime. The exhibition presents the experiences of nine German Sinti and Roma families under National Socialism and the post-war experiences of the survivors. \nThe exhibition runs until 14 February 2024. \nAll are welcome!
URL:https://mooreinstitute.ie/event/dont-forget-the-photos-its-very-important-a-photo-exhibition-about-the-nazi-persecution-of-sinti-and-roma/
LOCATION:O’Donoghue Centre for Drama\, Theatre & Performance\, Univeristy of Galway
ATTACH;FMTTYPE=image/png:https://mooreinstitute.ie/wp-content/uploads/2024/01/Kevin-History-31-Jan-2024-exhibition.png
ORGANIZER;CN="Dr%20Gear%C3%B3id%20Barry%20gearoid.barry%40universityofgalway.ie":MAILTO:kevin.k.osullivan@universityofgalway.ie
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