BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Moore Institute - ECPv6.0.0.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Moore Institute
X-ORIGINAL-URL:https://mooreinstitute.ie
X-WR-CALDESC:Events for Moore Institute
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20170101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20171026T100000
DTEND;TZID=UTC:20171026T123000
DTSTAMP:20260518T162609
CREATED:20171025T075357Z
LAST-MODIFIED:20171025T075357Z
UID:4888-1509012000-1509021000@mooreinstitute.ie
SUMMARY:Dr Maureen O'Connor-  Seminar on the Tim Robinson Archive
DESCRIPTION:As part of the Moore Institute Visiting Fellowship Seminar Series\, we are delighted to invite you to attend the following event based on the Tim Robinson Archive at NUI Galway \nThursday 26 October: \n  \n10.00-10.15:  ‘Mapping the Future: Unfolding the Archive’\, Dr Nessa Cronin\, Centre for Irish Studies and Academic Director\, Tim Robinson Archive\, NUI Galway \n10.15-11.30:  ‘Ecofeminists and Other Animals: Tim Robinson’s Non-Human Ethics’\, Dr Maureen O’Connor (Department of English\, UCC). Moore Institute Visiting Fellow\, NUI Galway. \n 
URL:https://mooreinstitute.ie/event/dr-maureen-oconnor-seminar-tim-robinson-archive/
LOCATION:Seminar Room GO10\, Ground Floor\, Hardiman Research Building
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20171026T120000
DTEND;TZID=UTC:20171026T130000
DTSTAMP:20260518T162609
CREATED:20170922T130516Z
LAST-MODIFIED:20170922T130516Z
UID:4721-1509019200-1509022800@mooreinstitute.ie
SUMMARY:"Office Hours" Drop-in Service
DESCRIPTION:For postgraduate research students and academic staff with questions or ideas about: \n\nUsing digital technologies to support research\nCommunicating and promoting their work\nAccessing funding to enable their work.\n\nMeet with staff from the Moore Institute\, Whitaker Institute\, NUI Galway Library and the Research Office. No appointment is necessary. \nThursday September 28th from 12pm – 1pm in The Bridge\, Room 1001\, First Floor\, Hardiman Research Building.
URL:https://mooreinstitute.ie/event/office-hours-drop-service-5/
LOCATION:The Bridge Room 1001 First Floor Hardiman Research Building\, University of Galway\, Ireland
ATTACH;FMTTYPE=image/png:https://mooreinstitute.ie/wp-content/uploads/2017/09/open-hours-poster-no-times-2017-18.png
ORGANIZER;CN="David%20Kelly":MAILTO:david.d.kelly@nuigalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20171026T140000
DTEND;TZID=UTC:20171027T180000
DTSTAMP:20260518T162609
CREATED:20170926T104941Z
LAST-MODIFIED:20170926T104941Z
UID:4736-1509026400-1509127200@mooreinstitute.ie
SUMMARY:BRESAL 2017: Europe and the Social
DESCRIPTION:BRESAL 2017: Europe and the Social \nSupported by the O’Donoghue Centre for Drama\, Theatre and Performance and the School of Humanities Research Incentivisation Scheme \nNUI Galway 26-27 October 2017  \n  \nEurope\, as continent\, social community\, and political union\, is in crisis. Societies are fraught with economic instability and cultural tensions\, while the refugee crisis has led to humanitarian devastation and renewed vociferous debate about the limits of inclusion and tolerance within European societies. The growth of far-right politics as well as the tone and tenor of its discourse present alarming threats in social\, political and cultural realms. For states lying outside the boundaries of the European Union on the continent\, perhaps differing concerns animate many of the same tensions. Europe and the world await to see how the UK’s exit from the EU will shift balances of power\, prestige and access in European society and beyond. \nArtists and scholars\, through this symposium\, are invited to question the relationship(s) across art\, society and the past\, present and future(s) of the European project through interdisciplinary enquiry and practice. Panels will explore the historical contexts of European arts practice\, scholarship\, politics\, culture and society\, as well as focus on the urgency of the present moment\, and anxieties regarding the future. \nWhat is the role of the artist in the contemporary as well as historical moment in reshaping and calling into question the boundaries of “Europeanness” on scales ranging from the individual to the supra-national? What promise does looking towards practice-as-research as methodology and mode of social engagement at this particular juncture hold for European communities? And what warnings? \nBRESAL is a forum for artists and scholars who are passionate about the intelligence of art. Based on the West Coast of Ireland\, it