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DTSTART:20120325T010000
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DTSTART:20121028T010000
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DTSTART;TZID=Europe/Dublin:20121130T120000
DTEND;TZID=Europe/Dublin:20121130T120000
DTSTAMP:20260413T235717
CREATED:20160824T134742Z
LAST-MODIFIED:20160824T134742Z
UID:2650-1354276800-1354276800@mooreinstitute.ie
SUMMARY:CAMPS Research Lab: 'The terminology of woodwind instruments in Old and Middle Irish' by Jacopo Bisagni
DESCRIPTION:
URL:https://mooreinstitute.ie/event/camps-research-lab-the-terminology-of-woodwind-instruments-in-old-and-middle-irish-by-jacopo-bisagni/
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DTSTART;TZID=Europe/Dublin:20121130T190000
DTEND;TZID=Europe/Dublin:20121130T190000
DTSTAMP:20260413T235717
CREATED:20160824T134727Z
LAST-MODIFIED:20160824T134727Z
UID:2458-1354302000-1354302000@mooreinstitute.ie
SUMMARY:Public Concert - Guth Binn 7 T̩ada ÌÒir ̢åÛå¢ Bardic Voices\, Horns And Medieval Harps - with Ann & Charlie Heymann\, Lillis ÌÒ Laoire and Simon Dwyer
DESCRIPTION:Guth Binn 7 T̩ada ÌÒir ‰ۢ Bardic Voices\, Horns and medieval harps \nOn Friday\, November 30th at 7 pm\, NUI Galway’s Aula Maxima will resound with the ancient sounds of early Irish harp\, voice and horn.   Gold-strung clÌÁirseachs played by Ann Heymann will accompany  7th-18th century Gaelic poems (including genres of laoi\, rosc and amhrÌÁn) sung by Charlie Heymann and Lillis ÌÒ Laoire.  For contrast\, early Welsh poetry by the famous poets Aneirin and Taliesin\, will be performed\, accompanied by horsehair harp\, crwth and various lyres.  Adding to the musical soundscape are Simon O’Dwyer’s pre-historic and medieval horns\, bells and pipes.  A wine reception follows the concert\, allowing for an opportunity to meet the performers and get a closer look at the instruments.   \nAnn Heymann is renowned for having recreated specialized techniques that articulate the voice of the clÌÁirseach. Her visionary use of gold wire\, which is based both on evidence in the literature and in the physical construction of the clÌÁirseach\, has restored to the instrument a brilliant rich voice. Husband Charlie\, a graduate of Northwestern University’s inaugural ethnomusicology programme\, is both a vocalist and instrumentalist\, and for over thirty-five years the couple have performed and taught across four continents.  The couple is currently at NUI Galway\, Ann having been awarded a Moore Institute Fellowship to study the use of the harp in the performance of early Irish poetry.   Lillis ÌÒ Laoire\, lecturer in Irish and Head of School\, Languages\, Literatures and Cultures at NUI\, Galway\, is an award winning Gaelic singer\, scholar\, and writer from the Gaelic speaking region of Donegal. He teaches courses in Gaelic language\, culture and folklore at NUI\, Galway\, and his publications include ‘On a Rock in the Middle of the Ocean: Songs and Singers in Tory Island\, Ireland’ (2005).  Simon O’Dwyer has brought the sound of ancient Irish horns\, bells and pipes to audiences around the globe.  Author of “Prehistoric Music of Ireland”\, O’Dwyer documents both his research and his making of these reproduction instruments.  This event is free and open to the public and takes place in the Aula Maxima\, NUI\, Galway\, on Friday\, the 30 November at 7:00 pm.
URL:https://mooreinstitute.ie/event/public-concert-guth-binn-7-t%cc%a9ada-ioir-%cc%a2aua%c2%a2-bardic-voices-horns-and-medieval-harps-with-ann-charlie-heymann-lillis-io-laoire-and-simon-dwyer/
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