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DTSTART;TZID=Europe/Dublin:20150430T090000
DTEND;TZID=Europe/Dublin:20150430T090000
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CREATED:20160824T134707Z
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SUMMARY:The 12th Annual Irish Theatrical Diaspora Conference - April 30th and May 1st
DESCRIPTION:NUI Galway Centre for Drama\, Theatre and Performance\, the Irish Theatrical Diaspora Project (ITD)\, and the Gate Theatre present: \nThe 12th Annual \nIRISH THEATRICAL DIASPORA CONFERENCE \nTheme: DUBLIN’S GATE THEATRE \n30 April and 1 May 2015 \nThe Gate Theatre\, Parnell Square\, Dublin 1 \nSince the Gate Theatre was founded by Hilton Edwards and MicheÌÁl Mac LiammÌ_ir in 1928\, it has been a vital and essential presence in Dublin theatrical life. The Gate has given us outstanding\, landmark productions (including the legendary Juno and the Paycock from 1986\, the first Salom̩ in English in 1928\, and world premieres of classic plays by Denis Johnston and Brian Friel)\, brilliant festivals (including the performance of all 19 stage plays by Samuel Beckett in 1991 and four festivals dedicated to the work of Harold Pinter)\, and daring tours (to China\, Egypt\, Israel\, and beyond); it has also launched the careers of internationally-renowned actors (including Orson Welles\, James Mason\, and Michael Gambon)\, and important Gate productions have featured some of Ireland and Britain’s most famous actors (including SiobhÌÁn McKenna\, David Kelly\, Kenneth Branagh\, Ralph Fiennes\, CiarÌÁn Hinds\, John Hurt\, Liam Neeson\, Stephen Rea\, and – memorably – Sin̩ad\, Sorcha\, and Niamh Cusack alongside their father\, Cyril\, in Chekhov’s Three Sisters). \nGiven the immense importance of the Gate’s contribution to Irish theatrical culture\, it has received less critical attention than it deserves. As such\, this year’s Irish Theatrical Diaspora Conference will be dedicated to examining the Gate and the theatre practitioners associated with it – not just the celebrated artists mentioned above but also unsung figures such as Lord and Lady Longford\, Mary Manning\, Mainie Jellett\, and Harry Kernoff. The conference will feature a public interview with Michael Colgan (the theatre’s artistic director and the man behind many of its greatest achievements) and performances from actors associated with the Gate (such as Barry McGovern\, Bryan Murray\, and Michael James Ford); the programme will also include academic panels and plenary sessions which explore the theatre’s past\, present and future. Surprisingly\, this will be the first academic conference devoted entirely to the Gate. \nTo register for this conference – or to obtain more information about it – please write to Dr. David Clare (david.clare@nuigalway.ie) or Des Lally (desmlally@gmail.com). The conference is free of charge but space is limited\, so advance registration is required. \nPROVISIONAL PROGRAMME \nTHURS.\, 30 April 2015  \n9.00am-9.20am: Registration GATE THEATRE CAFÌä / Tea and Coffee served \n9.20am-9.30am: Opening Remarks GATE AUDITORIUM \n9.30am-10.30am: PLENARY SESSION – Richard Pine (Durrell School of Corfu) on “Micheal Mac LiammÌ_ir\, the Exotic-Erotic\, and the Gate Theatre’s place in Irish Theatre Studies” GATE AUDITORIUM \n10.30am-11.00am: Tea and Coffee GATE THEATRE CAFÌä AND BAR \n11.00-12.30pm: PANEL ONE – MAC LIAMMÌÒIR AND EDWARDS (Chair: Miriam Haughton of NUI Galway) GATE AUDITORIUM \nThomas Madden (NUIM) – “Letting Mac LiammÌ_ir Speak” \nRuud van den Beuken (Radboud University Nijmegen) – “A Future Femme Fatale: Prospective Memory Structures in MicheÌÁl Mac LiammÌ_ir’s Diarmuid and GrÌÁinne“ \nDes Lally (NUI Galway) – “The Fictionalization of Hilton Edwards and MicheÌÁl Mac LiammÌ_ir in Paul Smith’s Novel Stravaganza!“ \n12.30pm-1.30pm: Lunch Break \n1.30pm-3.00pm: PANEL TWO – BECKETT (Chair: Feargal Whelan of UCD) GATE AUDITORIUM \nTrish McTighe (University of Reading) – “‰Û÷Be again\, be again’: The Gate’s Beckett Country” \nDavid Clare (NUI Galway) – “The Gate Theatre’s Beckett Festivals: Tensions between the Local and the Global” \nAoife Lynch (UCD) – “Beckett’s Endgame\, Entropy\, and the Second Law of Thermodynamics” \n3.00pm-3.45pm: Rehearsed Reading of The Old Tune\, by Samuel Beckett (after Robert Pinget)\, starring Barry McGovern and Bryan Murray (presented with support from the Irish Research Council) GATE AUDITORIUM \n3.45pm-4.00pm: Tea and Coffee GATE THEATRE CAFÌä AND BAR \n4.00pm-5.30pm: PANEL THREE – NEGLECTED PLAYWRIGHTS (Chair: Des Lally of NUI Galway) GATE AUDITORIUM \nPaige Reynolds (Holy Cross) – “Mary Manning at the Gate” \nFeargal Whelan (UCD) – “Lord Longford’s Yahoo: Swift and Anglo-Irish nationalism in the 1930s” \nVirginie Girel-Pietka (CECILLE\, Universit̩ Lille 3) – “Denis Johnston at the Gate” \n6.00pm-7.00pm: PLENARY SESSION – Public Interview with Michael Colgan (conducted by Vincent Woods of RTÌä) THE GATE LAB \nFRI.