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DTSTART:20190331T010000
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DTSTART:20191027T010000
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DTSTART;TZID=Europe/Dublin:20190627T153000
DTEND;TZID=Europe/Dublin:20191115T000000
DTSTAMP:20260516T140611
CREATED:20190621T135436Z
LAST-MODIFIED:20191108T104353Z
UID:7736-1561649400-1573776000@mooreinstitute.ie
SUMMARY:Exhibition- Laval Nugent - Warrior and Art Collector
DESCRIPTION:This exhibition developed by the Archaeological Museum in Zagreb and the Embassy of the Republic of Croatia celebrates the life and legacy of Irishman\, Count Laval Nugent of Westmeath.  Laval Nugent was Irish by birth\, a field marshal in the Austrian Army\, a negotiator during the Napoleonic Wars\, a Croatian national hero and a passionate art collector. \nThis exhibition is part of a programme of events highlighting the links between the cities of Galway\, Ireland and Rijeka\, Croatia – both European Capitals of Culture in 2020. \n 
URL:https://mooreinstitute.ie/event/exhibition-laval-nugent-warrior-and-art-collector/
LOCATION:Foyer the Hardiman Research Building\, Ireland
ORGANIZER;CN="Liz%20McConnell":MAILTO:liz.mcconnell@nuigalway.ie
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DTSTART;TZID=Europe/Dublin:20190910T090000
DTEND;TZID=Europe/Dublin:20190910T090000
DTSTAMP:20260516T140611
CREATED:20190904T121857Z
LAST-MODIFIED:20190904T121857Z
UID:7892-1568106000-1568106000@mooreinstitute.ie
SUMMARY:Researching Subcultures and Aesthetics Postgraduate Symposium: Alternative Voices in Academia
DESCRIPTION:  \n  \n  \n  \n  \n  \n  \n  \n  \n09:00 – 09:30 \nRegistration / Coffee & Tea \n09:30 – 11:00 \nPanel 1: Aesthetic Manifestations\, Expressionisms and Power Structures \nPower\, Subcultures and Queer Stages in Twentieth-Century Italy and Ireland \nZsuzsanna Balázs\, PhD Candidate (Drama and Theatre Studies)\, NUI Galway \nPondering Progressive Punk Poetry \nJonathan Hannon\, PhD Candidate (Sociology and Politics)\, NUI Galway \nObscene Experimentation: Cultural Refusal and the Experimental Novel in Post-Second World War Britain and France \nAndrew Hodgson\, Postdoctoral Teaching and Research Fellow (Literature) at Université Paris Est. \nAutoethnography and Self-Abjection: 90s queer experimental film and video  \nRenée Inaiá Steffen\, PhD Candidate (Film Studies) Eikones Graduate School University of Basel \n11:00 – 11:15 \nBreak \n11:15 – 12:45 \nPanel 2:  In Betweenness\, Co-operations\, Blurring Borders & Mediation \nLiminality in Urban and Digital Contexts \nTomas (Jane) McBride\, Masters (English)\, NUI Galway \nCo-creation in COLAB’s punk films (New York\, 1978-1985) \nCéline Murillo\, Senior Lecturer at the University of Paris 13 (Sorbonne Paris Cité). \nAmerican Independent Cinema & Punk Ethos \nTemmuz Süreyya Gürbüz\, PhD Candidate (Film Studies)\, NUI Galway \nPunk\, Porn\, and Politics: Pornographic Provocations in British First-Wave Punk  \nJames F. Anderson\, PhD Candidate (Media and Communication)\, University of Sunderland \n12:45 – 13:30 \nLunch \n13:30 – 14:50 \nPanel 3: Identity Formations\, Signifiers\, Popular Culture and Icons \nThe pen is mightier than the words: New Musical Expression  \nKevin Quinn\, PhD Candidate\, Central Saint Martins\, University of the Arts London \nThe Concept of “Popular Culture” and the Indie Rock scene in Fortaleza\, Brazil \nPedro Menezes\, PhD Candidate (Sociology)\, Universidade do Porto \nA Punk called Ribas (Documentary\, 2019)  \nPaulo Antunes\, Masters (Aesthetics and Artistic Studies – specialization in Cinema & Photography)\, FCSH – Universidade Nova de Lisboa \n14:50 – 15:00 \nBreak \n15:00 – 16:20 \nPanel 4: The Politics of Agency\, Resistance in Punk & Forms of Cultural Practices \nPolitical resistance\, discourse\, and praxis in Bucharest’s punk subculture \nVlad Nicu\, PhD Student (Sociology)\, University of Surrey \nAntisocial Justice Warriors: Utilising Punk in the Pursuit of Social Justice  \nPaul Fields\, Senior Lecturer and Programme Leader BA Music Business\, Buckinghamshire New University \nOcupar e resistir!: disobedience and firmness against the Brazilian state \nLennita Oliveira Ruggi\, PhD Candidate (Sociology)\, NUI Galway \nValéria Floriano Machado\, Lecturer (Setor de Educação)\, Universidade Federal do Paraná \n16:20 – 16:30 \nBreak \n16:30 – 17:30 \nThe Punk Scholars Network Roundtable Discussion & Closing Remarks \nAlternative spaces in academia: negotiating independence\, creativity and DIY ethics within academic environment​s \n 
