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X-WR-CALDESC:Events for Moore Institute
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DTSTART:20230326T010000
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DTSTART;VALUE=DATE:20230505
DTEND;VALUE=DATE:20230507
DTSTAMP:20260514T082903
CREATED:20230118T140047Z
LAST-MODIFIED:20230428T151328Z
UID:12749-1683244800-1683417599@mooreinstitute.ie
SUMMARY:BALANCING ACTS ISTR 2023
DESCRIPTION:BALANCING ACTS\nISTR 2023\n5-6 May\, University of Galway\nSponsored by the University of Galway and Irish Theatre Institute in association with Dundalk Institute of Technology \nBalancing Acts Conference Schedule 5-6 May 2023\n  \nSchedule Key \nPINK: PANEL/PG-ECR Workshop \nGREEN: BREAK/CATERING \nYELLOW: KEYNOTE \n  \nConference Team \nMiriam Haughton\, Sarah Hoover\, Luke Lamont\, Ciara L. Murphy\, Finian O’Gorman \n  \nFRIDAY 5TH MAY \n  \nPANEL 1: Performing Balance in Crisis\, Care\, and Covid \n9.15-10.30: Studio 1\, ODC \nChair: Ian R Walsh \nVicky Angelaki (Mid Sweden): Balancing Intersecting Crises: Sustainability\, COVID and Climate in Crimp and Kirkwood \nSinéad O’Donnell-Carey (ATU Sligo): Where is live performance in a post-pandemic world? \nYingjun Wei (Trinity): “Hybrid organising saved us”: Hustling Feminist Theatre through the Precarity of the Covid-19 Pandemic \n  \nPANEL 2: Embodiment\, Experience and Self in Contemporary Performance Practices \n9.15-10.30: Studio 2\, ODC \nChair: Mike Finneran \nAlinne Fernandes (UFSC): Asphyxia and Isolation in Marina Carr’s ‘Grow a Mermaid’: A Brazilian Radio Play \nAoife McGrath (QUB): Shared Experiences of Care: embodied knowledge in PaR collaborations between dance and social science \nMaria Tivnan (UoG): Parent as Artist/Artist as Parent: Making Work ‘work’ \n  \nCOFFEE: 10.30-11\, SULT \n  \nOpening Remarks: Aoife Noone (GTF)\, Miriam Haughton (UoG)\, Ciara L. Murphy (DKIT) \n  \nPANEL 3: Balancing at the Intersection of Theatre and Education: Ethics\, Partnerships\, and Research-based Approaches \n11-12.15\, Studio 1\, ODC \nChair: Luke Lamont (UoG) \nFiona Fearon (DKIT): The Ethics of Teaching Trauma\, Criminality and Deviance in Contemporary Irish Theatre \nFiona McDonagh and Dorothy Morrissey (MIL): Teacher-artist partnerships: Navigating between education and theatre \nCharlotte McIvor and Gavin Friel (UoG): “Can We Ever Really Know This Works?”: \nExperimenting with Research-based Theatre as Consent Education with an Irish National Policy and Secondary School and Third-Level Education Ecology \n  \nPANEL 4: Balancing genre\, tradition and the future \n11-12.15\, Studio 2 ODC \nChair: Finian O’Gorman (TCD) \nDaithí Kearney (DKIT): Balancing Time: Seeing the past\, present\, future and other time in the productions of Siamsa Tíre\, the National Folk Theatre of Ireland \nMarianne Kennedy (UoG): Ar Ais Arís and coming back again \nSharon Phelan and Jackie Gallagher (MTU): The Use of Contemporary Dance as a Tool to Enhance Wellness in Educational Settings \n  \n12.30-1.30 Lunch – brown bag lunches available from SULT \n  \n1.00-1.45: Postgraduate/ECR Workshop with Charlotte McIvor ODC Studio 2 \nJob Applications and Interviews \nDelegates are welcome to bring their lunch with them  \n  \n1.15-2.00: ISTR AGM: All welcome \nMoore Institute\, G010 \nDelegates are welcome to bring their lunch