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DTSTART;VALUE=DATE:20230505
DTEND;VALUE=DATE:20230507
DTSTAMP:20260514T082839
CREATED:20230118T140047Z
LAST-MODIFIED:20230428T151328Z
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SUMMARY:BALANCING ACTS ISTR 2023
DESCRIPTION:BALANCING ACTS\nISTR 2023\n5-6 May\, University of Galway\nSponsored by the University of Galway and Irish Theatre Institute in association with Dundalk Institute of Technology \nBalancing Acts Conference Schedule 5-6 May 2023\n  \nSchedule Key \nPINK: PANEL/PG-ECR Workshop \nGREEN: BREAK/CATERING \nYELLOW: KEYNOTE \n  \nConference Team \nMiriam Haughton\, Sarah Hoover\, Luke Lamont\, Ciara L. Murphy\, Finian O’Gorman \n  \nFRIDAY 5TH MAY \n  \nPANEL 1: Performing Balance in Crisis\, Care\, and Covid \n9.15-10.30: Studio 1\, ODC \nChair: Ian R Walsh \nVicky Angelaki (Mid Sweden): Balancing Intersecting Crises: Sustainability\, COVID and Climate in Crimp and Kirkwood \nSinéad O’Donnell-Carey (ATU Sligo): Where is live performance in a post-pandemic world? \nYingjun Wei (Trinity): “Hybrid organising saved us”: Hustling Feminist Theatre through the Precarity of the Covid-19 Pandemic \n  \nPANEL 2: Embodiment\, Experience and Self in Contemporary Performance Practices \n9.15-10.30: Studio 2\, ODC \nChair: Mike Finneran \nAlinne Fernandes (UFSC): Asphyxia and Isolation in Marina Carr’s ‘Grow a Mermaid’: A Brazilian Radio Play \nAoife McGrath (QUB): Shared Experiences of Care: embodied knowledge in PaR collaborations between dance and social science \nMaria Tivnan (UoG): Parent as Artist/Artist as Parent: Making Work ‘work’ \n  \nCOFFEE: 10.30-11\, SULT \n  \nOpening Remarks: Aoife Noone (GTF)\, Miriam Haughton (UoG)\, Ciara L. Murphy (DKIT) \n  \nPANEL 3: Balancing at the Intersection of Theatre and Education: Ethics\, Partnerships\, and Research-based Approaches \n11-12.15\, Studio 1\, ODC \nChair: Luke Lamont (UoG) \nFiona Fearon (DKIT): The Ethics of Teaching Trauma\, Criminality and Deviance in Contemporary Irish Theatre \nFiona McDonagh and Dorothy Morrissey (MIL): Teacher-artist partnerships: Navigating between education and theatre \nCharlotte McIvor and Gavin Friel (UoG): “Can We Ever Really Know This Works?”: \nExperimenting with Research-based Theatre as Consent Education with an Irish National Policy and Secondary School and Third-Level Education Ecology \n  \nPANEL 4: Balancing genre\, tradition and the future \n11-12.15\, Studio 2 ODC \nChair: Finian O’Gorman (TCD) \nDaithí Kearney (DKIT): Balancing Time: Seeing the past\, present\, future and other time in the productions of Siamsa Tíre\, the National Folk Theatre of Ireland \nMarianne Kennedy (UoG): Ar Ais Arís and coming back again \nSharon Phelan and Jackie Gallagher (MTU): The Use of Contemporary Dance as a Tool to Enhance Wellness in Educational Settings \n  \n12.30-1.30 Lunch – brown bag lunches available from SULT \n  \n1.00-1.45: Postgraduate/ECR Workshop with Charlotte McIvor ODC Studio 2 \nJob Applications and Interviews \nDelegates are welcome to bring their lunch with them  \n  \n1.15-2.00: ISTR AGM: All welcome \nMoore Institute\, G010 \nDelegates are welcome to bring their lunch with them \n  \n2-3: ARTIST KEYNOTE: Studio 1 \nSonya Kelly in conversation with Ursula Rani Sarma \nChair: Maria Tivnan \n  \n3-3.30: BREAK \n  \n3.30-4.30: KEYNOTE LECTURE: Studio 1  \nDavid O’Shaughnessy (UoG)\, ‘Balancing the repertory: Richard Brinsley Sheridan\, theatre manager’  \nChair: Miriam Haughton \n  \n4.45-6: Book/Project Launch \nWine reception and finger food\, SULT \nCiara Murphy\, Performing