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X-WR-CALDESC:Events for Moore Institute
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DTSTART:20120325T010000
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DTSTART:20121028T010000
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DTSTART;TZID=Europe/Dublin:20120329T094500
DTEND;TZID=Europe/Dublin:20120329T094500
DTSTAMP:20260515T033445
CREATED:20160824T134738Z
LAST-MODIFIED:20160824T134738Z
UID:2614-1333014300-1333014300@mooreinstitute.ie
SUMMARY:English Graduate Research Day
DESCRIPTION:EnglishGRADUATE RESEARCH DAY \n 9.45am-11.00 chair: Dr Rebecca Barr \nRosemary Gallagher \n‰Û÷All this happened\, more or less’: the auto-biographicality of humour in Kurt Vonnegut’s Slaughterhouse-Five\, Cat’s Cradle and Sirens of Titan \nRebecca Downes \nRehabilitating the Real: J.M. Coetzee’s Aesthetics of Finitude \nCiarÌÁn Dowd \n‰Û÷Not chaos itself lay outside of that matrix’: Deterministic Chaos in Cormac McCarthy’s Border Trilogy. \n11.00 COFFEE \n11.30-12.45pm chair: Dr Riana O’Dwyer \nMair̩ad NÌ_ ChualÌÁin \nS̩tanta’s journey from its rural birthplace to the urban capital \nMair̩ad NÌ_ ChroinÌ_n \nQuestions of Time in Mobile Digital Theatre \nLisa Fitzgerald \nArchiving the West: Druid Theatre’s Role in Performing our Cultural Identity \n1.00-1.50 chair: Dr John Kenny \nMeaghan Connell \n‰Û÷As for your Irish luchorpÌÁn’: Hiberno-English\, literary dialect\, and corpus linguistics \nSiobhÌÁn Purcell \nA disability to achieve abstraction: The Feeble and the Able in The Fables of Finnegans Wake \n1:50 Lunch \n2.30-3.45                                                                                 chair: Dr ClÌ_odhna Carney \nPaul Rooney \nBanking Fraud in Serial Numbers: Commodification\, the Marketplace\, and Arthur Griffiths’ Fast and Loose (1885) \nConor Montague \nA Class Apart: Moore\, Joyce and the Baptism of Dedalus.  \n Chant̩ Mouton Kinyon \nLiterature\, Nationhood\, and Authenticity: Postcoloniality in the Irish and Harlem Renaissances \n\n\n\n\n\n\n\n\n3.45 COFFEE  \n\n\n\n\n\n\n\n\n 4.15-5.30                                                                                 chair: Professor Joan Dean \nNeassa Doherty \nPortraits of the Stage Irishman: two visual representations of Teague by the Dublin Group  (c. 1740-1775)  \nAyla Zachary \n‰Û÷A Stranger In Your Native Land’: Irish-Americans in American Irish Melodrama \nCiara O’Dowd \nArchives and Truths: Researching Irish Theatre History of the 1930s
URL:https://mooreinstitute.ie/event/english-graduate-research-day-2/
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