was founded by the Burren College of Art\, the Huston School of Film and Digital Media (NUI Galway) and the Irish World Academy of Music and Dance (UL). Its goal is to provide opportunities for artists-scholars to share their work\, support doctoral level arts research\, and advocate for recognition and support at a national and international level. The forum takes its name and inspiration from the mythical Celtic island of ‘Bresal’: an island off the West Coast of Ireland known to appear and disappear magically. It is a metaphor for our interest in art’s intelligence: sometimes obvious and sometimes illusive; both measurable and intangible. \nNote: There is a free event\, but tickets must be reserved in advance. Please reserve tickets at \n  \n  \nPROGRAMME \n  \nThursday 26 October  \nNote: Art exhibitions from UL and the Burren College of Art on display throughout the conference  \n2.30: Registration \n3pm: Opening Comments \nCathal O’Donoghue\, Dean of the College of Arts\, Social Sciences and Celtic Studies\, NUI Galway \nVenue: Theatre \n3.15 – 4.00: Performance-extract by Emma O’Grady\, with post-show discussion \nChair: Marianne Ni Chinneide \nVenue: Theatre \n4.00 – 4.15: Break \n4.15 – 5.00: Film-extract by Uinsionn MacDubhghaill\, with post-screening discussion \nChair: Seán Crosson \nVenue: Theatre \n5.15 – 6.15: Book launch: Migration and Performance in Contemporary Ireland: Towards a New Interculturalism (Palgrave) by Dr Charlotte McIvor \nVenue: Studio 1 \n  \nFriday 27 October  \nVenue: All panels taking place in the theatre \n10.00 – 11.30 Panel 1: Borders\, Fragmentation and the Social \nChair: Felix O’Murchadha \nCharlotte McIvor (DTP\, NUI Galway): “Theatre as Intercultural Dialogue? When Social Policy Meets Performance Practice” \nAndrew O’Baoill (English\, Journalism\, NUI Galway): “Pluralism\, fragmentation\, and fake news: challenges for journalism and democracy” \nNessa Cronin (Irish Studies\, NUI Galway): “Border/Crossings? Collaborative Practices and the Transdisciplinary Research Agenda” \nUinsionn MacDubhghaill (Film\, NUI Galway): “Investigating the polysemic social: a practice-based enquiry” \n11.30-11.45: Break \n11.45 – 1.15 Panel 2: Sound\, Space and Circus: Reimagining Europe Through Arts Practice \nChair: Helen Phelan \nAlan Dormer (Irish World Academy\, UL): ‘Sound and the Social’ \nGrainne Hassett (SAUL\, UL): ‘Building and Breaking Structures. Bearing Witness. (Calais Refugee camp\, a city lost)’ \nShane Holohan (Irish World Academy\, UL): ‘Spanning the Artistic-Technical divide in Circus Arts Education: parallel processes (researcher/pedagogue and participating students/circus artists).’ \n1.15 – 2.15: Lunch \n2.15 – 3.45 Panel 3: State of Uncertainty: Crisis\, Dissent and the Visual Imaginary \nChair: Conor McGrady \nGavin Murphy\, Centre for Creative Arts and Media\, GMIT: ‘The Moonlight of Fantasy: The Russian Revolution Now’ \nDeclan Long\, National College of Art and Design: ‘Contemporary Art & Europe’s Refugee Crisis: Recent Stories from Austria & Hungary’ \nÁine Phillips\, Burren College of Art: ‘Future States: Performance as Practice Post Brexit’ \n3.45 – 4.00: Break \n4.00 – 5.30 Roundtable: Research and Industry Policy: Irish/European Perspectives \nChair: Dr Miriam Haughton \nDan Carey\, Director of the Moore Institute\, NUI Galway \nMonica Corcoran\, Strategic Development\, Arts Council \nJohn Crumlish\, CEO\, Galway International Arts Festival \nMaria Delgado\, Royal Central School of Speech and Drama\, University of London \nPatrick Lonergan\, Chair\, O’Donoghue Centre for Drama\, Theatre and Performance\, NUI Galway \nLynette Moran\, Creative Arts Producer and Festival Director (Live Collision\, ANU Productions\, CREATE and Lead Producer of CAPP (2014-2020)) \n5.30 – 6. 00: Reflections and Closing Remarks \n  \nConference Organisers:  \nDr Miriam Haughton\, Lecturer\, O’Donoghue Centre for Drama\, Theatre and Performance. E: miriam.haughton@nuigalway.ie \nZsuzsanna Balázs\, IRC Doctoral Scholar\, O’Donoghue Centre for Drama\, Theatre and Performance. E: Z.BALAZS2@nuigalway.ie
URL:https://mooreinstitute.ie/event/bresal-2017-europe-social/
LOCATION:O’Donoghue Centre for Drama\, Theatre and Performance\, NUI Galway
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20171026T143000
DTEND;TZID=UTC:20171026T143000
DTSTAMP:20260518T162609
CREATED:20171006T135151Z
LAST-MODIFIED:20171006T135151Z
UID:4790-1509028200-1509028200@mooreinstitute.ie
SUMMARY:Huston Guest session: Kevin Toolis: "The Wonders of the Irish Wake and other Adventures in the Screen Trade."
