BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Moore Institute - ECPv6.0.0.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://mooreinstitute.ie
X-WR-CALDESC:Events for Moore Institute
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Dublin
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:IST
DTSTART:20190331T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20191027T010000
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20190627T153000
DTEND;TZID=Europe/Dublin:20191115T000000
DTSTAMP:20260516T222908
CREATED:20190621T135436Z
LAST-MODIFIED:20191108T104353Z
UID:7736-1561649400-1573776000@mooreinstitute.ie
SUMMARY:Exhibition- Laval Nugent - Warrior and Art Collector
DESCRIPTION:This exhibition developed by the Archaeological Museum in Zagreb and the Embassy of the Republic of Croatia celebrates the life and legacy of Irishman\, Count Laval Nugent of Westmeath.  Laval Nugent was Irish by birth\, a field marshal in the Austrian Army\, a negotiator during the Napoleonic Wars\, a Croatian national hero and a passionate art collector. \nThis exhibition is part of a programme of events highlighting the links between the cities of Galway\, Ireland and Rijeka\, Croatia – both European Capitals of Culture in 2020. \n 
URL:https://mooreinstitute.ie/event/exhibition-laval-nugent-warrior-and-art-collector/
LOCATION:Foyer the Hardiman Research Building\, Ireland
ORGANIZER;CN="Liz%20McConnell":MAILTO:liz.mcconnell@nuigalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20190703T180000
DTEND;TZID=Europe/Dublin:20190703T180000
DTSTAMP:20260516T222908
CREATED:20190628T105344Z
LAST-MODIFIED:20190628T105344Z
UID:7746-1562176800-1562176800@mooreinstitute.ie
SUMMARY:''Contemporary Indian Aesthetics:  Decolonizing\, Comparative and Cosmopolitan Perspectives'' by Moore Visiting Fellow Kanchana Mahadevan
DESCRIPTION:  \nABSTRACT:   The Kochi Biennale editions since 2012 or India Pavilion at the Venice Biennale 2019 are ample testimonies to the themes of decolonization\, comparative aesthetics and cosmopolitanism in contemporary Indian art practice.  Ananda Coomaraswamy and K.C. Bhattacharyya conceptualized these themes in the early twentieth century.   Their differences notwithstanding\, they argued for the necessity of decolonization in situating the Indian art object in a nationalist context\,.  However\, they also endorsed cosmopolitanism through their critical and comparative re-reading of classical Indian aesthetic tradition with reference to its Western counterpart.  Their interventions pose several questions: How does one read Coomaraswamy’s and Bhattacharya’s claims for a phenomenology of the Indian art object?  Can indigenous art that emerges through an engagement with a foreign tradition be distinct?  How does one negotiate conflicting hermeneutics of tradition? Is the identity of ‘Indian’ art related to cosmopolitanism?  This paper will engage with these questions\, which continue to be relevant to contemporary Indian art practice. \nABOUT THE SPEAKER:   Kanchana Mahadevan Professor\, Department of Philosophy\, University of Mumbai is at present Fellow at the Moore Institute\, National University of Ireland\, Galway.  
URL:https://mooreinstitute.ie/event/contemporary-indian-aesthetics-decolonizing-comparative-and-cosmopolitan-perspectives-by-moore-visiting-fellow-kanchana-mahadevan/
LOCATION:Tom Duddy Seminar Room\, Philosophy Department Morrisroe House\, Distillery Road
ORGANIZER;CN="Gerald%20Cipriani%2C":MAILTO:gerald.cipriani@nuigalway.ie
END:VEVENT
END:VCALENDAR