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X-WR-CALNAME:Moore Institute
X-ORIGINAL-URL:https://mooreinstitute.ie
X-WR-CALDESC:Events for Moore Institute
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TZID:Europe/Dublin
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TZOFFSETFROM:+0000
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DTSTART:20150329T010000
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TZOFFSETFROM:+0100
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DTSTART:20151025T010000
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BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20151007T110000
DTEND;TZID=Europe/Dublin:20151007T110000
DTSTAMP:20260411T072141
CREATED:20160824T134655Z
LAST-MODIFIED:20160824T134655Z
UID:2004-1444215600-1444215600@mooreinstitute.ie
SUMMARY:German Reading Group
DESCRIPTION:German Reading Group\nRoom 1003\nEvery wednesday 11-1\nFor more information please contact lucy.m.elvis@gmail.com
URL:https://mooreinstitute.ie/event/german-reading-group-2/
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BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20151007T130000
DTEND;TZID=Europe/Dublin:20151007T130000
DTSTAMP:20260411T072141
CREATED:20160824T134657Z
LAST-MODIFIED:20160824T134657Z
UID:2021-1444222800-1444222800@mooreinstitute.ie
SUMMARY:Drama Theatre and Performance speaker series:   Sonya Kelly (actor\, comedian and playwright)
DESCRIPTION:THIS WEEK IN THE DRAMA\, THEATRE AND PERFORMANCE SPEAKER SERIES: \nSonya Kelly (actor\, comedian and playwright) \nSonya studied Drama and Classics at Trinity College\, Dublin. \nHer theatre work includes THE HEIRESS\, LONG DAY’S JOURNEY INTO NIGHT\, A CHRISTMAS CAROL\, LADY WINDERMERES’ FAN\, AS YOU LIKE IT\, THE ODD COUPLE (Gate Theatre) THE WAY YOU LOOK TONIGHT\, THE PLAYBOY OF THE WESTERN WORLD (Druid Theatre) THE SEAGULL (Corn Exchange) WIRED TO THE MOON (Fishamble) RHINOCEROUS\, THE WAITING ROOM (Kabosh Theatre) THE IDIOTS AND ONE (Pan Pan) and ZAP! (Project Brand New). Dublin Fringe work includes THE HOUSE OF BLUE LEAVES\, THE TRUTH OF THE MOON and WHEELCHAIR ON MY FACE. \nFilm\, television and radio work includes; THE MARRIAGE\, THE CASSIDYS\, MARRY ME\, THE BEAUTY BEAST\, PHYSICAL GEOGRAPHY\, DAMAGE and ROMANTIC ROAD\, a two-part television feature directed by Michael Karen. Sonya also writes and performs in David McSavage’s very popular THE SAVAGE EYE sketch show. \nAs solo artist\, Sonya has performed her own work in Ireland\, the UK and America. She was shortlisted for The UK Funny Women Awards at the Comedy Store in 2006. \n2012 saw Sonya do a national tour of THE WHEELCHAIR ON MY FACE\, produced by Fishamble Theatre. It was written by Sonya and developed as part of Show In A Bag in association with ITI\, Absolut Fringe and Fishamble Theatre Company. The show has\, and continues to travel internationally. In 2013 it was listed as Critic’s pick in The New York Times. Sonya was also the Winner of the Scotsman Fringe First Award for this show at the Edinburgh Festival (2012). \nMost recently\, Sonya appeared in  CARE\, directed by Sophie Motley\, and the self-penned memoir HOW TO KEEP AN ALIEN\, directed by Gina Moxley\, both at the Project Arts Centre. \nSonya will next appear in a touring production of HOW TO BE AN ALIEN\, with performances in Paris\, London\, at the 2015 Edinburgh Fringe Festival and throughout Ireland. \nFor more information please contact charlotte.mcivor@nuigalway.ie
URL:https://mooreinstitute.ie/event/drama-theatre-and-performance-speaker-series-sonya-kelly-actor-comedian-and-playwright/
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BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20151007T160000
DTEND;TZID=Europe/Dublin:20151007T160000
DTSTAMP:20260411T072141
CREATED:20160824T134656Z
LAST-MODIFIED:20160824T134656Z
UID:2012-1444233600-1444233600@mooreinstitute.ie
SUMMARY:History Graduate Research Seminar Series: Diarmuid Wheeler\, Tudor policy in the midlands territories of Leix and Offaly 1530-1603
DESCRIPTION:History Graduate Research Seminar Series\nDiarmuid Wheeler\nTudor policy in the midlands territories of Leix and Offaly 1530-1603.\nFÌÁilte roimh cÌÁch\nfor more information please contact caitriona.clear@nuigalway.ie