DESCRIPTION:Huston Guest session: Kevin Toolis: “The Wonders of the Irish Wake and other Adventures in the Screen Trade.”  \nThursday October 26\, 2.30pm\, Huston Main. \nThe award-winning filmmaker and writer Kevin Toolis will speak in the Huston School of Film & Digital Media on Thursday\, 26 October 2017 at 2.30pm. \nThe event is organised by Aonad Léann na Cumarsáide\, Acadamh na hOllscolaíochta Gaeilge in association with the Huston School of Film & Digital Media. \n  \n \nA BAFTA award-winner (for his ethical thriller\, Complicit (2013))\, Toolis has also been nominated for an Emmy for his documentary ‘Cult of the Suicide Bomber’ (2006)\, an extraordinary examination of the origins and motivations of the modern-day suicide bomber.  His books include Rebel Hearts concerning the IRA and he has contributed as a journalist to the New York Times\, the Observer and the Guardian.  His drama ‘The Confessions of Gordon Brown’ was staged on the West End in London in 2013.  Weidenfeld & Nicolson published his most recent this year My Father’s Wake\, a moving meditation on death and a celebration of the traditional Irish way of mourning the dead.
URL:https://mooreinstitute.ie/event/huston-guest-session-kevin-toolis-wonders-irish-wake-adventures-screen-trade/
LOCATION:‘Huston Main’\, Huston School of Film & Digital Media\, NUI Galway\, Ireland
ORGANIZER;CN="Sean%20Crosson":MAILTO:sean.crosson@nuigalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20171026T171500
DTEND;TZID=UTC:20171026T171500
DTSTAMP:20260518T162609
CREATED:20171011T082635Z
LAST-MODIFIED:20171011T082635Z
UID:4807-1509038100-1509038100@mooreinstitute.ie
SUMMARY:Book Launch: Charlotte McIvor "Migration and Performance in Contemporary Ireland"
DESCRIPTION:  \n \n  \n \n 
URL:https://mooreinstitute.ie/event/book-launch-charlotte-mcivor-migration-performance-contemporary-ireland/
LOCATION:O’Donoghue Centre for Drama\, Theatre and Performance\, NUI galway
ORGANIZER;CN="Chloe%20Graham":MAILTO:chloe.graham@nuigalway.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20171026T193000
DTEND;TZID=UTC:20171026T193000
DTSTAMP:20260518T162609
CREATED:20171020T155730Z
LAST-MODIFIED:20171020T155730Z
UID:4858-1509046200-1509046200@mooreinstitute.ie
SUMMARY:Screening of the silent film\, Nosferatu\, with a score performed live by Con Tempo Quartet
DESCRIPTION:Galway Music Residency in association with the Huston School of Film & Digital Media present a screening of the silent film\, Nosferatu\, with a score performed live by Con Tempo Quartet\n \nThursday October 26\, 7.30pm\, Huston Main \nIf you’re looking for something a little different this Halloween\, the Galway Music Residency has just the thing! This unique event\, in association with NUI Galway\, is sure to give you that spooky feeling. \nThis classic 1922 silent film was the first onscreen interpretation of the story of Dracula and\, though banned at the time for copyright infringements\, it has gone down in cinematic history as one of the greatest horror films ever made. \n\nWhile this great classic is being screened next Thursday\,26th October\,  the Galway ConTempo Quartet will perform a very special live score composed in the 1990s to provide a fresh sound-scape for such a timeless piece of film. It was composed by French specialist Baudime Jam in 2002 for the Prima Vista Quartet which has performed it in numerous times internationally. The score has since become part of the repertoire of a number of other renowned string quartets including the Debussy Quartet. \nTickets for this unique event cost €10/€5 and can be purchased at Nosferatu Live or on the door.
URL:https://mooreinstitute.ie/event/screening-silent-film-nosferatu-score-performed-live-con-tempo-quartet/
LOCATION:‘Huston Main’\, Huston School of Film & Digital Media\, NUI Galway\, Ireland
ORGANIZER;CN="Sean%20Crosson":MAILTO:Sean.Crosson@nuigalway.ie
END:VEVENT
END:VCALENDAR