Social Change on the Island of Ireland: From Republic to Pandemic (Routledge 2023)\, launched by Miriam Haughton \nPaul J. Halferty and Cathy Leeney\, Ed. Analysing Gender in Performance (Palgrave 2022)\, launched by Aoife McGrath \nMiriam Haughton\, IRC Laureate 2023-2025 ‘The Price of Performance: A Question of Economic Sustainability for Independent Theatre Production in Ireland\, Northern Ireland and Scotland 2000-2020’ launched by Máiréad Ní Chróinín. \nSuggested Evening Entertainment – Galway Theatre Programme Link: https://galwaytheatrefestival.com/collections/shows \n  \nSATURDAY 6TH MAY \n  \nPANEL 5: Unraveling Complexities: Perspectives on Irish Arts Practices\, Funding\, and Community Wellbeing \n9.15-10.30: Studio 1 ODC \nChair: Alinne Fernandes \nMike Finneran (MIL): Balancing expectations and outcomes and so much else in Irish applied arts practices \nCiara O’Dowd (SGI): Should the Arts Council of Ireland be paying by the word? \nIan R. Walsh (UoG): Crossed Wires: Galway Community Circus’s LifeLine and Issues in Measuring Wellbeing \n  \nPANEL 6: Off-Balance: Inequality\, Precarity\, and Liveness in the Theatre Industry \n9.15-10.30\, Studio 2 ODC \nChair: Cathy Leeney \n Abir Al-Laham (Heidelberg): Of Bodies and Spaces: Balancing Inequality in Theatre Representations \n Samantha Cade (UCD): “Live” in a Pandemic: How Dublin’s Theatre Industry Addressed Work in the COVID 19 Pandemic \nEamonn Jordan (UCD): Precarious and Intersectional Class Imbalances and Inequalities \n  \n10.30-10.45: COFFEE SULT \n  \nPANEL 7: Contemporary Irish Theatre: Navigating Ethics\, Aesthetics\, and Auteurship \n10.45-12:15\, Studio 1 ODC \nChair: Sarah Hoover \nDavid Clare (MIL): “Otherness in Ursula Rani Sarma’s Blue” \nStefanie Weenink (UoG): Gawd and Gulder: Language as a Key Marker of Identity and Irishness in Brian Friel’s Plays \nJustine Zapin (UCD): Playboy\, Blanco\, and a Jury of One’s Peers: Balancing Drama Off and On the Irish Stage \nLuke Lamont (UoG): The author on stage: auteur-ships\, precarious ethics and documentary aesthetics \n  \nPANEL 8: Class\, Gender\, and Academic Challenges: Balancing against the odds  \n10.45-12.15\, Studio 2 ODC  \nChair: Eamonn Jordan \n Alexander Coupe (Liverpool): Stitched Up: Class and Compromise in Post-Agreement Feminist Performance \nBogdan Mihai Florea (Nu Nu Theatre): Theatre\, the pandemic\, a bit of Treplev\, some Sloterdijk\, an academic journal\, depression and (my) mental health in general \n Finian O’Gorman (TCD): Artificial Intelligence and Irish theatres studies: How ChatGPT can turn academics into amateurs. \n Helena Young (UCD): Gender Balance in Brokentalkers \n  \n12-1: Lunch SULT \nBrown bag lunch \n  \n12.30-1.15: PG/ECR Workshop G010 Moore Institute with Patrick Lonergan \nPublishing and Grant Applications \nDelegates are welcome to bring their lunch with them \n  \nKEYNOTE Lecture: 1.15 -2.15 O’Donoghue Theatre  \nDanielle Bainbridge (Northwestern) \nChair: Ciara L Murphy \n  \nBREAK 2.15-2.30 \n  \nKEYNOTE PANEL: 2.30-3.30 O’Donoghue Theatre  \nSafe to Create/Irish Theatre Institute \nPanel: Louise Crowley\, Olwen Dawe\, Esosa Ighodaro\, Ciara L. Murphy\, Niamh O’Donnell \nChair: Mary McGill \n  \n3.30-3.45: BREAK \n  \nPANEL 9: Adapting Tradition: Exploring Intercultural\, Philosophical and Feminist Perspectives in Theatre \n3.45-5.15\, Studio 1 ODC \nChair: Vicky Angelaki \nGustav Parker Hibbett (TCD): Reimagining Othello \n Patrick Lonergan (UoG): Balancing Acts: Caryl Churchill and Anthropocene Feminism \n Jiayu Yin (Soochow/TCD): On the “Going Out” and “Going Back” of Chinese