URL:https://mooreinstitute.ie/event/history-graduate-research-seminar-series-diarmuid-wheeler-tudor-policy-in-the-midlands-territories-of-leix-and-offaly-1530-1603/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20151007T160000
DTEND;TZID=Europe/Dublin:20151007T160000
DTSTAMP:20260411T072141
CREATED:20160824T134656Z
LAST-MODIFIED:20160824T134656Z
UID:2018-1444233600-1444233600@mooreinstitute.ie
SUMMARY:Gender Arc Research Seminar Series: '1916: Home: 2016': Commemorating the Past\, Performing the Future. -  Dr. Miriam Haughton and Dr. Charlotte McIvor\,  Department of Drama\, Theatre and Performance at NUI Galway
DESCRIPTION:Gender ARC and Global Women’s Studies at NUI Galway are pleased to invite you to the opening seminar of the Autumn 2015 Gender ArcResearch Seminar Series:\n“1916: Home: 2016”: Commemorating the Past\, Performing the Future\nDr. Miriam Haughton and Dr. Charlotte McIvor\nDepartment of Drama\, Theatre and Performance at NUI Galway\nAbstract: This presentation introduces ‰Û÷1916: Home: 2016′ a national and international programme \nof multi-disciplinary research and creative arts projects. ‰Û÷1916: Home: 2016′ focuses on two key \nanniversaries occurring in 2016 within the frame of Ireland’s current Decade of Centenaries: the \ncentenary of Easter Rising and the 20-year anniversary of the closing of the Republic of Ireland’s last \nMagdalene Laundry. By grouping events together in time in October 2016 throughout the island of \nIreland and internationally (with events also taking place in Canada\, the UK\, the United States\, and \nBrazil)\, ‰Û÷1916: Home: 2016′ will create spaces to reflect on a spectrum of stories that expose hidden \nlives and narratives\, both in Ireland and elsewhere\, from 1916 to 2016 and beyond. \nMiriam Haughton is a lecturer in Drama\, Theatre and Performance at the National University of \nIreland\, Galway. Her monograph Staging Trauma: Bodies in Shadow is forthcoming with the \nPalgrave MacMillan series\, ‰Û÷Contemporary Performance InterActions’. She co-edited the ISTR \njournal Irish Theatre International\, themed ‰Û÷Perform\, or Else’ (2014)\, and the collection Radical \nContemporary Theatre Practices by Women in Ireland (2015). She has published multiple essays in \ninternational journals\, including Modern Drama (‰Û÷Honorable Mention’\, Outstanding Articles 2015)\, \nNew Theatre Quarterly\, and Irish Studies Review. Miriam is a supporting member of the National \nWomen’s Council of Ireland (NWCI)\, an executive committee member of the Irish Society for \nTheatre Research (ISTR)\, and a member of the feminist working group of the International \nFederation for Theatre Research (IFTR). \nCharlotte McIvor is a lecturer in Drama and Theatre Studies at NUI Galway and Director of \nPostgraduate Studies in Drama. She has previously taught at the University of California\, Berkeley\, \nCalifornia College of the Arts and Santa Clara University. Her research specialisations include \nintercultural performance at the intersection of migration and critical race and gender studies. She \nhas just completed an Irish Research Council funded project\, ‰Û÷Interculturalism\, Migration and \nPerformance in Contemporary Ireland’ and her monograph\, Migration and Performance in \nContemporary Ireland: Towards A New Interculturalism\, is forthcoming with Palgrave Macmillan. \nHer publications include Staging Intercultural Ireland: Plays and Practitioner Perspectives (coedited \nwith Matthew Spangler) and Devised Performance in Irish Theatre: Histories and \nContemporary Practice (co-edited with SiobhÌÁn O’Gorman). Her work has appeared in Modern \nDrama and Irish University Review among others and multiple edited collections including ‰Û÷That \nWas Us’ Essays on Contemporary Irish Theatre and Performance.
URL:https://mooreinstitute.ie/event/gender-arc-research-seminar-series-1916-home-2016-commemorating-the-past-performing-the-future-dr-miriam-haughton-and-dr-charlotte-mcivor-department-of-drama-theatre-and-performance-at/
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