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DTSTART;TZID=Europe/Dublin:20130622T090000
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CREATED:20160824T134734Z
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SUMMARY:Conference on 'Gender and Sexuality in the Crime Genre'
DESCRIPTION:June 22nd and 23rd\nConference on\n‘Gender and Sexuality in the Crime Genre’.\nOrganisers Dr Kate Quinn\, NUIG\nand Dr Marieke Krajenbrink\, UL.\nFor more information contact kate.quinn@nuigalway.ie \nFriday 21st June \nRegistration: 9:00-9:30 \n 9:30-11:00       Parallel Session 1 \nScandinavian Crime I: Women Crime   Writers \n\n\n\n\nChair: \n\n\nNoir Men and   Women I \nChair: \n\n\n\n\nPaula   Arvas (Helsinki) \nIs   there a glass ceiling for Finnish women crime writers? \n\n\nDeborah   Walker  (Auckland) \nFatal   men in classic French film noir \n\n\n\n\nJacky   Collins (Northumbria) \nThe   ‰Û÷Irene Huss’ novels by Helene Tursten \n\n\nMartin   Rosenstock (Kuwait) \nSterile Erotics in the Interwar Period: Marek Krajewski’s Death in   Breslau (1999) \n\n\n\n\nJane   Rosenbaum (Rider) \nNina   Borg The Boy in the Suitcase and   the gendering of heroes and victims \n\n\nMaysaa   Jaber (Baghdad) \nOpening   the “Forbidden Box”: female criminality and agency in the works of James M.   Cain \n\n\n\n\n11:00-11:30  Coffee \n 11:30-13:00 – Parallel Session 2 \n\n\n\n\nScandinavian Crime II: The Millennium Trilogy. \nChair: \n\n\nNoir Men and   Women II \nChair: \n\n\n\n\nV̩ronique   Kwak (Taiwan National Cheng-chi University) \nFrom   victim to victimizer: Corporeal suffering as spatial transcendence of genders   in the case of Stieg Larsson’s The Girl   who Played with Fire \n\n\nLinda   Crawford (Salve Regina) \nMen   writing women in noir: Paco Ignacio   Taibo II and Luis Sep̼lveda \n\n\n\n\nDeepthi   Sebastian (QUB) \nThe   dissonant body of Lisbeth Salander \n\n\nVeronika   PitukovÌÁ (Masaryk University) \nHard-boiled   Mike Hammer and seductive babes \n\n\n\n\nKerstin   Bergman (Lund) \nThe women who are hated by men: Women   victims and Heroes in the Millennium   Trilogy \n\n\nRichard   Williams (Independent Scholar) \nInterrogating   the alleged misogyny of Gardner’s portrayal of Bertha Cool \n\n\n\n\n13:00-14:30 Lunch \n14:30-16:00 – Parallel Session 3 \n\n\n\n\nFrench Crime \nChair: \n\n\nNew incarnations and the ongoing   influence of Sherlock Holmes \nChair: \n\n\n\n\nMeryem   BelkaÌød \nWomen   written and women writers in modern French crime fiction \n\n\nPalle   Schantz Lauridsen (Copenhagen) \nHolmes   & Watson: Friendship\, bromance\, and sexuality\, 1887-2014 \n\n\n\n\nEva   Robustillo-BayÌ_n (Seville) \nFrench   women detectives in contemporary French crime fiction: Louise Morvan and   Gloria Parker-Simmons \n\n\nMalcah   Effron (Case Western Reserve\, Ohio) \nHolmes’s   female companions: Re-figuring Watson as a woman \n\n\n\n\nAndrea   Hynynen (Abo Akademi University\, Finland and Universit̩ Paris 13) \nSize   matters: challenging gender and sexual norms through the detective’s body – a   comparison of Fred Vargas’s and Pierre Lemaitre’s crime novels \n\n\nAntoine   Dech̻ne (Li̬ge/CIPA/Belspo) \nGender   and sexuality in the metaphysical thriller: the case of Paul Auster \n\n\n\n\n16:00-16:30 Coffee \n16:30-18:00 – Parallel Session 4 \n\n\n\n\nMasculinities \nChair: \n\n\n18th and 19th-century   constructions of the female criminal \nChair: \n\n\n\n\nDominique   Jeannerod (QUB) \nPutting the killer to rest:   Gender and generic exhaustion in Manchette’s The Prone Gunman \n\n\nAnna   C. Jenkin (Sheffield) \n‰Û÷Sensation\,   seduction and submission: representations of murderous wives in   eighteenth-century London and Paris’ \n\n\n\n\nJeffrey   Halpern (Rider) \n‰Û÷When   worlds collide: images of masculinity in the novels of Tony Hillerman’ \n\n\nShampa   Roy (Delhi) \nErrant Wives and Wanton   Widows: Gender and Crime in the Crime Narratives of one of the first crime   writers in Bengal \n\n\n\n\nLouise Vincent (Rhodes) \nGender and Sexuality in   South African Twenty-first Century Crime Fiction \n\n\nJoanne   Simpson (University of Ulster) \n‰Û÷Mad\,   bad and pathetic: engendering evil in the Victorian novel’ \n\n\n\n\n18:15-19:15 Keynote by Dr Andrew Pepper of QUB (Academic and Crime Writer) \n‘Appropriating the Nineteenth Century: The New Economy of Work and Sex in Crime Fiction’ \n19:15 Wine Reception and Formal Welcome \nSaturday 22nd June \n09:30-11:00 Parallel Session 5 \n\n\n\n\nWomen in Contemporary International Crime   Fiction \nChair: \n\n\nPartners in crime.  \nChair: \n\n\n\n\nLiala   Khronopoulo (St Petersburg) \n‰Û÷”Weak”   and “strong” women characters in contemporary Japanese crime stories \n\n\nEva   Erdmann (Freiburg) \nMasculine/feminine   – detecting couples in crime fiction: from Miss Marple/Hercule Poirot to Sarah   Lund/Jens=Peter Raben \n\n\n\n\nMadhumita   Chakraborty (Delhi) \nWomen   in Bangla detective fiction \n\n\nArco   van Ieperen (PWSZ) \nThe   equilibrium of the sexes: gender equality in Robert B. Parker’s Spenser   series \n\n\n\n\nPatricia   Plummer (Duisburg-Essen) \nFemale   sleuths: a survey of contemporary trends \n\n\nLinda   Ledford-Miller (Scranton) \nJust   hot enough: gender roles and sexuality in J. D. Robb’s detective series \n\n\n\n\n11:00-11:30 Coffee \n 11:30-13:00 Parallel Session 6 \n\n\n\n\nDeadly Affairs \nChair: \n\n\nScreening Gender I \nChair: \n\n\n\n\nSilvia   Ammary (John Cabot University\, Rome) \nPoe’s   beautiful dead women: males’ fictional ideals \n\n\nEduardo   ObradÌ_ (Cantabria) \nThis   is a man’s world: the women of the game in The Wire \n\n\n\n\nTina   Pusse (NUIG) \nH.   H. Jahnn’s The Wooden Ship trilogy \n\n\nNoel   O’Shea (UL) \nPerforming   masculinity in the films of Michael Mann \n\n\n\n\nJoel   Phillips (Rider) \nLove Triangle as Mise en   Abyme in Wesley Stace’s Charles Jessold\, Considered as a Murderer \n\n\nNatascha Haarstick (Ruprecht-Karls-UniversitÌ_t   Heidelberg) \nFemale   investigators in the German TV series Tatort \n\n\n\n\n13:00-14:30     Lunch \n 14:30-16:00 Parallel Session 7 \n\n\n\n\nItalian Crime Writers and Gender \nChair: \n\n\nScreening Gender II \nChair: \n\n\n\n\nCarol   Nicholson (Rider) \nOckham’s Razor\, Women\, and God: Philosophical Themes   in The Name of the Rose \n\n\nHenrietta   Phillips (Birmingham) \nCompetition\,   narcissism and the spectacle of British “Northern” masculinity in   pop-cultural accounts of Ian Brady and Peter Sutcliffe \n\n\n\n\nElizabeth   Scheiber (Rider) \nBending   Gender and Genre: Changing Gender Roles in Italian Crime Fiction \n\n\nSamantha   Lindop (Queensland) \nDeadly   Lesbians and the Contemporary Cinematic Crime Thriller \n\n\n\n\nBarbara   Pezzotti (Independent Scholar) \nBlame it on the Tranny:   Transvestism and Transgender in Andrea G. Pinketts’s Crime Fiction \n\n\nKylo-Patrick   Hart (Texas Christian University) \nQueering the Crime   ‰Û÷Splatter Film’: The Case of William Friedkin’s Cruising \n\n\n\n\n16:00-16:30 Coffee \n16:30-18:00 Parallel Session 8 \n\n\n\n\nTrue   Crimes and Criminals Revisited \nChair: \n\n\nScreening Gender III: Psychology  \nChair: \n\n\n\n\nDunlaith   Bird (Oxford/ENS Paris) \nBodies   in the Bosphorus: true crime and travel writing \n\n\nRachel   MagShamhrÌÁin (University College Cork) \nThe Female Thief in Marnie: Poor or Poorly? \n\n\n\n\nMarian   Lara-Ja̩n and Jean-Philippe Imbert (DCU) \nBleeding   Borders\, Bleeding Bodies: Violence and Sexuality in Desert Blood (Alicia Gaspar De Alba\, 2005) \n\n\nJacqui   Miller (Liverpool Hope) \n‰Û÷He certainly wasn’t a pervert‘: (A)sexuality\, Abnormal Psychology\, and Criminality in   the novels of Patricia Highsmith and their filmed adaptations \n\n\n\n\nKatarina   Gregersdotter (Ume̴ University\, Sweden) \nGender\,   sexuality and the power of storytelling in Margaret Atwood’s Alias Grace \n\n\nSujata Moorti (Middlebury\, Vermont) \nCrime on   your mind: Scientific identities \n\n\n\n\n18:00-19:00 Keynote: Professor Lisa Downing (Birmingham) \n‰Û÷Romancing the Cannibal: Genre and Gender Trouble in Thomas Harris’s Hannibal (1999)’ \n 20:00 or 20:30:  Conference Dinner in the Radisson Blu Hotel (Time to be confirmed)
URL:https://mooreinstitute.ie/event/conference-on-gender-and-sexuality-in-the-crime-genre/
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