URL:https://mooreinstitute.ie/event/researching-subcultures-and-aesthetics-postgraduate-symposium-alternative-voices-in-academia/
LOCATION:Seminar Room G010\, Hardiman Research Building
ORGANIZER;CN="Punk%20Scholars%20Network":MAILTO:t.gurbuz1@nuigalway.ie
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DTSTART;TZID=Europe/Dublin:20190910T130000
DTEND;TZID=Europe/Dublin:20190910T150000
DTSTAMP:20260516T140611
CREATED:20190909T130207Z
LAST-MODIFIED:20190909T130207Z
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SUMMARY:Sport and Film: Examining the relationship from the United States to Ireland (Dr. Seán Crosson\, Huston School of Film & Digital Media)
DESCRIPTION:This lecture by Dr. Seán Crosson will consider the topic of Sport and Film\, drawing on the research he has undertaken of the subject internationally (evident in his monograph Sport and Film (2013)) and in the Irish context (where he will draw in particular on the work he did towards his recent book Gaelic Games on Film: From silent films to Hollywood hurling\, horror and the emergence of Irish cinema (Cork University Press\, 2019)). In the lecture Dr. Crosson will chart the history of sport cinema and examine the important role the genre has played in the United States in popularising and affirming a key ideology in American life\, the American Dream. In the second part of his talk he will move to the Irish context\,  where Gaelic games have repeatedly provided filmmakers and producers with a resonant motif through which they have represented perceived aspects of Irish identity\, perceived as this representation has been neither straightforward nor unproblematic: in international productions in particular\, Gaelic games have been employed on occasion as a short hand for regressive stereotypes associated with Irish people\, including their alleged propensity for violence. For indigenous producers\, on the other hand\, Gaelic games afforded distinctive Irish cultural practices and as such were featured to promote and affirm the Irish nation\, particularly as an indigenous film culture began to emerge in the aftermath of World War II. \n  \nDr.  Seán Crosson is the Leader of the Sport & Exercise Research Group within the Moore Institute for Research in the Humanities and Social Studies and Co-Director of the MA Sports Journalism and Communication programme. His research projects include an examination of the representation of sport in film\, the subject of a conference and several symposia held in the Huston School over the past seven years\, his award-winning monograph\,  Sport and Film (Routledge\, 2013) and his recent book Gaelic Games on Film: From silent films to Hollywood hurling\, horror and the emergence of Irish cinema (Cork University Press\, 2019). He has also uncovered important depictions of sport in film\, in particular of Gaelic games\, and his research has been featured in national and international media\, including El País\, The Sunday Times\, The Sunday Business Post\, The Irish Examiner\, The Irish Times\, the TV channels ITV\, and several items on TG4\, RTÉ News and Off the Ball. To date he has contributed to ten documentary projects\, including a 6-part documentary series on newsreels in Ireland to be broadcast by TG4 in 2018. His research in this area has also resulted in contributions to several major collections\, including the award-winning volume The Gaelic Athletic Association 1884-2009 and Screening Irish-America: Representing Irish-America in Film and Television. In addition\, he has co-edited a special number of the peer-reviewed journal Media History on Sport and the Media in Ireland (Vol. 17\, Issue 2). He also did the research towards\, and provided the liner notes for GAA Gold – All Ireland Hurling Championship Finals 1948-1959 (Irish Film Institute\, 2010) and GAA Football Gold: All-Ireland Final Highlights: 1947-1959 (Irish Film Institute\, 2011)\, DVDs which made available rarely seen footage of hurling and football all-Ireland finals in these years. \n 
URL:https://mooreinstitute.ie/event/sport-and-film-examining-the-relationship-from-the-united-states-to-ireland-dr-sean-crosson-huston-school-of-film-digital-media/
LOCATION:Room 1001\, the Bridge\, Hardiman Research Building
ORGANIZER;CN="Dr.%20Sean%20Crosson":MAILTO:sean.crosson@nuigalway.ie
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