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X-WR-CALDESC:Events for Moore Institute
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DTSTART;TZID=UTC:20180926T180000
DTEND;TZID=UTC:20181028T200000
DTSTAMP:20260518T033825
CREATED:20180904T140048Z
LAST-MODIFIED:20180912T082031Z
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SUMMARY:NUI Galway Exhibition on New Face of Italian Publishing
DESCRIPTION:  \n  \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nH. E. Paolo Serpi\, Ambassador of Italy to Ireland\, and Professor Brian Hughes\, Dean of International Affair\, NUI Galway\, will officially open a new exhibition\, Cover Revolution! Illustrators and the New Face of Italian Publishing\, at NUI Galway on Wednesday\, 26 September in G010 seminar room in the Hardiman Research Building\, NUI Galway. \nThe exhibition\, curated by Melania Gazzotti\, will run in the Hardiman Building foyer from 26 September to 28 October. \nA revolution is taking place on Italian book­stores shelves\, and more and more often illus­trators are being asked to use their colour palettes and distinctive marks to update publishers’ visual identities or redefine an author’s image. A handful of publish­ers\, talented art directors\, and a group of internationally acclaimed Italian illustra­tors\, known for their original and powerful work\, are responsible for this change. The idea to document this propitious moment in Italian illustration came to life after ob­serving this phenomenon\, and this exhibition brings to light the work of some of the most loved and respected Italian illustrators: Fran­co Matticchio\, Lorenzo Mattotti\, Emiliano Ponzi\, Guido Scarabottolo\, Gianluigi Toc­cafondo\, and Olimpia Zagnoli. \nProfessor Paolo Bartoloni\, Established Professor and Head of Italian at NUI Galway\, said: “This exhibition provides a unique opportunity to observe the synergy between the creative practices of visual artists and those of authors\, and the ways in which the written word evokes incredibly powerful and captivating images. The colours in this exhibition are vibrant\, and the echoes of various styles\, especially surrealism and modernism\, uncanny.” \n  \n 
URL:https://mooreinstitute.ie/event/nui-galway-exhibition-on-new-face-of-italian-publishing/
LOCATION:Seminar Room G010\, Hardiman Research Building
ORGANIZER;CN="Paolo%20Bartoloni":MAILTO:paolo.bartoloni@nuigalway.ie
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DTSTART;TZID=Europe/Dublin:20181023T150000
DTEND;TZID=Europe/Dublin:20181023T160000
DTSTAMP:20260518T033825
CREATED:20181016T152249Z
LAST-MODIFIED:20181016T152249Z
UID:6254-1540306800-1540310400@mooreinstitute.ie
SUMMARY:Creative Coding Meet-up
DESCRIPTION:This semester we’re going to run a weekly session for those interested in learning “creative coding”. This approach is a good way for those without any coding experience to develop a foundation in programming. The sessions will use online resources (see below) to guide self-directed learning. \n\nCreative coding is a different discipline than programming systems. The goal is to create something expressive instead of something functional. Interaction design\, information visualization and generative art are all different types of creative coding – which has become a household term describing artworks articulated as code. (via Awesome Creative Coding ) \n\nWhat can I expect?\n\nThis is a peer support group\, not an instructor-led workshop / class.\nIt’s an opportunity to schedule some time each week to develop your coding skills\, and to get some help\, if you need it.\nThere are a collection of tutorial videos (bring headphones)\, online courses and reference material linked to in the “Further Details” section below\, for you to work through at your own pace.\n\nIf you have no coding experience\, and aren’t sure where or how to start\, someone will help you. \nCome along\, meet people who are also learning to code\, and get help if you run into any problems. Showing what you’re working on would be great too. \nFurther details\nYou can find further details\, and learning resources\, at: https://github.com/dh-nuigalway/Creative-Coding-Meetup. We are planning on hosting the sessions on Tuesdays from 3pm – 4pm\, in the “Bridge Room”\, on the first floor of the Hardiman Research Building. \nAny questions?: Contact David Kelly (david.d.kelly@nuigalway.ie)