with them \n  \n2-3: ARTIST KEYNOTE: Studio 1 \nSonya Kelly in conversation with Ursula Rani Sarma \nChair: Maria Tivnan \n  \n3-3.30: BREAK \n  \n3.30-4.30: KEYNOTE LECTURE: Studio 1  \nDavid O’Shaughnessy (UoG)\, ‘Balancing the repertory: Richard Brinsley Sheridan\, theatre manager’  \nChair: Miriam Haughton \n  \n4.45-6: Book/Project Launch \nWine reception and finger food\, SULT \nCiara Murphy\, Performing Social Change on the Island of Ireland: From Republic to Pandemic (Routledge 2023)\, launched by Miriam Haughton \nPaul J. Halferty and Cathy Leeney\, Ed. Analysing Gender in Performance (Palgrave 2022)\, launched by Aoife McGrath \nMiriam Haughton\, IRC Laureate 2023-2025 ‘The Price of Performance: A Question of Economic Sustainability for Independent Theatre Production in Ireland\, Northern Ireland and Scotland 2000-2020’ launched by Máiréad Ní Chróinín. \nSuggested Evening Entertainment – Galway Theatre Programme Link: https://galwaytheatrefestival.com/collections/shows \n  \nSATURDAY 6TH MAY \n  \nPANEL 5: Unraveling Complexities: Perspectives on Irish Arts Practices\, Funding\, and Community Wellbeing \n9.15-10.30: Studio 1 ODC \nChair: Alinne Fernandes \nMike Finneran (MIL): Balancing expectations and outcomes and so much else in Irish applied arts practices \nCiara O’Dowd (SGI): Should the Arts Council of Ireland be paying by the word? \nIan R. Walsh (UoG): Crossed Wires: Galway Community Circus’s LifeLine and Issues in Measuring Wellbeing \n  \nPANEL 6: Off-Balance: Inequality\, Precarity\, and Liveness in the Theatre Industry \n9.15-10.30\, Studio 2 ODC \nChair: Cathy Leeney \n Abir Al-Laham (Heidelberg): Of Bodies and Spaces: Balancing Inequality in Theatre Representations \n Samantha Cade (UCD): “Live” in a Pandemic: How Dublin’s Theatre Industry Addressed Work in the COVID 19 Pandemic \nEamonn Jordan (UCD): Precarious and Intersectional Class Imbalances and Inequalities \n  \n10.30-10.45: COFFEE SULT \n  \nPANEL 7: Contemporary Irish Theatre: Navigating Ethics\, Aesthetics\, and Auteurship \n10.45-12:15\, Studio 1 ODC \nChair: Sarah Hoover \nDavid Clare (MIL): “Otherness in Ursula Rani Sarma’s Blue” \nStefanie Weenink (UoG): Gawd and Gulder: Language as a Key Marker of Identity and Irishness in Brian Friel’s Plays \nJustine Zapin (UCD): Playboy\, Blanco\, and a Jury of One’s Peers: Balancing Drama Off and On the Irish Stage \nLuke Lamont (UoG): The author on stage: auteur-ships\, precarious ethics and documentary aesthetics \n  \nPANEL 8: Class\, Gender\, and Academic Challenges: Balancing against the odds  \n10.45-12.15\, Studio 2 ODC  \nChair: Eamonn Jordan \n Alexander Coupe (Liverpool): Stitched Up: Class and Compromise in Post-Agreement Feminist Performance \nBogdan Mihai Florea (Nu Nu Theatre): Theatre\, the pandemic\, a bit of Treplev\, some Sloterdijk\, an academic journal\, depression and (my) mental health in general \n Finian O’Gorman (TCD): Artificial Intelligence and Irish theatres studies: How ChatGPT can turn academics into amateurs. \n Helena Young (UCD): Gender Balance in Brokentalkers \n  \n12-1: Lunch SULT \nBrown bag lunch \n  \n12.30-1.15: PG/ECR Workshop G010 Moore Institute with Patrick Lonergan \nPublishing and Grant Applications \nDelegates are welcome to bring their lunch with them \n  \nKEYNOTE Lecture: 1.15 -2.15 O’Donoghue Theatre  \nDanielle