\, 1 May 2015  \n9.00am-9.20am: Registration GATE THEATRE CAFÌä / Tea and Coffee served \n9.20am-9.30am: Organiser Remarks GATE AUDITORIUM \n9.30am-11.00am: PANEL FOUR -WILDE AND SHAW (Chair: David Clare of NUI Galway) GATE AUDITORIUM \nAudrey McNamara (UCD) – “The Actress Meets the Bishop at the Gate: SiobhÌÁn McKenna in Bernard Shaw’s Saint Joan“ \nNoreen Doody (St. Patrick’s College\, DCU) – “‰Û÷Our only thorough playwright’: Oscar Wilde and the Gate Theatre\, Dublin” \nIan R. Walsh (NUI Galway) – “Patrick Mason\, the Anglo-Irish Playwright\, and the Gate Theatre” \n11.00am-11.30am: Tea and Coffee GATE THEATRE CAFÌä AND BAR \n11.30am-12.30pm: Rehearsed reading of Bernard Shaw’s O’Flaherty\, V.C.\, starring Michael James Ford (presented with support from the Irish Research Council) GATE AUDITORIUM \n12.30pm-2.00pm: Lunch Break \n2.00pm – 3.30pm: PANEL FIVE – DESIGN AND STAGING (Chair: Patrick Lonergan of NUI Galway) GATE AUDITORIUM \nElaine Sisson (IADT) – “Experiment and the Free State: The Gate Theatre and European Modernism 1928-1937” \nSiobhÌÁn O’Gorman (TCD) – “From the Neo-Elizabethan to the Brechtian? Edwards and MacLiammoir’s Scenography post-1950” \nJoe Vanek (Set and Costume Designer) – “Innocence and Beyond: Four Designs for Frank McGuinness Plays at the Gate” \n3.30pm-4.00pm: Tea and Coffee GATE THEATRE CAFÌä AND BAR \n4.00pm-5.30pm: PANEL SIX – FRIEL (Chair: Thomas Conway of Druid/NUI Galway) GATE AUDITORIUM \nEmilie Pine(UCD)  – “Angry Young Men: Brian Friel\, Tom Murphy\, Arnold Wesker” \nAnthony Roche (UCD) – “Friel at the Gate: Lovers in Dublin and New York” \nGraham Price (UCD) – “Faith Healer\, Bracha Ettinger and the Art-Encounter-Event” \n6.00pm-7.00pm: PLENARY SESSION – Public interview with Christopher Fitz-Simon (conducted by Nicholas Grene of TCD) THE GATE LAB
URL:https://mooreinstitute.ie/event/the-12th-annual-irish-theatrical-diaspora-conference-april-30th-and-may-1st/
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DTSTART;TZID=Europe/Dublin:20150430T170000
DTEND;TZID=Europe/Dublin:20150430T170000
DTSTAMP:20260413T105652
CREATED:20160824T134707Z
LAST-MODIFIED:20160824T134707Z
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SUMMARY:Digital Scholarship Seminar: Franck Cinato (Centre national de la recherche scientifique\, Paris) Collaborative Digital Editing: Experience from the Liber Glossarum Project
DESCRIPTION:Digital Scholarship Seminar:\nFranck Cinato (Centre national de la recherche scientifique\, Paris)\nCollaborative Digital Editing: Experience from the Liber Glossarum Project\nAbstract: This presentation will share experience from a large-scale project to produce a new collaborative digital edition of the Liber Glossarum\, a vast encyclopaedic dictionary (c. 30\,000 entries) compiled in a female monastery in northern France around the end of the eighth century. Despite its status a foundational educational resource throughout the Middle Ages\, the text has been neglected by scholars due to the absence to date of any complete edition. The scale of the project requires the involvement of specialists throughout Europe\, and the core of the project is a website providing a collaborative platform. http://liber-glossarum.linguist.univ-paris-diderot.fr/ \nBio: Dr Franck Cinato is a researcher at the CNRS\, Paris. He completed a doctorate in 2010 on early medieval glossing at the Ìäcole Pratique des Hautes Ìätudes\, Paris. He also has an interest in experimental archaeology\, and in 2009 co-published an edition of the earliest European manual on the art of sword-fighting. \nConnect with DSS: Website | Facebook | Mailing list \nFor further informatition\, contact: Dr PÌÁdraic Moran (padraic.moran@nuigalway.ie)\, \nor Dr Justitin Tonra (justitin.tonra@nuigalway.ie) \nwww.nuigalway.ie/digital-seminar ‰ۢ www.facebook.com/nuigdss
URL:https://mooreinstitute.ie/event/digital-scholarship-seminar-franck-cinato-centre-national-de-la-recherche-scientifique-paris-collaborative-digital-editing-experience-from-the-liber-glossarum-project/
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