Intercultural Theatre: Reflecting on Meng Jinghui’s Intercultural Adaptation \nChengyun Zhao (TCD): A Study of the Xiqu Features in Lin Zhaohua’s Three Sisters Waiting for Godot from the Perspective of Taoist Philosophy \n  \nPANEL 10:The art of balance: Dramaturgies of identity and ethics in contemporary Irish theatre \n3.45-5.15\, Studio 2 ODC \nChair: Paul J. Halferty \nChaomei Chen (TCD): Gender\, Ethics\, Ableism: A Dramaturgical Balancing of Contemporary Irish Identities in Ulysses 2.2 \nSarah Hoover (UoG): Balancing on one heel: mixed live/digital dramaturgy in It’s True I Love You All So Much \n Shonagh Hill (QUB): Moving in Feminist Solidarity \n  \nConference Ends
URL:https://mooreinstitute.ie/event/balancing-acts-istr-2023/
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ORGANIZER;CN="Dr%20Miriam%20Haughton":MAILTO:miriam.haughton@universityofgalway.ie
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DTSTART;TZID=Europe/Dublin:20230506T133000
DTEND;TZID=Europe/Dublin:20230506T150000
DTSTAMP:20260514T082839
CREATED:20230428T065210Z
LAST-MODIFIED:20230428T070143Z
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SUMMARY:YAQUI & BÉAL: YOEME AND IRISH IN CONVERSATION
DESCRIPTION:A Fulbright Ireland project\, Yaqui and Béal: Yoeme and Irish in Conversation is a theatrical exploration of commonalities between Native Americans and Native Irish. Part scripted/part devised\, this dramatic piece combines family legends and wisdom from Irish and Yoeme elders\, with conceived work that includes audience input. This performance is being composed by theatre-makers from University of Galway Master’s program. \nAge: All ages. \nPost Show \nChair: Dr Nessa Cronin (Moore Institute\, Centre for Irish Studies\, UoG) \nPanel: Esther Almazon (Playwright\, Fulbright scholar); Dr Sarah-Anne Buckley (History\, UoG)\, Mary Harney (PhD scholar\, Irish Centre for Human Rights\, UoG)\, Owen Ward (Office for Equality\, Diversity and Inclusion\, UoG) \nSupported by: \nDepartment of Theatre\, University of Galway \nBOOKING: YAQUI & BÉAL: YOEME AND IRISH IN CONVERSATION – Galway Theatre Festival \n\nESTHER ALMAZÁN \nAward: Fulbright U.S. Student Award \nInstitution: Arizona State University \nYear: 2022 \n\nEsther AlmazA¡n (Yoeme/Yaqui) is a Tucson Native who earned her MFA in dramatic writing from her home institution\, Arizona State University. As a theatre artist\, she has received the Kennedy Center Latinx Playwriting Award for Distinguished Achievement\, the ariZoni Theatre Awards of Excellence\, is a Eugene Oa€™Neill NPC semi-finalist\, and a recipient of the Gammage Theatre Scholar Award. At NUI\, Galway\,A EstherA will conduct her research project\,A Yaqui and BA©aloideas: Yoeme and Irish in Conversation\, exploring the mutual understanding of overcoming adversity between Native Irish and Native Americans. Her Fulbright performing arts project\, presented at NUIa€™s Oa€™Donoghue Theatre\, will memorialize the Irish/Native American connection of generosity and mutual support in a devised theatre production incorporating family legends of surviving hardships through difficulties such as the COVID-19 pandemic\, colonization\, and mass migration.
URL:https://mooreinstitute.ie/event/yaqui-beal-yoeme-and-irish-in-conversation/
LOCATION:BANK OF IRELAND THEATRE\, University of Galway
ATTACH;FMTTYPE=image/jpeg:https://mooreinstitute.ie/wp-content/uploads/2023/04/Poster.jpg
ORGANIZER;CN="Dr%20Miriam%20Haughton%20miriam.haughton%40universityofgalway.ie":MAILTO:miriam.haughton@universityofgalway.ie
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