URL:https://mooreinstitute.ie/event/creative-coding-meet-up-4/
LOCATION:The Bridge Room 1001 First Floor Hardiman Research Building\, University of Galway\, Ireland
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ORGANIZER;CN="David%20Kelly":MAILTO:david.d.kelly@nuigalway.ie
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DTSTART;TZID=Europe/Dublin:20181023T180000
DTEND;TZID=Europe/Dublin:20181023T180000
DTSTAMP:20260518T033825
CREATED:20181019T143505Z
LAST-MODIFIED:20181019T143745Z
UID:6315-1540317600-1540317600@mooreinstitute.ie
SUMMARY:Modernist Studies Ireland’s: Works in Progress
DESCRIPTION:  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nModernist Studies Ireland’s monthly forum for new work in Irish modernist studies—Works in Progress—cordially invites you to its second session of this autumn season\, taking place on Tuesday\, 23 Oct\, from 6-8 pm in G011 (THB)\, as per usual with nibbles and some wine! The event seeks to shine a light on Lucia Joyce as a collaborator and significantly understudied contributor to much of the compositional work her father James Joyce undertook in the 1930s\, and which led to his probably most obscurantist work\, Finnegans Wake. \nOur two wonderful speakers are NUI Galway alumna Dr Siobhán Purcell and Genevieve Sartor (Trinity College Dublin)\, who submitted her PhD thesis last month. Siobhán will kick off the session with a talk that stresses the need to recontextualise Lucia’s letterings or lettrines. Her presentation highlights overlooked instances of Lucia Joyce’s contributions—instances which are not at all liminal and silent; once ‘illuminated’\, they embody presence and performativity in that they elaborate dynamics of the written text while complicating any straightforward understanding of the most basic textual elements of print culture: semantics\, lettering\, typeface\, and authorship. At once word and image\, the lettrines work as additional contextual signifiers that elaborate the polyphonic nature of Finnegans Wake. In re-contextualising Lucia Joyce’s lettrines\, Siobhán’s paper suggests that reading Lucia’s contributions to these published editions also troubles our collective cultural memorializing of both James and Lucia Joyce\, while giving a glimpse of how to recover the obscured and concealed contributions of women and disabled artists to modernism’s legacy. \nGenevieve’s talk\, on the other hand\, will bring a third figure into the realm: psychoanalyst Jacques Lacan. From 1975 to 1976\, Lacan delivered a seminar series on James Joyce that claimed that Joyce represents a new future for psychoanalysis. Lacan believed that Joyce could have been psychotic but was able to cure this possible condition by traversing the Oedipal framework through writing Finnegans Wake. Genevieve’s presentation will contextualise Lacan’s convictions before suggesting the possibility of revising Lacan’s late work through an original and biographically-driven argument. While Lacan was presenting his seminar that praised Joyce for having overcome psychosis\, the author’s allegedly schizophrenic daughter Lucia was living in Northampton as a resident of Saint Andrew’s\, the sanitorium where she remained until her death in 1982. Lacan refrains from mentioning Lucia in any detail—nor did he make the effort to visit her. Similarly\, there has been no scholarship on Lucia in relation to Lacan’s work on her father in either literary or Lacanian study. Through a selective look at pre-publication content in Finnegans Wake that shows how Joyce textually represented Lucia’s schizophrenia through time\, this talk will show that a focus on her can shape new ways to productively advance Lacan’s work on Joyce and his claims on the future of the clinic. \n 
URL:https://mooreinstitute.ie/event/6315/
LOCATION:Seminar Room G011 the Hardiman Reserach Building\, Ireland
ORGANIZER;CN="Tiana%20Fischer":MAILTO:T.FISCHER1@nuigalway.ie
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