Bainbridge (Northwestern) \nChair: Ciara L Murphy \n  \nBREAK 2.15-2.30 \n  \nKEYNOTE PANEL: 2.30-3.30 O’Donoghue Theatre  \nSafe to Create/Irish Theatre Institute \nPanel: Louise Crowley\, Olwen Dawe\, Esosa Ighodaro\, Ciara L. Murphy\, Niamh O’Donnell \nChair: Mary McGill \n  \n3.30-3.45: BREAK \n  \nPANEL 9: Adapting Tradition: Exploring Intercultural\, Philosophical and Feminist Perspectives in Theatre \n3.45-5.15\, Studio 1 ODC \nChair: Vicky Angelaki \nGustav Parker Hibbett (TCD): Reimagining Othello \n Patrick Lonergan (UoG): Balancing Acts: Caryl Churchill and Anthropocene Feminism \n Jiayu Yin (Soochow/TCD): On the “Going Out” and “Going Back” of Chinese Intercultural Theatre: Reflecting on Meng Jinghui’s Intercultural Adaptation \nChengyun Zhao (TCD): A Study of the Xiqu Features in Lin Zhaohua’s Three Sisters Waiting for Godot from the Perspective of Taoist Philosophy \n  \nPANEL 10:The art of balance: Dramaturgies of identity and ethics in contemporary Irish theatre \n3.45-5.15\, Studio 2 ODC \nChair: Paul J. Halferty \nChaomei Chen (TCD): Gender\, Ethics\, Ableism: A Dramaturgical Balancing of Contemporary Irish Identities in Ulysses 2.2 \nSarah Hoover (UoG): Balancing on one heel: mixed live/digital dramaturgy in It’s True I Love You All So Much \n Shonagh Hill (QUB): Moving in Feminist Solidarity \n  \nConference Ends
URL:https://mooreinstitute.ie/event/balancing-acts-istr-2023/
ATTACH;FMTTYPE=image/jpeg:https://mooreinstitute.ie/wp-content/uploads/2023/01/Miriam-May-5-6.jpg
ORGANIZER;CN="Dr%20Miriam%20Haughton":MAILTO:miriam.haughton@universityofgalway.ie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20230505T120000
DTEND;TZID=Europe/Dublin:20230505T140000
DTSTAMP:20260514T082903
CREATED:20230427T201501Z
LAST-MODIFIED:20230427T201836Z
UID:13467-1683288000-1683295200@mooreinstitute.ie
SUMMARY:CAMPS Lab: ‘When a Quarter is Analogous to Three-quarters: Quadrans in the De Divisionibus Temporum Tract of Laon\, Bibliothèque Municipale\, MS. 422.’
DESCRIPTION:Paula Harrison (PhD Researcher\, Ancient Classics\, University of Galway) will be presenting on \n‘When a Quarter is Analogous to Three-quarters: Quadrans in the De Divisionibus Temporum Tract of Laon\, Bibliothèque Municipale\, MS. 422.’ \n  \nThe Hiberno-Latin tract De divisionibus temporum (‘The divisions of time’) was an elementary work for the study of time reckoning (computus) during the early medieval period. This paper will explore a unit of these divisions\, the quadrans or the quarter day. In particular\, it will focus on an expanded version of this tract as it is transmitted in the early ninth-century manuscript Laon\, Bibliothèque Municipale\, MS. 422. This expansion in unique in that it preserves lesser disseminated materials which encompass both computus and grammar.
URL:https://mooreinstitute.ie/event/camps-lab-when-a-quarter-is-analogous-to-three-quarters-quadrans-in-the-de-divisionibus-temporum-tract-of-laon-bibliotheque-municipale-ms-422/
LOCATION:The Bridge Room THB-1001\, First Floor\, Hardiman Research Building\, University of Galway
ATTACH;FMTTYPE=image/jpeg:https://mooreinstitute.ie/wp-content/uploads/2023/04/CAMPS-Lab-5-May-2023.jpg
ORGANIZER;CN="Dr%20Sarah%20Corrigan%20sarah.corrigan%40universityofgalway.ie":MAILTO:sarah.corrigan@universityofgalway.ie
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