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X-WR-CALDESC:Events for Moore Institute
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DTSTART:20130331T010000
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DTSTART:20131027T010000
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DTSTART;TZID=Europe/Dublin:20130523T092000
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DTSTAMP:20260416T103241
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SUMMARY:English Graduate Research Day
DESCRIPTION:English Graduate Research Day 2013 – \nall welcome – \ncome along and enjoy coffee and accumulated fruits of research!\n9.20-10.45 \nMeaghan Connell \n‰Û÷The Language of Irish Theatre: Corpus Findings and Analysis‰۪ \nMikyung Park \n‰Û÷Gregory’s Disavowal: the Making of a Public Persona in Spreading the News (1904)‰۪ \nMairead Ni Chroinin \n‰Û÷Mobile Computing as Postdramatic Theatre‰۪ \n10.45 COFFEE BREAK \n11.00-12.00 \nCiara O Dowd \n‰Û÷Subverting the Script: Ria Mooney & Elizabeth Connor on the Abbey Stage‰۪ \nDes Lally \n‰Û÷Actors and Architects: The Relationship of the Gate Theatre with the Architectural Firm of Scott Tallon Walker‰۪ \n12.00 COFFEE BREAK \n12.20-1.20 \nSiobhan Purcell \n‰Û÷Beckett Deformed‰۪ \nRosemary Gallagher \n‰Û÷Puns\, Hijinks\, and Slapstick in Catch-22: Not Another Black Humour Reading‰۪ \n1.20-2.20 LUNCH \n2.20-3.45 \nAnna Gasperini \n‰Û÷The Foreign Roots of Local Myths – the Global and the Local in Victorian Sensation Fiction‰۪ \nPaul Rooney \n‰Û÷Deciphering the Codes to The Notting Hill Mystery (1862-63): Hybridity\, Periodical Coding\, and Readership in Once a Week‰۪ \nEavan O Dochartaigh \n‰Û÷Image and Text of the Arctic Search Expeditions 1848-59: Methodology\, Theory and Questions‰۪ \n3.45 COFFEE BREAK \n4.15-5.35 \nKathleen Pacious \n‰Û÷And How Does That Make You Feel?” Empathetic Engagement and Ethical Receptivity in George Eliot‰۪s Daniel Deronda‰۪ \nCiaran Dowd \n‰Û÷‰ÛÏBarren\, silent\, godless‰۝: the Paratactic World of Cormac McCarthy‰۪ \nRebecca Downes \n‰Û÷Putrefaction\, Purgation\, Purification: Death and Denial in Andrew Miller’s Pure‰۪
URL:https://mooreinstitute.ie/event/english-graduate-research-day/
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