BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Moore Institute - ECPv6.0.0.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Moore Institute
X-ORIGINAL-URL:https://mooreinstitute.ie
X-WR-CALDESC:Events for Moore Institute
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Dublin
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:IST
DTSTART:20180325T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20181028T010000
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20181206T130000
DTEND;TZID=Europe/Dublin:20181206T140000
DTSTAMP:20260517T202657
CREATED:20181127T152248Z
LAST-MODIFIED:20181128T111807Z
UID:6567-1544101200-1544104800@mooreinstitute.ie
SUMMARY:"Open Science\, Ireland and the Digital Repository of Ireland: where are we at and where are we going?"
DESCRIPTION:Presentation by Natalie Harrower\, Director of Digital Repository of Ireland (DRI) \n \nThe NUI Galway Research Data Working Group is delighted to host a presentation by Dr Natalie Harrower\, Director of the Digital Repository of Ireland (DRI). Natalie’s presentation will describe the work of the DRI in research data management\, the report on Turning FAIR Data into Reality of which she is a co-author and recent international and national developments including the Draft National Statement on the Transition to an Open Research Environment issued by the National Open Research Forum. \nBooking is essential – please book here 
URL:https://mooreinstitute.ie/event/open-science-ireland-and-the-digital-repository-of-ireland-where-are-we-at-and-where-are-we-going/
LOCATION:Seminar Room G010\, Hardiman Research Building
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20181206T160000
DTEND;TZID=Europe/Dublin:20181206T160000
DTSTAMP:20260517T202657
CREATED:20181203T124826Z
LAST-MODIFIED:20181203T124826Z
UID:6604-1544112000-1544112000@mooreinstitute.ie
SUMMARY:Irish Studies’ Seminar Series 2018-19
DESCRIPTION:“Hear The Band which is more powerful than the Atom Bomb!” \nLabour\, Aesthetics\, and Irish Sit Down Dance Orchestras\, 1940 – 1960 \n  \nProfessor Rebecca Miller\, IACI-NUI Galway Visiting Fellow in Irish Studies\, 2018-19. Centre for Irish Studies\, NUI Galway. \n  \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nImage: Noel Coade (compère) with unknown band and dancers\, Dublin\, ca. 1955. (Courtesy of the family of Noel Coade). \nFrom the mid-1920s to the 1960s\, audiences on both sides of the border flocked to parish and commercial dance halls to dance to big band jazz\, popular music\, and other styles as played by Irish “sit down” dance bands and orchestras. Well known touring groups such as the Mick Delahunty Orchestra\, the Maurice Mulcahy Band\, and the Gay McIntyre Band\, as well as smaller\, semi-professional dance bands such as the Brideside Serenaders (Tallow) and many others performed from sheet music of American big band jazz standards that were arranged and published in London and then imported to Ireland and Northern Ireland.  They also played a range of other music\, including Dixieland jazz\, popular Irish songs\, old time waltzes\, and the occasional céilí dance. \nFocusing primarily on sit down dance band musicians who were active in the post-World War II years\, I argue that these musicians functioned\, in part\, as laborers whose job it was to keep their audiences dancing. As such\, they engaged with their audiences’ fascination with American popular music and culture while at the same time\, reflected Irish locality and musical aesthetics. \nUsing ethnographic interviews and archival sources\, I also trace how these musicians\, increasingly came to see themselves also as entertainers and artists. It was this changing perception that in part informed the emergence of the showband era of the 1960s/1970s and ultimately Ireland’s popular music industry. \nRebecca Miller is Professor of Music at Hampshire College\, in Amherst\, Massachusetts\, and the 2018-2019 IACI-NUI Galway\, Visiting Fellow in Irish Studies. Dr. Miller received a MA from Wesleyan University and the PhD in ethnomusicology from Brown University. \nThe author of Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean (Wesleyan University Press\, 2008)\, Professor Miller has published articles and chapters on traditional and popular music in both Ireland and in the USA. A recipient of Fulbright and Whiting Fellowships\, among others\, she is currently completing a book on Irish popular music\, specifically Irish dance bands/orchestras and showbands.
URL:https://mooreinstitute.ie/event/irish-studies-seminar-series-2018-19/
LOCATION:Seminar Room\, Centre for Irish Studies\, Distillery Road
ORGANIZER;CN="Dr%20Nessa%20Cronin":MAILTO:nessa.cronin@nuigalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20181206T180000
DTEND;TZID=Europe/Dublin:20181206T190000
DTSTAMP:20260517T202657
CREATED:20181130T110506Z
LAST-MODIFIED:20181130T110506Z
UID:6592-1544119200-1544122800@mooreinstitute.ie
SUMMARY:CIORCAL SCRÍBHNEOIREACHTA
DESCRIPTION:An bhfuil suim agat i scríbhneoireacht na Gaeilge? An bhfuil tú ag iarraidh do shaothar féin a roinnt le daoine\, agus aiseolas a fháil\, nó d’obair a phlé go neamhfhoirmiúil le daoine eile a bhfuil Gaeilge acu? Nó an bhfuil tú ag iarraidh éisteacht le scríbhneoirí eile ag léamh a saothar amach os ard? Má tá\, déan cinnte go dtagann tú chun ár gciorcal scríbhneoireachta\, a bheas ar siúl achan Déardaoin ag a 6 i seomra an Droichid in Institúid de Mórdha. \n\n\n\n\n\n\n\n\nBeidh muid ag súil le fáilte a chur roimh achan duine a bhfuil Gaeilge agus fonn scríbhneoireachta acu!
URL:https://mooreinstitute.ie/event/ciorcal-scribhneoireachta-7/
LOCATION:Room 1001\, the Bridge\, Hardiman Research Building
ORGANIZER;CN="Laoighseach%20N%C3%AD%20Choistealbha":MAILTO:LAOIGHSEACH.NICHOISTEALBHA@oegaillimh.ie
END:VEVENT
END:VCALENDAR